Gifts for Children's Bookshelves
Author | : American Library Association. Section for Library Work with Children. Book Evaluation Committee |
Publisher | : |
Total Pages | : 24 |
Release | : 1941 |
Genre | : Children's literature |
ISBN | : |
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Author | : American Library Association. Section for Library Work with Children. Book Evaluation Committee |
Publisher | : |
Total Pages | : 24 |
Release | : 1941 |
Genre | : Children's literature |
ISBN | : |
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 626 |
Release | : 1966 |
Genre | : English imprints |
ISBN | : |
Author | : Burdette Ross Buckingham |
Publisher | : |
Total Pages | : 712 |
Release | : 1936 |
Genre | : Readers |
ISBN | : |
Author | : Child Study Association of America |
Publisher | : |
Total Pages | : 214 |
Release | : 1965 |
Genre | : Children |
ISBN | : |
Author | : Lydia Pyne |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 149 |
Release | : 2016-01-28 |
Genre | : Literary Criticism |
ISBN | : 1501307339 |
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Every shelf is different and every bookshelf tells a different story. One bookshelf can creak with character in a bohemian coffee shop and another can groan with gravitas in the Library of Congress. Writer and historian Lydia Pyne finds bookshelves to be holders not just of books but of so many other things: values, vibes, and verbs that can be contained and displayed in the buildings and rooms of contemporary human existence. With a shrewd eye toward this particular moment in the history of books, Pyne takes the reader on a tour of the bookshelf that leads critically to this juncture: amid rumors of the death of book culture, why is the life of the bookshelf in full bloom? Object Lessons is published in partnership with an essay series in The Atlantic.
Author | : Elizabeth West |
Publisher | : Taylor & Francis |
Total Pages | : 246 |
Release | : 2022-10-24 |
Genre | : Literary Criticism |
ISBN | : 100064958X |
Publishing for children between 1930 and 1960 has been denigrated as a relatively fallow period for creativity and quality, certainly in comparison with the ‘golden ages’ of children’s literature that preceded and succeeded it. This book questions this perception by using archival evidence to argue that the work of what was predominantly a female group of editors, illustrators, authors and librarians (collectively referred to as bookwomen) resulted in many titles which are still considered as ‘classics’ today. The bookwomen reframed ideas about how children’s publishing should be approached and valued and, in doing so, laid the foundations for a subsequent generation of children’s authors and publishers who were to achieve far greater prominence. The key to the success of the bookwomen was their willingness to experiment, the strength of their relationships and their comprehensive understanding of the book production process. By focusing on a selection of women working across all aspects of the book production process, this book demonstrates that, both individually and collectively, women capitalised on their position as ‘other’ to the existing male institutions.
Author | : Corinna Norrick-Rühl |
Publisher | : Springer Nature |
Total Pages | : 310 |
Release | : 2022-10-05 |
Genre | : Literary Criticism |
ISBN | : 3031052927 |
Bookshelves in the Age of the COVID-19 Pandemic provides the first detailed scholarly investigation of the cultural phenomenon of bookshelves (and the social practices around them) since the start of the pandemic in March 2020. With a foreword by Lydia Pyne, author of Bookshelf (2016), the volume brings together 17 scholars from 6 countries (Australia, Canada, Germany, the Netherlands, the UK, and the USA) with expertise in literary studies, book history, publishing, visual arts, and pedagogy to critically examine the role of bookshelves during the current pandemic. This volume interrogates the complex relationship between the physical book and its digital manifestation via online platforms, a relationship brought to widespread public and scholarly attention by the global shift to working from home and the rise of online pedagogy. It also goes beyond the (digital) bookshelf to consider bookselling, book accessibility, and pandemic reading habits.
Author | : Christa Kamenetsky |
Publisher | : Ohio University Press |
Total Pages | : 347 |
Release | : 2019-06-17 |
Genre | : Literary Criticism |
ISBN | : 082144672X |
Between 1933 and 1945, National Socialists enacted a focused effort to propagandize children’s literature by distorting existing German values and traditions with the aim of creating a homogenous “folk community.” A vast censorship committee in Berlin oversaw the publication, revision, and distribution of books and textbooks for young readers, exercising its control over library and bookstore content as well as over new manuscripts, so as to redirect the cultural consumption of the nation’s children. In particular, the Nazis emphasized Nordic myths and legends with a focus on the fighting spirit of the saga heroes, their community loyalty, and a fierce spirit of revenge—elements that were then applied to the concepts of loyalty to and sacrifice for the Führer and the fatherland. They also tolerated select popular series, even though these were meant to be replaced by modern Hitler Youth camping stories. In this important book, first published in 1984 and now back in print, Christa Kamenetsky demonstrates how Nazis used children’s literature to selectively shape a “Nordic Germanic” worldview that was intended to strengthen the German folk community, the Führer, and the fatherland by imposing a racial perspective on mankind. Their efforts corroded the last remnants of the Weimar Republic’s liberal education, while promoting an enthusiastic following for Hitler.
Author | : Amberyl Malkovich |
Publisher | : Routledge |
Total Pages | : 178 |
Release | : 2013-02-11 |
Genre | : Literary Criticism |
ISBN | : 1135074259 |
This book explores the ideas of children and childhood, and the construct of the ‘ideal’ Victorian child, that developed rapidly over the Victorian era along with literacy and reading material for the emerging mass reading public. Children’s Literature was one of the developing areas for publishers and readers alike, yet this did not stop the reading public from bringing home works not expressly intended for children and reading to their family. Within the idealized middle class family circle, authors such as Charles Dickens were read and appreciated by members of all ages. By examining some of Dickens’s works that contain the imperfect child, and placing them alongside works by Kingsley, MacDonald, Stretton, Rossetti, and Nesbit, Malkovich considers the construction, romanticization, and socialization of the Victorian child within work read by and for children during the Victorian Era and early Edwardian period. These authors use elements of religion, death, irony, fairy worlds, gender, and class to illustrate the need for the ideal child and yet the impossibility of such a construct. Malkovich contends that the ‘imperfect’ child more readily reflects reality, whereas the ‘ideal’ child reflects an unattainable fantasy and while debates rage over how to define children’s literature, such children, though somewhat changed, can still be found in the most popular of literatures read by children contemporarily.