The Cinematic Boogeyman
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| Author | : Kevin McGuiness |
| Publisher | : McFarland |
| Total Pages | : 185 |
| Release | : 2024-09-19 |
| Genre | : Performing Arts |
| ISBN | : 1476693277 |
In the 1978 horror film classic Halloween, little Tommy Doyle asks his babysitter Laurie Strode "what is the Boogeyman?" This book answers this question by assessing the qualities that create the Boogeyman persona in Western popular culture particularly in the fairytale and the modern horror film. Using an archetypal approach derived from the work of Carl Jung and his successors Erich Neumann and Edgar Herzog, the book assesses the figure of the Boogeyman through an interdisciplinary lens that incorporates research from the fields of psychology, philosophy, and film studies. The book begins with an examination of the key traits associated with Bluebeard, a quintessential example of the folkloric Boogeyman featured in Charles Perrault's 1697 collection of fairytales. Through an intense comparative analysis, it highlights the presence of similar qualities in the popular villains from the contemporary American slasher movies of the 1970s and '80s. Specifically, these characters include Michael Myers from Halloween (1978), Jason Voorhees of Friday the 13th (1980), and Freddy Krueger featured in A Nightmare on Elm Street (1984). This examination situates these terrifying antagonists within a larger context of monstrosity and simultaneously establishes their role as cinematic manifestations of the folkloric Boogeyman.
| Author | : Stephen King |
| Publisher | : Simon and Schuster |
| Total Pages | : 64 |
| Release | : 2017-05-09 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1501163221 |
Five scary tales written in comic book format.
| Author | : Wikipedia contributors |
| Publisher | : e-artnow sro |
| Total Pages | : 903 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Mikel J. Koven |
| Publisher | : Scarecrow Press |
| Total Pages | : 220 |
| Release | : 2008 |
| Genre | : Performing Arts |
| ISBN | : 9780810860254 |
From Alien to When a Stranger Calls, many films are based on folklore or employ an urban legend element to propel the narrative. Films, Folklore and Urban Legends explores the convergence of folklore with popular cinema studies and focuses on the study of urban legends and how these narratives are used as inspiration for a number of films. Beginning with a general survey of the existing literature on folklore/film, this book addresses discourses of belief, how urban legends provide the organizing principle of some films, and how certain films "act out" or perform a legend.
| Author | : Robin R. Means Coleman |
| Publisher | : Routledge |
| Total Pages | : 294 |
| Release | : 2013-03 |
| Genre | : History |
| ISBN | : 1136942947 |
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
| Author | : Adam Rockoff |
| Publisher | : McFarland |
| Total Pages | : 225 |
| Release | : 2016-03-04 |
| Genre | : Performing Arts |
| ISBN | : 0786491922 |
John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.
| Author | : Various Authors |
| Publisher | : Lulu.com |
| Total Pages | : 217 |
| Release | : 2014-03-22 |
| Genre | : Performing Arts |
| ISBN | : 1304908690 |
Cashiers du Cinemart #18 marks the 20th anniversary issue of the infamous Detroit film zine. Featuring reviews, interviews, and essays on films from the sublime to the obscure. Regular contributors Skizz Cyzyk, Rich Osmond, Mike Malloy, and Mike Sullivan are back with looks at Corrupt, Eye of the Tiger, Earl Owensby, and casting decisions that almost were. Jim Donahue, Calum Syers, Scott Lefebvre, and Andrew Leavold have returned to give us pieces about Michael Powell, Ulli Lommel, Anthony Matthews, and Eddie Romero. Joshua Gravel provides another batch of movie reviews that go beyond the usual thumbs up/down tripe. This issue also features articles by first-time contributors Jay A. Gertzman, Heather Drain, Greg Goodsell, Marisa Young Mike Dereniewski, Ryan Sarnowski, Jared Case, Joe "Woodyanders" Wawrzyniak, and David Bertrand.
| Author | : Gary D. Rhodes |
| Publisher | : McFarland |
| Total Pages | : 361 |
| Release | : 2015-09-03 |
| Genre | : Performing Arts |
| ISBN | : 1476604916 |
The 1932 horror film White Zombie starring Bela Lugosi has received controversial attention from film reviewers and scholars--but it is unarguably a cult classic worthy of study. This book analyzes the film text from nearly every possible viewpoint, using both academic and popular film theories. Also supplied is an extensive intellectual history of the predecessor works to White Zombie, as well as information on the significance it carried for subsequent books and films, its theatrical release around the country, its modern cultural influence, and the attempts to restore the film to its original state. Other noteworthy features of this work include an in-depth biography of White Zombie director Victor Halperin, the first complete study of his life and career, and 244 images and photographs.
| Author | : Fouad Sabry |
| Publisher | : One Billion Knowledgeable |
| Total Pages | : 315 |
| Release | : 2024-10-06 |
| Genre | : Political Science |
| ISBN | : |
In today’s politically charged world, grasping how false narratives manipulate public opinion is essential. Frameup, part of the Political Science series, uncovers how political figures use fabricated stories to damage reputations and control perceptions. This book is key for understanding the nuances of political deception and its far-reaching effects on justice and democracy. Chapters Brief Overviews: 1: Frameup - Introduces how false narratives undermine opponents and their broader political impact. 2: Innocence Project - Highlights the efforts to correct wrongful convictions caused by frameups. 3: Miscarriage of Justice - Explores real cases of wrongful convictions due to false accusations. 4: Self-incrimination - Examines pressures that cause false self-incrimination in political settings. 5: False Confession - Investigates how false confessions are obtained and their tragic consequences. 6: Framed - Focuses on high-profile cases where individuals were framed, affecting public opinion. 7: State v. Levie - A case study illustrating legal manipulation in unjust convictions. 8: False Accusation - Discusses how false accusations are weaponized for political gains. 9: National Registry of Exonerations - Explores the registry’s role in documenting wrongful convictions. 10: Flors Sirera - Case study on how political motives led to false accusations and convictions. 11: Hotel Rwanda - Examines political manipulation in the context of the Rwandan genocide. 12: Paul Rusesabagina - Analyzes the framing of Paul Rusesabagina during international conflicts. 13: Georges Ruggiu - Investigates the case of Ruggiu and frameups’ effect on international justice. 14: Augustin Ndindiliyimana - Looks into accusations against Ndindiliyimana and their legal implications. 15: Rape - Explores the use of rape accusations as political tools to frame individuals. 16: Ferdinand Nahimana - Investigates Nahimana’s case and how political narratives shaped outcomes. 17: Law Enforcement in Hungary - Analyzes the role of Hungarian law enforcement in political frameups. 18: List of Films about the Rwandan Genocide - Provides a list of films that depict the Rwandan genocide and its political context. 19: Robert Kajuga (Interahamwe) - Examines Kajuga’s role in the genocide and the influence of false narratives. 20: Incitement to Genocide - Investigates how political frameups lead to incitement of violence and genocide. 21: PDR-Ihumure - Discusses the PDR-Ihumure’s role in the genocide and political manipulation. By peeling back the layers of deceit in political strategies, Frameup provides deep insights into how false narratives shape politics, justice, and public opinion. The book is a crucial resource for anyone looking to understand the dangerous power of political frameups.
| Author | : Scott Aaron Stine |
| Publisher | : McFarland |
| Total Pages | : 399 |
| Release | : 2015-09-18 |
| Genre | : Performing Arts |
| ISBN | : 1476611327 |
Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: "recommended"--Booklist; "exhaustive...useful"--ARBA; "a solid reference work"--Video Watchdog; "bursting with information, opinion and trivia...impeccably researched"--Film Review; "interesting and informative"--Rue Morgue; "detailed credits...entertaining"--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated.
