The Cinema Of John Milius
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Author | : Alfio Leotta |
Publisher | : Lexington Books |
Total Pages | : 159 |
Release | : 2018-12-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 1498543731 |
This book is devoted to the critical study of the cinema of John Milius, filling a major gap in the literature by combining the examination of the artistic, historical and cultural significance of Milius’ work, with an in-depth analysis of his films. Although most contemporary film-viewers have forgotten him, John Milius has been one of the most influential and controversial film-makers in the history of American cinema. Along with the likes of George Lucas, Francis Ford Coppola and Martin Scorsese, Milius was a central figure of the so called ‘New Hollywood’. Milius, who gained an Academy Award nomination as screenwriter for Apocalypse Now (1979), reached the apex of his directorial career in the 1980s with films such as Conan the Barbarian (1982) and Red Dawn (1984). More recently, he was involved in a series of innovative projects such as the creation of the HBO series Rome (2005-2007) and the invention of the Ultimate Fighting Championship.
Author | : Barbara Morgan |
Publisher | : University of Texas Press |
Total Pages | : 197 |
Release | : 2013-10-15 |
Genre | : Performing Arts |
ISBN | : 0292754604 |
Introduction / by Barbara Morgan -- 1. Inspiration. A conversation with Randall Wallace -- 2. Story. What makes a great story : a conversation with Bill Wittliff ; Steven Zaillian on where the story originates ; Peter Hedges on crafting story ; Lawrence Kasdan on story and theme -- 3. Process. A conversation with John Lee Hancock ; Sacha Gervasi on getting started ; The basics with Nicholas Kazan ; Advice from Bill Wittliff ; Anne Rapp's writing routine ; Caroline Thompson's writing process ; Lawrence Kasdan on the challenges of writing -- 4. Structure. Structure and format : a conversation with Frank Pierson, Whit Stillman, Robin Swicord, and Nicholas Kazan ; Caroline Thompson on structure ; Lawrence Kasdan on the rules of script formatting ; Visual storytelling : a conversation with John August, John Lee Hancock, and Randall Wallace -- 5. Character and dialogue. Building characters and mapping their journeys : a conversation with Lawrence Kasdan and Anne Rapp ; Nicholas Kazan on writing characters ; Crafting characters : a conversation with Lawrence Kasdan ; Dialogue and finding the voice : a conversation with John August and John Lee Hancock -- 6. Rewritng. Writer's block : a conversation with Bud Shrake and Bill Wittliff ; Bill Wittliff on when to let something go ; Steven Zaillian on defining scenes : what to keep in, what to leave out ; Anne Rapp on keeping writing fresh ; Nicholas Kazan's rewriting process ; On rewriting : a conversation with Daniel Petrie Jr., Peter Hedges, and Sacha Gervasi ; Lawrence Kasdan on how to know when you're done -- 7. Collaboration. A conversation with Steven Zaillian ; Peter Hedges on collaborating ; Lawrence Kasdan on writing with a partner ; Randall Wallace on working with other writers -- 8. Go forth.
Author | : Steve Erickson |
Publisher | : Open Road Media |
Total Pages | : 380 |
Release | : 2013-04-30 |
Genre | : Fiction |
ISBN | : 1480409995 |
The novel that inspired the film starring James Franco and Seth Rogen: “One of a kind . . . a funny, unnervingly surreal page turner” (Newsweek). Named one of the Best Books of the Year by the Washington Post Book World, Newsweek, and the Los Angeles Times Book Review Zeroville centers on the story of Vikar, a young architecture student so enthralled with the movies that his friends call him “cinéautistic.” With an intensely religious childhood behind him, and tattoos of Elizabeth Taylor and Montgomery Clift on his head, he arrives in Hollywood—where he’s mistaken for a member of the Manson family and eventually scores a job as a film editor. Vikar discovers the frames of a secret film within the reels of every movie ever made, and sets about splicing them together—a task that takes on frightening theological dimensions. Electrifying and “darkly funny,” Zeroville dives into the renegade American cinema of the 1970s and ’80s and emerges into an era for which we have no name (Publishers Weekly). “Funny, disturbing, daring . . . dreamlike and sometimes nightmarish.” —The New York Times Book Review “Magnificent.” —The Believer “[A] writer who has been compared to Vladimir Nabokov, Don DeLillo, and Thomas Pynchon.” —Bookmarks Magazine “Erickson is as unique and vital and pure a voice as American fiction has produced.” —Jonathan Lethem
Author | : Michael Pye |
Publisher | : Holt McDougal |
Total Pages | : 296 |
Release | : 1979 |
Genre | : Business & Economics |
ISBN | : |
The Movie Brats is about power in the American film industry - how the legendary moguls lost it, and how a new young generation of filmmakers came to inherit it. The authors submit that social changes in America - and not just the advent of television - were the true cause of Hollywood's decline and tell how the movie brats - the first film school graduates and movie buffs to gain real power in the industry - took over the demoralized Hollywood of the 1960s and 1970s. Six top directors show how they succeeded and how the deals were made: Francis Coppola, George Lucas, Brian DePalma, John Milius, Martin Scorsese, Steven Spielberg.
Author | : Oliver Stone |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 256 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : 9781578063031 |
Ranging from 1981 to 1997, the 15 conversations featured in this collection reveal a man frustrated by what he sees as the hypocrisies of American politics, of conservatism, and of the Hollywood film industry. Though the subjects of "Nixon, JFK, Born on the 4th of July, The Doors", and "Heaven and Earth" are rooted in the turbulent 1960s, Stone as interviewee and filmmaker is firmly entrenched in the present. Film stills.
Author | : Steven Travers |
Publisher | : McFarland |
Total Pages | : 238 |
Release | : 2016-06-23 |
Genre | : Performing Arts |
ISBN | : 1476664250 |
In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.
Author | : Norman Kagan |
Publisher | : Taylor Trade Publishing |
Total Pages | : 266 |
Release | : 2003-04-09 |
Genre | : Biography & Autobiography |
ISBN | : 1461699053 |
Robert Zemeckis has risen to the forefront of American filmmaking with a string of successes: Romancing the Stone, Back to the Future I, II, & III, Who Framed Roger Rabbit?, Forrest Gump, and Castaway. Herein, Norman Kagan unlocks the mind behind the making of these diverse and groundbreaking hits—appraising each work’s public and critical appeal while placing the films in the context of Zemeckis’s career.
Author | : Diego Bonelli |
Publisher | : Springer Nature |
Total Pages | : 274 |
Release | : 2022-01-03 |
Genre | : Social Science |
ISBN | : 9811664102 |
This book deploys the concept of ‘audiovisual tourism promotion’ to account for the promotional functions performed by a vast array of diverse media texts including tourism films, feature films, digital videos conceived for online circulation, video games and TV commercials. From this point of view, this volume fills a major gap in the literature by providing the first comprehensive critical overview of audiovisual tourism promotion as a distinct media field. In this book, the study of audiovisual tourism promotion is characterised by an interdisciplinary approach which combines film studies, media studies, human geography, sociology, tourism studies, history, postcolonial and gender studies. This book will appeal to a wide range of students and scholars from different disciplines.
Author | : Barbara Morgan |
Publisher | : University of Texas Press |
Total Pages | : 247 |
Release | : 2016-10-04 |
Genre | : Performing Arts |
ISBN | : 1477310908 |
“On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.” —Kenneth Turan, film critic for the Los Angeles Times Austin Film Festival (AFF) is the first organization focused on the writer’s creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films. On Story—Screenwriters and Filmmakers on Their Iconic Films presents renowned, award-winning screenwriters and filmmakers discussing their careers and the stories behind the production of their iconic films such as L.A. Confidential, Thelma & Louise, Groundhog Day, Guardians of the Galaxy, The Silence of the Lambs, In the Name of the Father, Apollo 13, and more. In their own lively words transcribed from interviews and panel discussions, Ron Howard, Callie Khouri, Jonathan Demme, Ted Tally, Jenny Lumet, Harold Ramis, and others talk about creating stories that resonate with one’s life experiences or topical social issues, as well as how to create appealing characters and bring them to life. Their insights, production tales, and fresh, practical, and proven advice make this book ideal for film lovers, screenwriting students, and filmmakers and screenwriters seeking inspiration.
Author | : P J Thorndyke |
Publisher | : |
Total Pages | : 194 |
Release | : 2020-08-25 |
Genre | : |
ISBN | : |
Journey into the realm of VHS tapes and midnight showings where brawny barbarians rescue nubile virgins from evil wizards, giant snakes, and armies of the undead! Although originating in the era of the pulp magazines, sword and sorcery fiction enjoyed a cinematic boom in the 1980s; a decade that gave us Conan the Barbarian and The Beastmaster as well as more low-budget offerings like the Roger Corman-produced Deathstalker series and the Italian entries like Conquest and the Ator saga. Some of these movies are fondly remembered as cult classics today but many were released directly to VHS and lurked on the shelves of video rental stores before vanishing into obscurity. While some have long since lost their lustre, there are plenty of diamonds in the rough to be found. This book takes a comprehensive look at over 40 sword and sorcery movies from the 1980s, from the towering titans to the bargain basement sleaze-fests, unearthing them from their tombs and dusting them off so that they may shine once more.