The Camden House History Of German Literature The Literature Of Weimar Classicism
Download The Camden House History Of German Literature The Literature Of Weimar Classicism full books in PDF, epub, and Kindle. Read online free The Camden House History Of German Literature The Literature Of Weimar Classicism ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Simon Richter |
Publisher | : Boydell & Brewer |
Total Pages | : 421 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 157113249X |
New essays providing an account of the shaping beliefs, preoccupations, motifs, and values of Weimar Classicism.
Author | : Nicholas Saul |
Publisher | : Cambridge University Press |
Total Pages | : 363 |
Release | : 2009-07-09 |
Genre | : History |
ISBN | : 0521848911 |
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Author | : Paul Bishop |
Publisher | : Camden House |
Total Pages | : 312 |
Release | : 2005 |
Genre | : Philosophy |
ISBN | : 9781571132802 |
"The book provides an overview of related scholarly literature; discusses Nietzsche's aesthetic theory in The Birth of Tragedy; recounts the composition of Thus Spoke Zarathustra, and offers an interpretation of the "aesthetic gospel" in this centeal work. A concluding chapter explores the continuities in aesthetic theory from Leucippus to Ernst Cassirer. By demonstrating the constitutive function of the aesthetics of Weimar classicism in his philosophy, this book opens up a fresh and original perspective on reading Nietzsche."--BOOK JACKET.
Author | : Birgit Tautz |
Publisher | : Penn State Press |
Total Pages | : 279 |
Release | : 2017-12-07 |
Genre | : Literary Criticism |
ISBN | : 0271080515 |
In Translating the World, Birgit Tautz provides a new narrative of German literary history in the late eighteenth and early nineteenth centuries. Departing from dominant modes of thought regarding the nexus of literary and national imagination, she examines this intersection through the lens of Germany’s emerging global networks and how they were rendered in two very different German cities: Hamburg and Weimar. German literary history has tended to employ a conceptual framework that emphasizes the nation or idealized citizenry, yet the experiences of readers in eighteenth-century German cities existed within the context of their local environments, in which daily life occurred and writers such as Lessing, Schiller, and Goethe worked. Hamburg, a flourishing literary city in the late eighteenth century, was eventually relegated to the margins of German historiography, while Weimar, then a small town with an insular worldview, would become mythologized for not only its literary history but its centrality in national German culture. By interrogating the histories of and texts associated with these cities, Tautz shows how literary styles and genres are born of local, rather than national, interaction with the world. Her examination of how texts intersect and interact reveals how they shape and transform the urban cultural landscape as they are translated and move throughout the world. A fresh, elegant exploration of literary translation, discursive shifts, and global cultural changes, Translating the World is an exciting new story of eighteenth-century German culture and its relationship to expanding global networks that will especially interest scholars of comparative literature, German studies, and literary history.
Author | : Hans Adler |
Publisher | : Camden House |
Total Pages | : 504 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 157113395X |
New, specially commissioned essays providing an in-depth scholarly introduction to the great thinker of the European Enlightenment. Johann Gottfried Herder (1744-1803) is one of the great names of the classical age of German literature. One of the last universalists, he wrote on aesthetics, literary history and theory, historiography, anthropology, psychology, education, and theology; translated and adapted poetry from ancient Greek, English, Italian, even from Persian and Arabic; collected folk songs from around the world; and pioneered a better understanding of non-European cultures.A student of Kant's, he became Goethe's mentor in Strasbourg, and was a mastermind of the Sturm und Drang and a luminary of classical Weimar. But the wide range of Herder's interests and writings, along with his unorthodox ways of seeing things, seems to have prevented him being fully appreciated for any of them. His image has also been clouded by association with political ideologies, the proponents of which ignored the message of Humanität in histexts. So although Herder is acknowledged by scholars to be one of the great thinkers of European Enlightenment, there is no up-to-date, comprehensive introduction to his works in English, a lacuna this book fills with seventeennew, specially commissioned essays. Contributors: Hans Adler, Wulf Koepke, Steven Martinson, Marion Heinz and Heinrich Clairmont, John Zammito, Jürgen Trabant, Stefan Greif, Ulrich Gaier, Karl Menges, Christoph Bultmann, Martin Keßler, Arnd Bohm, Gerhard Sauder, Robert E. Norton, Harro Müller-Michaels, Günter Arnold, Kurt Kloocke, and Ernest A. Menze. Hans Adler is Halls-Bascom Professor of Modern Literature Studies at the Universityof Wisconsin-Madison. Wulf Koepke is Distinguished Professor Emeritus of German, Texas A&M University and recipient of the Medal of the International J. G. Herder Society.
Author | : Dennis F. Mahoney |
Publisher | : Boydell & Brewer |
Total Pages | : 426 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 1571132368 |
Sharply focused essays on the most significant aspects of German Romanticism.
Author | : David Hill |
Publisher | : Boydell & Brewer |
Total Pages | : 391 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 1571131744 |
Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.
Author | : Clayton Koelb |
Publisher | : Boydell & Brewer |
Total Pages | : 368 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9781571132505 |
New essays providing an overview of the major movements, genres, and authors of 19th-century German literature in social and political context. This volume provides an overview of the major movements, genres, and authors of 19th-century German literature in the period from the death of Goethe in 1832 to the publication of Freud's Interpretation of Dreams in 1899. Although the primary focus is on imaginative literature and its genres, there is also substantial discussion of related topics, including music-drama, philosophy, and the social sciences. Literature is considered in its cultural and socio-political context, and the German literary scene takes its place in a wider European perspective. Following the editors' introduction, essays consider the impact of Romanticism on subsequent literary movements, the effectsof major movements and writers of non-German-speaking Europe on the development of German literature, and the impact of politics on the changing cultural scene. The second section presents overviews of the principal movements ofthe time (Junges Deutschland, Vormärz, Biedermeier, Poetic Realism, Naturalism, Symbolism, and Impressionism), and the third section focuses on the major genres of lyric poetry, prose fiction, drama, and music-drama. The final section provides bibliographical resources in the form of a critical bibliography and a list of primary sources. Contributors to the volume are distinguished scholars of German literature, culture, and history from North America andEurope: Andrew Webber, Lilian Furst, Arne Koch, Robert Holub, Gail Finney, Ernst Grabovszki, Benjamin Bennett, Jeffrey Sammons, Thomas Pfau, Christopher Morris, John Pizer, Thomas Spencer. Clayton Koelb is Guy B. Johnson Distinguished Professor of German at the University of North Carolina-Chapel Hill, and Eric Downing is Associate Professor of German at the same institution.
Author | : Jeffrey L. High |
Publisher | : Camden House |
Total Pages | : 514 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 1571134883 |
New essays by top international Schiller scholars on the reception of the great German writer and dramatist, emphasizing his realist aspects. The works of Friedrich Schiller (1759-1805) -- an innovative and resonant tragedian and an important poet, essayist, historian, and aesthetic theorist -- are among the best known of German and world literature. Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canonicalshifts in the cyclically polarized reception of Schiller and his works, in pursuit of historical and contemporary answers to Samuel Taylor Coleridge's expression of frightened admiration in 1794: "Who is this Schiller?" The responses demonstrate pronounced shifts from widespread twentieth-century understandings of Schiller: the overwhelming emphasis here is on Schiller the cosmopolitan realist, and little or no trace is left of the ultimately untenable view of Schiller as an abstract idealist who turned his back on politics. Contributors: Ehrhard Bahr, Matthew Bell, Frederick Burwick, Jennifer Driscoll Colosimo, Bernd Fischer, Gail K. Hart, Fritz Heuer, Hans H. Hiebel, Jeffrey L. High, Walter Hinderer, Paul E. Kerry, Erik B. Knoedler, Elisabeth Krimmer, Maria del Rosario Acosta López, Laura Anna Macor, Dennis F. Mahoney, Nicholas Martin, John A. McCarthy, Yvonne Nilges, Norbert Oellers, Peter Pabisch, David Pugh, T. J. Reed, Wolfgang Riedel, Jörg Robert, Ritchie Robertson, Jeffrey L. Sammons, Henrik Sponsel. Jeffrey L. High is Associate Professor of German Studies at California State University Long Beach, Nicholas Martin is Reader in European Intellectual History at the University of Birmingham, and Norbert Oellers is Professor Emeritus of German Literature at the University of Bonn.
Author | : James R. Hodkinson |
Publisher | : Boydell & Brewer |
Total Pages | : 269 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 1571135758 |
Focuses on the cultural, philosophical, political, and scholarly uses of "orientalism" in the German-speaking and Central and Eastern European worlds from the late eighteenth century to the present day. The concept and study of orientalism in Western culture gained a changed understanding from Edward Said's now iconic 1978 book Orientalism. However, recent debate has moved beyond Said's definition of the phenomenon, highlighting the multiple forms of orientalism within the "West," the manifold presence of the "East" in the Western world, indeed the epistemological fragility of the ideas of "Occident" and "Orient" as such. This volume focuses on the deployment -- here the cultural, philosophical, political, and scholarly uses -- of "orientalism" in the German-speaking and Central and Eastern European worlds from the late eighteenth century to the present day. Its interdisciplinary approach combines distinguished contributions by Indian scholars, who approach the topic of orientalism through the prism of German studies as practiced in Asia, with representative chapters by senior German, Austrian, and English-speaking scholars working at the intersection of German and oriental studies. Contributors: Anil Bhatti, Michael Dusche, Johannes Feichtinger, Johann Heiss, James Hodkinson, Kerstin Jobst, Jon Keune, Todd Kontje, Margit Köves, Sarah Lemmen, Shaswati Mazumdar, Jyoti Sabarwal, Ulrike Stamm, John Walker. James Hodkinson is Associate Professor in German Studies at Warwick University. John Walker is Senior Lecturer in EuropeanCultures and Languages at Birkbeck College, University of London. Shaswati Mazumdar is Professor in German at the University of Delhi. Johannes Feichtinger is a Researcher at the Österreichische Akademie der Wissenschaften.