The Captives By Plautus
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Author | : David Bolton |
Publisher | : Lulu.com |
Total Pages | : 78 |
Release | : 2019-10-05 |
Genre | : Reference |
ISBN | : 0244824096 |
A new translation of The Captives by Plautus, probably first produced at the end of the third century or early second century BC. It is unusual amongst Roman comedies in that it deals with a serious subject - the treatment of prisoners of war.
Author | : Titus Maccius Plautus |
Publisher | : |
Total Pages | : 190 |
Release | : 1880 |
Genre | : |
ISBN | : |
Author | : Dorota Dutsch |
Publisher | : John Wiley & Sons |
Total Pages | : 516 |
Release | : 2020-02-25 |
Genre | : Literary Criticism |
ISBN | : 1118957997 |
An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.
Author | : Roberta Stewart |
Publisher | : John Wiley & Sons |
Total Pages | : 241 |
Release | : 2012-05-21 |
Genre | : Literary Criticism |
ISBN | : 1405196289 |
This book studies a crucial phase in the history of Roman slavery, beginning with the transition to chattel slavery in the third century bce and ending with antiquity’s first large-scale slave rebellion in the 130s bce. Slavery is a relationship of power, and to study slavery – and not simply masters or slaves – we need to see the interactions of individuals who speak to each other, a rare kind of evidence from the ancient world. Plautus’ comedies could be our most reliable source for reconstructing the lives of slaves in ancient Rome. By reading literature alongside the historical record, we can conjure a thickly contextualized picture of slavery in the late third and early second centuries bce, the earliest period for which we have such evidence. The book discusses how slaves were captured and sold; their treatment by the master and the community; the growth of the conception of the slave as “other than human,” and as chattel; and the problem of freedom for both slaves and society.
Author | : Ida Ostenberg |
Publisher | : Oxford University Press |
Total Pages | : 340 |
Release | : 2009-05-21 |
Genre | : History |
ISBN | : 0199215979 |
An illustrated study of the Roman triumphal procession, Ida Ostenberg analyses the stories the Roman triumph told about the defeated and the ideas it transmitted about Rome itself.
Author | : Titus Maccius Plautus |
Publisher | : |
Total Pages | : 0 |
Release | : 1916 |
Genre | : Latin drama (Comedy) |
ISBN | : 9780674991811 |
Author | : Titus Maccius Plautus |
Publisher | : |
Total Pages | : 124 |
Release | : 1847 |
Genre | : Drama |
ISBN | : |
Author | : Katharine Mawford |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 363 |
Release | : 2021-07-05 |
Genre | : Literary Criticism |
ISBN | : 3110728923 |
Although the recent ‘memory boom’ has led to increasing interdisciplinary interest, there is a significant gap relating to the examination of this topic in Classics. In particular, there is need for a systematic exploration of ancient memory and its use as a critical and methodological tool for delving into ancient literature. The present volume provides just such an approach, theorising the use and role of memory in Graeco-Roman thought and literature, and building on the background of memory studies. The volume’s contributors apply theoretical models such as memoryscapes, civic and cultural memory, and memory loss to a range of authors, from Homeric epic to Senecan drama, and from historiography to Cicero’s recollections of performances. The chapters are divided into four sections according to the main perspective taken. These are: 1) the Mechanics of Memory, 2) Collective memory, 3) Female Memory, and 4) Oblivion. This modern approach to ancient memory will be useful for scholars working across the range of Greek and Roman literature, as well as for students, and a broader interdisciplinary audience interested in the intersection of memory studies and Classics.
Author | : Titus Maccius Plautus |
Publisher | : |
Total Pages | : 576 |
Release | : 1869 |
Genre | : |
ISBN | : |
Author | : Amy Richlin |
Publisher | : Cambridge University Press |
Total Pages | : 582 |
Release | : 2017-12-28 |
Genre | : History |
ISBN | : 1108216439 |
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.