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| Author | : David Campany |
| Publisher | : |
| Total Pages | : 236 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
"This reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Manifestations of the cinematic in photography and of the photographic in cinema have been a springboard for the work of some of the most influential contemporary artists."--BOOK JACKET.
| Author | : Steven Shaviro |
| Publisher | : U of Minnesota Press |
| Total Pages | : 300 |
| Release | : 1994 |
| Genre | : Cinema |
| ISBN | : 9781452902494 |
A radical approach to film viewing
| Author | : Jonathan Beller |
| Publisher | : UPNE |
| Total Pages | : 350 |
| Release | : 2012-06-12 |
| Genre | : Performing Arts |
| ISBN | : 1611683823 |
A revolutionary reconceptualization of capital and perception during the twentieth century.
| Author | : Nadia Bozak |
| Publisher | : Rutgers University Press |
| Total Pages | : 257 |
| Release | : 2011-10-28 |
| Genre | : Social Science |
| ISBN | : 081355196X |
Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
| Author | : David Clarke |
| Publisher | : Routledge |
| Total Pages | : 270 |
| Release | : 2005-08-19 |
| Genre | : Science |
| ISBN | : 1134797966 |
The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others. The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film. Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik
| Author | : Babak A. Ebrahimian |
| Publisher | : Scarecrow Press |
| Total Pages | : 162 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9780810849877 |
Director Babak Ebrahimian examines and explores the similarities and differences between cinema and theater, and in doing so, defines a new theater form that uses film theories and aesthetics as its foundation.
| Author | : Vrasidas Karalis |
| Publisher | : Berghahn Books |
| Total Pages | : 217 |
| Release | : 2021-09-17 |
| Genre | : Performing Arts |
| ISBN | : 1800731973 |
Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos’s notoriously complex cinematic language has long explored Greece’s contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre, as well as his impact on both European and global cinema.
| Author | : Christian Blauvelt |
| Publisher | : Running Press Adult |
| Total Pages | : 190 |
| Release | : 2019-11-05 |
| Genre | : Performing Arts |
| ISBN | : 0762495421 |
For armchair travelers, film buffs, tourists, and city dwellers alike, Turner Classic Moviestakes you on a one-of-a-kind tour of the cinematic sites of New York City. Highlighting the great films set in the Big Apple since the dawn of cinema to the present, Cinematic Cities: New York City is both a trove of information including behind-the-scenes stories and trivia, and a practical guide full of tips on where to go, eat, drink, shop, and sleep to follow along the path of your favorite films set in NYC. Organized by neighborhood and featuring photographs and illustrated maps throughout, this is a love letter to the city and a one-of-a-kind history of the movies. Featured films and locations include The Godfather, The Seven Year Itch, King Kong, North by Northwest, On the Town, West Side Story, When Harry Met Sally, the films of Woody Allen, and scores of others.
| Author | : Nathan Carroll |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : Digital cinematography |
| ISBN | : 9781789382419 |
An academic reader bridging the disciplines of aesthetics and film studies by focusing on cinematic sublimity. Original essays by contemporary film scholars and philosophers with topics and case studies ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema.
| Author | : Eyal Peretz |
| Publisher | : Stanford University Press |
| Total Pages | : 336 |
| Release | : 2017-03-21 |
| Genre | : Performing Arts |
| ISBN | : 1503601617 |
From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.
