The Cathedrals Of Southern France
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Author | : Milburg F Mansfield |
Publisher | : BoD - Books on Demand |
Total Pages | : 138 |
Release | : 2024-02-04 |
Genre | : Travel |
ISBN | : |
TOO often—it is a half-acknowledged delusion, however—one meets with what appears to be a theory: that a book of travel must necessarily be a series of dull, discursive, and entirely uncorroborated opinions of one who may not be even an intelligent observer. This is mere intellectual pretence. Even a humble author—so long as he be an honest one—may well be allowed to claim with Mr. Howells the right to be serious, or the reverse, "with his material as he finds it;" and that "something personally experienced can only be realized on the spot where it was lived." This, says he, is "the prime use of travel, and the attempt to create the reader a partner in the enterprise" ... must be the excuse, then, for putting one's observations on paper. He rightly says, too, that nothing of perilous adventure is to-day any more like to happen "in Florence than in Fitchburg." A "literary tour," a "cathedral tour," or an "architectural tour," requires a formula wherein the author must be wary of making questionable estimates; but he may, with regard to generalities,—or details, for that matter,—state his opinion plainly; but he should state also his reasons. With respect to church architecture no average reader, any more than the average observer, willingly enters the arena of intellectual combat, but rather is satisfied—as he should be, unless he is a Freeman, a Gonse, or a Corroyer—with an ampler radius which shall command even a juster, though no less truthful, view.
Author | : Francis Miltoun |
Publisher | : |
Total Pages | : 626 |
Release | : 1905 |
Genre | : Cathedrals |
ISBN | : |
Author | : Milburg Mansfield |
Publisher | : Litres |
Total Pages | : 365 |
Release | : 2022-05-15 |
Genre | : Fiction |
ISBN | : 5040496877 |
Author | : Elise Whitlock Rose |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781018300443 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : John H. Arnold |
Publisher | : Oxford University Press |
Total Pages | : 545 |
Release | : 2024-04-18 |
Genre | : History |
ISBN | : 0192699792 |
What was Christianity like for ordinary people between the turn of the millennium and the coming of the Black Death? What changed and what continued, in their experiences, habits, feelings, hopes, and fears? How did they know themselves to be Christians, and indeed to be good Christians? This book answers those questions through a focus on one specific region — southern France — across a particularly fraught period of history, one beset by the changes wrought by the Gregorian reforms, the spectre of heresy, the violence of crusade, the coming of inquisition, and the pastoral revolution associated with the Fourth Lateran Council (1215). Using an array of different historical documents, John H. Arnold explores the material contexts of Christian worship from the eleventh through to the fourteenth centuries, the shifting episcopal expectations of the ordinary laity, the changes wrought through wider socioeconomic developments, and periods of sharp inflection brought by the Albigensian crusade and its aftermath. Throughout, the book explores the complex spectrum of lay piety, finding enthusiasms and doubts, faith and scepticism, agency and negotiation. It explores not just developments in the content of faith for the laity but the very dynamics of belief as a lived experience. We are shown how across these key centuries Christianity developed in its external practices, but also via inculcating a more interiorized and affective mode of belief; and thus, it is argued, it can be said to have become truly a 'religion' — a structured, demanding, and rewarding faith — for the many and not just the few.
Author | : |
Publisher | : |
Total Pages | : 380 |
Release | : 1926 |
Genre | : Museums |
ISBN | : |
Author | : American Association of Museums |
Publisher | : |
Total Pages | : 1028 |
Release | : 1926 |
Genre | : Museums |
ISBN | : |
Author | : Lucy D. Tuckerman |
Publisher | : |
Total Pages | : 44 |
Release | : 1928 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 932 |
Release | : 1904 |
Genre | : |
ISBN | : |
Author | : Gerardo Boto Varela |
Publisher | : Brepols Publishers |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Architecture, Romanesque |
ISBN | : 9782503552507 |
Gerardo Boto Varela & Justin Kroesen, Romanesque Cathedrals in Mediterranean Europe: Balance and Perspectives. I. Shaping Cathedrals in the Pre-Romanesque Era: Beat Brenk, The Cathedrals of Early Medieval Italy: The Impact of the Cult of the Saints and the Liturgy on Italian Cathedrals from 300 to 1200. Jean-Pierre Caillet, French Cathedrals around the Year 1000: Forms and Functions, Antecedents, and Future. II. Building Romanesque Cathedrals on Older Substrates: Matthias Untermann, Between 'Church Families' and Monumental Architecture: German Eleventh-Century Cathedrals and Mediterranean Traditions. Mauro Cortelazzo & Renato Perinetti, Aosta Cathedral from Bishop Anselm's Project to the Romanesque Church, 998-1200. Gerardo Boto Varela, Inter primas Hispaniarum urbes, Tarraconensis sedis insignissima: Morphogenesis and Spatial Organisation of Tarragona Cathedral (1150-1225). III. Romanesque Cathedrals in Urban Contexts: Quitterie Cazes, The Cathedral of Toulouse (1070-1120): An Ecclesiastical, Political, and Artistic Manifesto. Saverio Lomartire, The Renovation of Northern Italian Cathedrals during the Eleventh and Twelfth Centuries: The State of Current Research and Some Unanswered Questions. Xavier Barral i Altet, Medieval Cathedral Architecture as an Episcopal Instrument of Ideology and Urban Policy: The Example of Venice. Javier Martínez de Aguirre, The Architecture of Jaca Cathedral: The Project and its Impact. Jorge [Manuel de Oliveira] Rodrigues, The Portuguese Cathedrals and the Birth of a Kingdom: Braga, Oporto, Coimbra, and the Historical Arrival at Lisbon -- Capital City and Shrine of St Vincent. IV. Liturgical Layout and Spatial Organization: Michele Bacci, The Mise-en-Scène of the Holy in the Lateran Church in the Eleventh and Twelfth Centuries. Elisabetta Scirocco, Liturgical Installations in the Cathedral of Salerno: The Double Ambo in its Regional Context between Sicilian Models and Local Liturgy. Marc Sureda i Jubany, Romanesque Cathedrals in Catalonia as Liturgical Systems: A Functional and Symbolical Approach to the Cathedrals of Vic, Girona, and Tarragona (Eleventh-Fourteenth Centuries). V. Visual Discourses and Iconographic Programmes: Francesc Fité i Llevot, New Interpretation of the Thirteenth-Century Capitals of the Ancient Cathedral of Lleida ('Seu Vella'). Peter K. Klein, The Iconography of the Cloister of Gerona Cathedral and the Functionalist Interpretation of Romanesque Historiated Cloisters: Possibilities and Limitations. Marta Serrano Coll & Esther Lozano López, The Cloistral Sculpture at La Seu d'Urgell and the Problem of its Visual Repertoire. José Luis Hernando Garrido, Romanesque Sculpture in Zamora and Salamanca and its Connections to Santiago de Compostela.