The Circulation Of Music
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Author | : Mary S. Lewis |
Publisher | : Routledge |
Total Pages | : 0 |
Release | : 2024-10-14 |
Genre | : Art |
ISBN | : 9781032918365 |
This volume explores the means and motives for the distribution of music during the Renaissance. The selected essays discuss both the technical side of the production of sources as well as their roles in the society in which they were produced, and are accompanied by an introduction which places the essays within the wider history of Renaissance mu
Author | : Rudolf Rasch |
Publisher | : |
Total Pages | : |
Release | : 2005 |
Genre | : |
ISBN | : |
Author | : [Anonymus AC06840393] |
Publisher | : |
Total Pages | : 0 |
Release | : 2005 |
Genre | : |
ISBN | : |
Author | : Rudolf Rasch |
Publisher | : |
Total Pages | : 316 |
Release | : 2004 |
Genre | : Arrangement (Music) |
ISBN | : |
Author | : Linda Phyllis Austern |
Publisher | : Indiana University Press |
Total Pages | : 334 |
Release | : 2017-02-13 |
Genre | : Music |
ISBN | : 0253024978 |
English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
Author | : District of Columbia. Public Library |
Publisher | : |
Total Pages | : 494 |
Release | : 1907 |
Genre | : |
ISBN | : |
Author | : Pierre-Yves Beaurepaire |
Publisher | : |
Total Pages | : 391 |
Release | : 2018 |
Genre | : Aufsatzsammlung |
ISBN | : 9780729412063 |
In eighteenth-century Europe, artistic production was characterised by significant geographical and cultural transfer. For innumerable musicians, composers, singers, actors, authors, dramatists and translators - and the works they produced - state borders were less important than style, genre and canon. Through a series of multinational case studies a team of authors examines the mechanisms and characteristics of cultural and artistic adaptability to demonstrate the complexity and flexibility of theatrical and musical exchanges during this period. By exploring questions of national taste, so-called cultural appropriation and literary preference, contributors examine the influence of the French canon on the European stage - as well as its eventual rejection -, probe how and why musical and dramatic materials became such prized objects of exchange, and analyse the double processes of transmission and literary cross-breeding in translations and adaptations. Examining patterns of circulation in England, France, the Netherlands, Germany, Scandinavia, Russia, Bohemia, Austria, Italy and the United States, authors highlight: the role of migrant musicians in breaching national boundaries and creating a 'musical cosmopolitanism'; the emergence of a specialised market in which theatre agents and local authorities negotiated contracts and productions, and recruited actors and musicians; the translations and rewritings of major plays such as Sheridan's The School for scandal, Schiller's Die Räuber and Kotzebue's Menschenhass und Reue; the refashioning of indigenous and 'national' dramas in Europe under French Revolutionary and imperial rule.
Author | : Richard Middleton |
Publisher | : Oxford University Press, USA |
Total Pages | : 406 |
Release | : 2000-06-08 |
Genre | : |
ISBN | : 0191588210 |
Reading Pop collects together key essays on the interpretation of pop songs previously published in the journal Popular Music. In sixteen varied studies by many of the best-known scholars, all the most influential approaches are represented. An introduction by leading pop academic Richard Middleton puts them into context and outlines the main debates. A select bibliography of other writings on pop music analysis adds to the usefulness of the book, which will become a central text in popular music studies. - ;Reading Pop collects together key essays on the interpretation of pop songs previously published in the journal Popular Music. In sixteen varied studies by many of the best-known scholars, all the most influential approaches are represented. An introduction by leading pop academic Richard Middleton puts them into context and outlines the main debates. A select bibliography of other writings on pop music analysis adds to the usefulness of the book, which will become a central text in popular music studies. - ;extensive introduction is particularly valuable ... the paperback price is worth it for the introduction, and the Bjornberg and Tagg essays, alone. - Allan More, British Journal of Music Education
Author | : Providence Public Library (R.I.) |
Publisher | : |
Total Pages | : 792 |
Release | : 1922 |
Genre | : Classified catalogs |
ISBN | : |
Author | : Melvil Dewey |
Publisher | : |
Total Pages | : 684 |
Release | : 1898 |
Genre | : Libraries |
ISBN | : |
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.