The Cambridge Companion to Mozart
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 324 |
Release | : 2003-05-22 |
Genre | : Music |
ISBN | : 9780521001922 |
Table of contents
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Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 324 |
Release | : 2003-05-22 |
Genre | : Music |
ISBN | : 9780521001922 |
Table of contents
Author | : Daniel Heartz |
Publisher | : W. W. Norton & Company |
Total Pages | : 876 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 9780393066340 |
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.
Author | : Ian Woodfield |
Publisher | : Cambridge University Press |
Total Pages | : 291 |
Release | : 2012 |
Genre | : History |
ISBN | : 1107014298 |
A study of the Prague Italian opera company and its role in performing Mozart's works in the late eighteenth-century.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 719 |
Release | : 2017-09-21 |
Genre | : Music |
ISBN | : 1108394108 |
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.
Author | : JohnA. Rice |
Publisher | : Routledge |
Total Pages | : 580 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351567888 |
The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.
Author | : Donald J. Grout |
Publisher | : Columbia University Press |
Total Pages | : 1047 |
Release | : 2003-07-18 |
Genre | : Music |
ISBN | : 0231507720 |
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Author | : Helen M. Greenwald |
Publisher | : Oxford Handbooks |
Total Pages | : 1217 |
Release | : 2014 |
Genre | : Music |
ISBN | : 0195335538 |
Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
Author | : Martha Feldman |
Publisher | : University of Chicago Press |
Total Pages | : 574 |
Release | : 2010-10-05 |
Genre | : Music |
ISBN | : 0226044548 |
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Author | : Ian Woodfield |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 266 |
Release | : 2008 |
Genre | : Music |
ISBN | : 1843834065 |
A groundbreaking new approach proposes answers to many of the opera's unresolved questions.
Author | : Albert R. Rice |
Publisher | : Oxford University Press |
Total Pages | : 486 |
Release | : 2009-03-31 |
Genre | : Music |
ISBN | : 0199711178 |
Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.