The Cinema Of Iciar Bollain
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Author | : Isabel Santaolalla |
Publisher | : Manchester University Press |
Total Pages | : 0 |
Release | : 2012-08-15 |
Genre | : Performing Arts |
ISBN | : 9780719080586 |
Director, actress, scriptwriter, and producer, Iciar Bollaín is one of the liveliest of contemporary young Spanish filmmakers and the first female director to have had a film (También la lluvia, 2010) shortlisted by the American Film Academy. Through detailed analysis of film form, socio-cultural contexts, and conditions of production and consumption, the book opens up key issues on gender, production, film authorship, the mediation of socio-historical realities and the whole question of "women's cinema." Covering all aspects of her career, this book begins by taking in her work in front of the camera, beginning with her emergence as a teenage star in Victor Erice's El Sur (1983), and following on with discussions of her mature roles, such as Un paraguas para tres and Leo . Discussion of her work as a producer and director focus on production and form, as well as on the socio-historical contexts to which they belong. Film scholars and students interested in the increasingly prominent place of modern Spanish cinema will find this highly readable book an indispensable guide to an outstanding film-maker who in her directed films addresses some of the more vibrant of contemporary themes: female friendship in Hola, ¿estás sola?, immigration in Flores de otro mundo, domestic violence in Te doy mis ojos, tensions between public and private commitments in Mataharis, and socio-economic exploitation in También la lluvia.
Author | : Maria M. Delgado |
Publisher | : Manchester University Press |
Total Pages | : 272 |
Release | : 2013-04-23 |
Genre | : History |
ISBN | : 9780719087110 |
This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analyzed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of "national" cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.
Author | : Elena Oliete-Aldea |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 298 |
Release | : 2015-12-17 |
Genre | : Performing Arts |
ISBN | : 150130299X |
The acute processes of globalisation at the turn of the century have generated an increased interest in exploring the interactions between the so-called global cultural products or trends and their specific local manifestations. Even though cross-cultural connections are becoming more patent in filmic productions in the last decades, cinema per se has always been characterized by its hybrid, transnational, border-crossing nature. From its own inception, Spanish film production was soon tied to the Hollywood film industry for its subsistence, but other film traditions such as those in the Soviet Union, France, Germany and, in particular, Italy also determined either directly or indirectly the development of Spanish cinema. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th century to the management of the contemporary financial crisis. This collection provides the first comprehensive picture of the complex national and supranational forces that have shaped Spanish films, revealing the tensions and the intricate dialogue between cross-cultural aesthetic and narrative models on the one hand, and indigenous traditions on the other, as well as the political and historical contingencies these different expressions responded to.
Author | : Tatjana Pavlović |
Publisher | : John Wiley & Sons |
Total Pages | : 296 |
Release | : 2009-02-23 |
Genre | : Performing Arts |
ISBN | : 9781444304800 |
100 Years of Spanish Cinema provides an in-depth look at themost important movements, films, and directors of twentieth-centurySpain from the silent era to the present day. A glossary of film terms provides definitions of essentialtechnical, aesthetic, and historical terms Features a visual portfolio illustrating key points of many ofthe films analyzed Includes a clear, concise timeline to help students quicklyplace films and genres in Spain’s political, economical, andhistorical contexts Discusses over 20 films including Amor Que Mata, Un ChienAndalou, Viridana, El Verdugo, El Crimen de Cuenca, and Pepi, Luci, Born
Author | : Deborah Martin |
Publisher | : Spanish and Latin-American Filmmakers |
Total Pages | : 148 |
Release | : 2016 |
Genre | : |
ISBN | : 9780719090349 |
The cinema of Lucrecia Martel provides a comprehensive analysis of the work of the acclaimed Argentine director, whose elusive and elliptical feature films have garnered worldwide recognition since her 2001 debut La ciénaga. The book situates Martel's features and unstudied short films in relation to trends in recent national and international filmmaking. This volume considers existing critical work on Martel's oeuvre, and proposes new ways of understanding it, in particular through desire, the use of the child's perspective, and through the senses and perception. Martin also offers an analysis of the politics of Martel's films, showing how they can be understood as sites of transformation and possibility, develops queer approaches to Martel's films, and shows how they offer new forms of cinematic pleasure. The cinema of Lucrecia Martel combines traditional plot and gaze analysis with an understanding of film as a material object, to explore the films' sensory experiments and their challenges to dominant cinematic forms.
Author | : Deborah Martin |
Publisher | : Manchester University Press |
Total Pages | : 197 |
Release | : 2016-05-31 |
Genre | : Performing Arts |
ISBN | : 1784997927 |
The cinema of Lucrecia Martel provides a comprehensive analysis of the work of the acclaimed Argentine director, whose elusive and elliptical feature films have garnered worldwide recognition since her 2001 debut La ciénaga. This volume considers existing critical work on Martel's oeuvre, and proposes new ways of understanding it, in particular through desire, the use of the child's perspective, and through the senses and perception. Martin also offers an analysis of the politics of Martel's films, showing how they can be understood as sites of transformation and possibility, develops queer approaches to Martel's films, and shows how they offer new forms of cinematic pleasure. The cinema of Lucrecia Martel combines traditional plot and gaze analysis with an understanding of film as a material object, to explore the films' sensory experiments and their challenges to dominant cinematic forms.
Author | : Howard Zinn |
Publisher | : Seven Stories Press |
Total Pages | : 754 |
Release | : 2011-01-04 |
Genre | : History |
ISBN | : 1583229469 |
No other radical historian has reached so many hearts and minds as Howard Zinn. It is rare that a historian of the Left has managed to retain as much credibility while refusing to let his academic mantle change his beautiful writing style from being anything but direct, forthright, and accessible. Whether his subject is war, race, politics, economic justice, or history itself, each of his works serves as a reminder that to embrace one's subjectivity can mean embracing one's humanity, that heart and mind can speak with one voice. Here, in six sections, is the historian's own choice of his shorter essays on some of the most critical problems facing America throughout its history, and today.
Author | : Alberto Mira |
Publisher | : Rowman & Littlefield |
Total Pages | : 603 |
Release | : 2019-12-04 |
Genre | : Performing Arts |
ISBN | : 1538122685 |
Historical Dictionary of Spanish Cinema covers Spanish cinema, its treasures its constant attempts to break through internationally, reaching out towards universal themes and conventions, and the specific obstacles and opportunities that have shaped the careers of filmmakers and stars. This book contains a chronology, an introduction, an appendix and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on titles, movements, filmmakers and performers, and genres (such as homosexuality, nuevo cine español or horror). This book is an excellent resource for students, researchers, and anyone wanting to know more about Spanish cinema.
Author | : M. Lazar |
Publisher | : Springer |
Total Pages | : 269 |
Release | : 2005-01-07 |
Genre | : Social Science |
ISBN | : 0230599907 |
The first collection to bring together well-known scholars writing from feminist perspectives within Critical Discourse Analysis. The theoretical structure of CDA is illustrated with empirical research from a range of locations (from Europe to Asia; the USA to Australasia) and domains (from parliament to the classroom; the media to the workplace).
Author | : Brian McFarlane |
Publisher | : Wallflower Press |
Total Pages | : 310 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781904764380 |
A fresh, concise but wide-ranging introduction to and overview of British and Irish cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films under discussion include 'Pink String and Sealing Wax', 'Room at the Top', 'The Italian Job', 'Orlando', and 'Sweet Sixteen'.