The Chronology Of Lope De Vegas Comedias
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A Companion to Golden Age Theatre
Author | : Jonathan Thacker |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 248 |
Release | : 2007 |
Genre | : Spanish drama |
ISBN | : 9781855661400 |
As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.
Songs in the Plays of Lope de Vega
Author | : Gustavo Umpierre |
Publisher | : Tamesis |
Total Pages | : 136 |
Release | : 1975 |
Genre | : Literary Criticism |
ISBN | : 9780900411977 |
Published by Boydell & Brewer Inc.
A Companion to Lope de Vega
Author | : Alexander Samson |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 406 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : 1855661683 |
An assessment of the life, work and reputation of Spain's leading Golden Age dramatist
The Golden Age Comedia
Author | : Charles Ganelin |
Publisher | : Purdue University Press |
Total Pages | : 438 |
Release | : 1994 |
Genre | : Literary Collections |
ISBN | : 9781557530868 |
Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.
Three Major Plays
Author | : Lope de Vega |
Publisher | : OUP Oxford |
Total Pages | : 680 |
Release | : 1999-01-21 |
Genre | : Drama |
ISBN | : 0191605360 |
Lope de Vega (1562-1635), widely regarded as the architect of the drama of the Spanish Golden Age, was known by his contemporaries as the `monster of Nature' on account of his creativity as a playwright. Claiming to have written more than a thousand plays, he created plots and characters notable for their energy, inventiveness and dramatic power, and which, in contrast to French classical drama, combine the serious and the comic in their desire to imitate life. Fuente Ovejuna, based on Spanish history, and revealing how tyranny leads to rebelliion, is perhaps his best-known play. The Knight from Olmedo is a moving dramatization of impetuous and youthful passion which ends in death. Punishment without Revenge, Lope's most powerful tragedy, centres on the illicit relationship of a young wife with her stepson and the revenge of a dishonoured husband. These three plays, grouped here in translations which are faithful to the original Spanish, vivid and intended for performance, embody the very best of Lope's dramatic art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A History of Spanish Golden Age Drama
Author | : Henry K. Ziomek |
Publisher | : University Press of Kentucky |
Total Pages | : 323 |
Release | : 2021-05-11 |
Genre | : Literary Criticism |
ISBN | : 0813183561 |
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
The Demetrius Legend and Its Literary Treatment in the Age of the Baroque
Author | : Ervin C. Brody |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 342 |
Release | : 1972 |
Genre | : Vega, Lope de, 1562-1635. El gran duque de Moscovia |
ISBN | : 9780838679692 |
Analyzes the use in two baroque dramas (El Gran Duque de Moscovia y Emperador Perseguido and The Loyal Subject) of the legend of Demetrius, Ivan the Terrible's son.
Discursive “Renovatio” in Lope de Vega and Calderón
Author | : Joachim Küpper |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 494 |
Release | : 2017-11-07 |
Genre | : Literary Criticism |
ISBN | : 311055609X |
This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El príncipe constante; El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.