The Capital, Culture and the Nation
Author | : Geraint Talfan Davies |
Publisher | : Institute of Welsh Affairs |
Total Pages | : 44 |
Release | : 2002 |
Genre | : Literary Collections |
ISBN | : 9781871726879 |
Download The Capital Culture And The Nation full books in PDF, epub, and Kindle. Read online free The Capital Culture And The Nation ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Geraint Talfan Davies |
Publisher | : Institute of Welsh Affairs |
Total Pages | : 44 |
Release | : 2002 |
Genre | : Literary Collections |
ISBN | : 9781871726879 |
Author | : Neil Harris |
Publisher | : University of Chicago Press |
Total Pages | : 649 |
Release | : 2013-09-30 |
Genre | : History |
ISBN | : 022606784X |
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown’s achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American history and culture with extensive archival research, and he has interviewed dozens of key players to reveal how Brown’s showmanship transformed the National Gallery. At the time of the Cold War, Washington itself was growing into a global destination, with Brown as its devoted booster. Harris describes Brown’s major role in the birth of blockbuster exhibitions, such as the King Tut show of the late 1970s and the National Gallery’s immensely successful Treasure Houses of Britain, which helped inspire similarly popular exhibitions around the country. He recounts Brown’s role in creating the award-winning East Building by architect I. M. Pei and the subsequent renovation of the West building. Harris also explores the politics of exhibition planning, describing Brown's courtship of corporate leaders, politicians, and international dignitaries. In this monumental book Harris brings to life this dynamic era and exposes the creation of Brown's impressive but costly legacy, one that changed the face of American museums forever.
Author | : Robert Hewison |
Publisher | : Verso Books |
Total Pages | : 289 |
Release | : 2014-11-11 |
Genre | : Art |
ISBN | : 1781685924 |
Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong? In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.
Author | : Martin Shefter |
Publisher | : Russell Sage Foundation |
Total Pages | : 257 |
Release | : 1993-06-01 |
Genre | : Political Science |
ISBN | : 1610444973 |
Capital of the American Century investigates the remarkable influence that New York City has exercised over the economy, politics, and culture of the nation throughout much of the twentieth century. New York's power base of corporations, banks, law firms, labor unions, artists and intellectuals has played a critical role in shaping areas as varied as American popular culture, the nation's political doctrines, and the international capitalist economy. If the city has lost its unique prominence in recent decades, the decline has been largely—and ironically—a result of the successful dispersion of its cosmopolitan values. The original essays in Capital of the American Century offer objective and intriguing analyses of New York City as a source of innovation in many domains of American life. Postwar liberalism and modernism were advanced by a Jewish and WASP coalition centered in New York's charitable foundations, communications media, and political organizations, while Wall Street lawyers and bankers played a central role in fashioning national security policies. New York's preeminence as a cultural capital was embodied in literary and social criticism by the "New York intellectuals," in the fine arts by the school of Abstract Expressionism, and in popular culture by Broadway musicals. American business was dominated by New York, where the nation's major banks and financial markets and its largest corporations were headquartered. In exploring New York's influence, the contributors also assess the larger social and economic conditions that made it possible for a single city to exert such power. New York's decline in recent decades stems not only from its own fiscal crisis, but also from the increased diffusion of industrial, cultural, and political hubs throughout the nation. Yet the city has taken on vital new roles that, on the eve of the twenty-first century, reflect an increasingly global era: it is the center of U.S. foreign trade and the international art market: The New York Times and The Wall Street Journal have emerged as international newspapers; and the city retains a crucial influence in information-intensive sectors such as corporate law, accounting, management consulting, and advertising. Capital of the American Century provides a fresh link between the study of cities and the analysis of national and international affairs. It is a book that enriches our historical sense of contemporary urban issues and our understanding of modern culture, economy, and politics.
Author | : Chris Myers Asch |
Publisher | : UNC Press Books |
Total Pages | : 624 |
Release | : 2017-10-17 |
Genre | : History |
ISBN | : 1469635879 |
Monumental in scope and vividly detailed, Chocolate City tells the tumultuous, four-century story of race and democracy in our nation's capital. Emblematic of the ongoing tensions between America's expansive democratic promises and its enduring racial realities, Washington often has served as a national battleground for contentious issues, including slavery, segregation, civil rights, the drug war, and gentrification. But D.C. is more than just a seat of government, and authors Chris Myers Asch and George Derek Musgrove also highlight the city's rich history of local activism as Washingtonians of all races have struggled to make their voices heard in an undemocratic city where residents lack full political rights. Tracing D.C.'s massive transformations--from a sparsely inhabited plantation society into a diverse metropolis, from a center of the slave trade to the nation's first black-majority city, from "Chocolate City" to "Latte City--Asch and Musgrove offer an engaging narrative peppered with unforgettable characters, a history of deep racial division but also one of hope, resilience, and interracial cooperation.
Author | : Benito Vergara |
Publisher | : Temple University Press |
Total Pages | : 230 |
Release | : 2009 |
Genre | : History |
ISBN | : 1592136648 |
Home to 33,000 Filipino American residents, Daly City, California, located just outside of San Francisco, has been dubbed “the Pinoy Capital of the United States.” In this fascinating ethnographic study of the lives of Daly City residents, Benito Vergara shows how Daly City has become a magnet for the growing Filipino American community. Vergara challenges rooted notions of colonialism here, addressing the immigrants’ identities, connections and loyalties. Using the lens of transnationalism, he looks at the “double lives” of both recent and established Filipino Americans. Vergara explores how first-generation Pinoys experience homesickness precisely because Daly City is filled with reminders of their homeland’s culture, like newspapers, shops and festivals. Vergara probes into the complicated, ambivalent feelings these immigrants have—toward the Philippines and the United States—and the conflicting obligations they have presented by belonging to a thriving community and yet possessing nostalgia for the homeland and people they left behind.
Author | : Lawrence E. Harrison |
Publisher | : Rowman & Littlefield |
Total Pages | : 231 |
Release | : 2013 |
Genre | : Business & Economics |
ISBN | : 1442219637 |
In Jews, Confucians, and Protestants: Cultural Capital and the End of Multiculturalism, Lawrence E. Harrison takes the politically incorrect stand that not all cultures are created equally. Analyzing the performance of 117 countries, grouped by predominant religion, Harrison argues for the superiority of those cultures that emphasize Jewish, Confucian, or Protestant values.
Author | : Jody Berland |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 287 |
Release | : 2000-03-03 |
Genre | : Art |
ISBN | : 0773567178 |
The twelve essays in the collection address cultural theory, aesthetics, and policy issues related to the economics of art in the context of globalization and the spreading influence of the practices and ideologies of market culture. With particular reference to Canada, they question whether these shifts and the rise of new media technologies are endangering or enriching public participation, democratic negotiation, and cultural diversity. The book includes essays by John Fekete on Innis and censorship, Thierry de Duve on global markets, Nicole Debreuil on the Voice of Fire controversy, and Mark Cheethum on Alex Colville and Andy Patton. It also includes specifically commissioned artworks by leading Canadian artists such as Vera Frenkel and Cheryl Sourkes. Authors: Bruce Barber (Nova Scotia College of Art and Design), Jody Berland (York), Mark A. Cheetham (Western), Thierry de Duve (Center for Advanced Study in the Visual Arts, Washington, DC), Michael Dorland (Carleton), Nicole Dubreuil (Montreal), John Fekete (Trent), Shelley Hornstein (York), Johanne Lamoureux (Montreal), Brenda Longfellow (York), Janine Marchessault (McGill), Paul Mattick, Jr (Adelphi),and Anne Whitelaw (Alberta). Artists: Karl Beveridge, Michael Buckland, Carole Conde, Vera Frenkel, Janice Gurney, John Marriott, Luke Murphy, Yvonne Singer, Cheryl Sourkes, John Veenema, and Ron Wakkary.
Author | : Colin Woodard |
Publisher | : Penguin |
Total Pages | : 401 |
Release | : 2012-09-25 |
Genre | : History |
ISBN | : 0143122029 |
• A New Republic Best Book of the Year • The Globalist Top Books of the Year • Winner of the Maine Literary Award for Non-fiction Particularly relevant in understanding who voted for who during presidential elections, this is an endlessly fascinating look at American regionalism and the eleven “nations” that continue to shape North America According to award-winning journalist and historian Colin Woodard, North America is made up of eleven distinct nations, each with its own unique historical roots. In American Nations he takes readers on a journey through the history of our fractured continent, offering a revolutionary and revelatory take on American identity, and how the conflicts between them have shaped our past and continue to mold our future. From the Deep South to the Far West, to Yankeedom to El Norte, Woodard (author of American Character: A History of the Epic Struggle Between Individual Liberty and the Common Good) reveals how each region continues to uphold its distinguishing ideals and identities today, with results that can be seen in the composition of the U.S. Congress or on the county-by-county election maps of any hotly contested election in our history.
Author | : Jody Berland |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 288 |
Release | : 2000 |
Genre | : Art |
ISBN | : 0773517251 |
An anthology of contemporary art theory from a Canadian perspective.