The Cinematic Influence
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Author | : Peter C. Pugsley |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 265 |
Release | : 2022-12-29 |
Genre | : Performing Arts |
ISBN | : 1501382969 |
Exploring the multiple aesthetic and cultural links between French and Japanese cinema, The Cinematic Influence is packed with vivid examples and case studies of films by Akira Kurosawa, Jean-Luc Godard, Hirokazu Kore-eda, Claire Denis, Naomi Kawase, Michel Gondry and many others. It illustrates the vast array of cinematic connections that mark a long history of mutual influence and reverence between filmmakers in France and Japan. The book provides new insights into the ways that national cinemas resist Hollywood to maintain and strengthen their own cultural practices and how these national cinemas perform the task of informing and enlightening other cultures about what it means to be French or Japanese. This book also deepens our understandings of film's role as a viable cultural and economic player in individual nations. Importantly, the reader will see that film operates as a form of cultural exchange between France and Japan, and more broadly, Europe and Asia. This is the first major book to investigate the crossover between these two diverse national cinemas by tracking their history of shared narrative and stylistic techniques.
Author | : Gautam Kundu |
Publisher | : McFarland |
Total Pages | : 205 |
Release | : 2007-10-08 |
Genre | : Literary Criticism |
ISBN | : 0786431342 |
This work explores the many ways in which the developing film industry of the early twentieth century influenced the writings of F. Scott Fitzgerald, focusing specifically on his novels This Side of Paradise, The Great Gatsby, Tender Is the Night, and the incomplete The Last Tycoon. The Beautiful and the Damned is also discussed briefly. Early chapters examine Fitzgerald's literary adaptation of visual film techniques (pans, freeze frames, slow motion) and aural cinematic concepts (sound effects, diegetic sound) within his most popular novels. The final chapter summarizes the effect such techniques had in augmenting and defining Fitzgerald's unique literary style.
Author | : Roy Paul Madsen |
Publisher | : New York : Macmillan |
Total Pages | : 592 |
Release | : 1973 |
Genre | : Performing Arts |
ISBN | : |
Author | : Dwayne Smith |
Publisher | : Simon and Schuster |
Total Pages | : 384 |
Release | : 2014-07 |
Genre | : Fiction |
ISBN | : 1476730539 |
"A thriller about a Black society with a secret"--
Author | : Babak A. Ebrahimian |
Publisher | : Scarecrow Press |
Total Pages | : 162 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : 9780810849877 |
Director Babak Ebrahimian examines and explores the similarities and differences between cinema and theater, and in doing so, defines a new theater form that uses film theories and aesthetics as its foundation.
Author | : David Boyd |
Publisher | : University of Texas Press |
Total Pages | : 291 |
Release | : 2006-12-01 |
Genre | : Performing Arts |
ISBN | : 029271338X |
Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.
Author | : Marshall Fine |
Publisher | : Miramax |
Total Pages | : 522 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : |
Cassavetes was the prototypical outsider who rebelled against all conventions even as he established the foundations for a new one: seemingly improvisory cinema of emotional truth and immediacy. Fine looks at the life and impact of Cassavetes, based largely on interviews from the people who knew the man and his work best: his wife Gena Rowlands and their children; Peter Falk; Ben Gazzara; Martin Scorsese; John Sayles; Seymour Cassel; Sean Penn; Sidney Lumet; Robert Altman; Jon Voight and many others who shed light on this illustrious cinematographer.
Author | : David Campany |
Publisher | : Reaktion Books |
Total Pages | : 164 |
Release | : 2008-11-15 |
Genre | : Performing Arts |
ISBN | : 9781861893512 |
"This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker"--OCLC
Author | : Whitney Crothers Dilley |
Publisher | : Columbia University Press |
Total Pages | : 507 |
Release | : 2017-08-08 |
Genre | : Performing Arts |
ISBN | : 0231543204 |
Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today.
Author | : Mary Banks Gregerson |
Publisher | : Springer Science & Business Media |
Total Pages | : 296 |
Release | : 2009-12-12 |
Genre | : Psychology |
ISBN | : 1441911146 |
Cinema both reflects life and contours life—that is its psychological power. And for decades, clinicians and educators have recognized the value of this power, using it to respectively heal in therapy and educate in the classroom. The Cinematic Mirror for Psychology and Life Coaching mines the illustrative value of cinema, offering therapists and life coaches access to ideas that can motivate and enlighten clients. Although many movie guides exist, this volume complements the available literature by adding positive psychology, mental health, and wellness perspectives to the clinical/educational/coaching mix. The serious intent to cull from cinema its underlying psychological value has motivated noted clinicians, life coaches, and cultural critics to offer science-based analysis and intervention strategies. Readers may add their own movie insights and professional expertise to this rich foundation. The volume covers international as well as domestic cinema in a variety of genres, providing a range of film choices relevant to clients’ lives. Beyond this, it expands on universal concepts of strengths, capabilities, and coping methods. Chapters in The Cinematic Mirror: analyze how movies can create and relieve trauma, challenge Hollywood’s portrayal of the American family, overview the use of movies to examine relationships in therapy, explore the acclaimed Up television cinema verite series as studies in personal growth and social change, reinterprets images of disability in terms of positive psychology, examines models, or the lack thereof, for the American adolescent rite of passage, traces the history of mental illness stereotypes in film. The collective wisdom found in The Cinematic Mirror for Psychology and Life Coaching will bring professionals involved in healing, coaching, counseling, education, and mentoring not only new applications but new appreciation for the transformative power of film. That power already exists. Readers just have to "SEE" it.