The Chinese On The Art Of Painting
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| Author | : Yi Gu |
| Publisher | : BRILL |
| Total Pages | : 336 |
| Release | : 2021-02-01 |
| Genre | : Art |
| ISBN | : 1684176131 |
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
| Author | : Colin Mackenzie |
| Publisher | : Phaidon Press |
| Total Pages | : 0 |
| Release | : 2013-09-23 |
| Genre | : Art |
| ISBN | : 9780714865751 |
The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline.
| Author | : Maxwell K. Hearn |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 185 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 1588392813 |
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
| Author | : Richard M. Barnhart |
| Publisher | : Yale University Press |
| Total Pages | : 422 |
| Release | : 1997-01-01 |
| Genre | : Art |
| ISBN | : 0300094477 |
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
| Author | : Ning Yeh |
| Publisher | : |
| Total Pages | : |
| Release | : 2022-08 |
| Genre | : |
| ISBN | : 9780961830588 |
A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.
| Author | : Osvald Sirén |
| Publisher | : Courier Corporation |
| Total Pages | : 290 |
| Release | : 2013-02-19 |
| Genre | : Art |
| ISBN | : 0486147010 |
Comments by noted landscapists, poet-painters, historians, and theoreticians; discussions of Ch'an Buddhism and its relation to painting; methods of study and aesthetic principles, more.
| Author | : Craig Clunas |
| Publisher | : Princeton University Press |
| Total Pages | : 304 |
| Release | : 2017-02-28 |
| Genre | : Art |
| ISBN | : 0691171939 |
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
| Author | : Sharmaine Kwan |
| Publisher | : Flame Tree Illustrated |
| Total Pages | : 0 |
| Release | : 2019-08-29 |
| Genre | : Art |
| ISBN | : 9781787553002 |
Traditional Chinese painting is one of the purest art forms in existence, continuing as it does the techniques and themes that have been employed over centuries to create the most exquisite works in ink and wash. Whether meticulously realist or vibrantly expressive, often expertly combining skilful calligraphy with stunning draughtsmanship, these works all pay homage to what went before them. Focusing on classical painting, especially the colour-infused work of the Ming (1368–1644) and Qing dynasties (1644–1912), this delightful book reveals the fascinating history of Chinese painting. From Dai Jin to Ma Quan; from dramatic mountainscapes and tranquil rivers, through intricate and vivid depictions of animals and flowers, to peaceful pastoral scenes and busy tableaux of court life, the engaging text and lush reproductions ensure an enchanting read.
| Author | : Susan Bush |
| Publisher | : Hong Kong University Press |
| Total Pages | : 245 |
| Release | : 2012-11-01 |
| Genre | : Art |
| ISBN | : 9888139703 |
This classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush’s investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush’s perspective on Sung scholars’ art and theory helps explain the emergence of literati painting as the main artistic tradition in Yuan times. Social history thus served to supplement an understanding of the evolution of artistic styles.
| Author | : Jerome Silbergeld |
| Publisher | : |
| Total Pages | : 68 |
| Release | : 1982 |
| Genre | : Art |
| ISBN | : 9780295959214 |
Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.
