The Cambridge Introduction To Christopher Marlowe
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| Author | : Patrick Cheney |
| Publisher | : Cambridge University Press |
| Total Pages | : 350 |
| Release | : 2004-07-15 |
| Genre | : Drama |
| ISBN | : 9780521527347 |
The Cambridge Companion to Christopher Marlowe provides a full introduction to one of the great pioneers of both the Elizabethan stage and modern English poetry. It recalls that Marlowe was an inventor of the English history play (Edward II) and of Ovidian narrative verse (Hero and Leander), as well as being author of such masterpieces of tragedy and lyric as Doctor Faustus and 'The Passionate Shepherd to His Love'. Sixteen leading scholars provide accessible and authoritative chapters on Marlowe's life, texts, style, politics, religion, and classicism. The volume also considers his literary and patronage relationships and his representations of sexuality and gender and of geography and identity; his presence in modern film and theatre; and finally his influence on subsequent writers. The Companion includes a chronology of Marlowe's life, a note on reference works, and a reading list for each chapter.
| Author | : Tom Rutter |
| Publisher | : Cambridge University Press |
| Total Pages | : 167 |
| Release | : 2012-02-02 |
| Genre | : Literary Criticism |
| ISBN | : 0521196345 |
Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre.
| Author | : Tom Rutter |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2012-02-02 |
| Genre | : Literary Criticism |
| ISBN | : 1107375835 |
Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre.
| Author | : Emily C. Bartels |
| Publisher | : Cambridge University Press |
| Total Pages | : 411 |
| Release | : 2013-07-11 |
| Genre | : Drama |
| ISBN | : 1107016258 |
A contemporary of William Shakespeare and Ben Jonson, Christopher Marlowe was one of the most influential early modern dramatists, whose life and mysterious death have long been the subject of critical and popular speculation. This collection sets Marlowe's plays and poems in their historical context, exploring his world and his wider cultural influence. Chapters by leading international scholars discuss both his major and lesser-known works. Divided into three sections, 'Marlowe's works', 'Marlowe's world', and 'Marlowe's reception', the book ranges from Marlowe's relationship with his own audience through to adaptations of his plays for modern cinema. Other contexts for Marlowe include history and politics, religion and science. Discussions of Marlowe's critics and Marlowe's appeal today, in performance, literature and biography, show how and why his works continue to resonate; and a comprehensive further reading list provides helpful suggestions for those who want to find out more.
| Author | : Park Honan |
| Publisher | : OUP Oxford |
| Total Pages | : 438 |
| Release | : 2007-08-16 |
| Genre | : Biography & Autobiography |
| ISBN | : 0191622796 |
Christopher Marlowe: Poet & Spy is the most thorough and detailed life of Marlowe since John Bakeless's in 1942. It has new material on Marlowe in relation to Canterbury, also on his home life, schooling, and six and a half years at Corpus Christi College, Cambridge, and includes fresh data on his reading, teachers, and early achievements, including a new letter with a new date for the famous 'putative portrait' of Marlowe at Cambridge. The biography uses for the first time the Latin writings of his friend Thomas Watson to illuminate Marlowe's life in London and his career as a spy (that is, as a courier and agent for the Elizabethan Privy Council). There are new accounts of him on the continent, particularly at Flushing or Vlissingen, where he was arrested. The book also more fully explains Marlowe's relations with his chief patron, Thomas Walsingham, than ever before. This is also the first biography to explore in detail Marlowe's relations with fellow playwrights such as Kyd and Shakespeare, and to show how Marlowe's relations with Shakespeare evolved from 1590 to 1593. With closer views of him in relation to the Elizabethan stage than have appeared in any biography, the book examines in detail his aims, mind, and techniques as exhibited in all of his plays, from Dido, the Tamburlaine dramas, and Doctor Faustus through to The Jew of Malta and Edward II. It offers new treatments of his evolving versions of 'The Passionate Shepherd', and displays circumstances, influences, and the bearings of Shakespeare's 'Venus and Adonis' in relation to Marlowe's 'Hero and Leander'. Throughout, there is a strong emphasis on Marlowe's friendships and so-called 'homosexuality'. Fresh information is brought to bear on his seductive use of blasphemy, his street fights, his methods of preparing himself for writing, and his atheism and religious interests. The book also explores his attraction to scientists and mathematicians such as Thomas Harriot and others in the Ralegh-Northumberland set of thinkers and experimenters. Finally, there is new data on spies and business agents such as Robert Poley, Nicholas Skeres, and Ingram Frizer, and a more exact account of the circumstances that led up to Marlowe's murder.
| Author | : John Henry Jones |
| Publisher | : Cambridge University Press |
| Total Pages | : 304 |
| Release | : 2011-03-03 |
| Genre | : Literary Collections |
| ISBN | : 9780521175036 |
A 1994 scholarly edition of a major Renaissance text linked with Marlowe's Dr Faustus.
| Author | : David Riggs |
| Publisher | : Macmillan + ORM |
| Total Pages | : 533 |
| Release | : 2014-01-07 |
| Genre | : History |
| ISBN | : 1466862343 |
The definitive biography: a masterly account of Marlowe's work and life and the world in which he lived Shakespeare's contemporary, Christopher Marlowe revolutionized English drama and poetry, transforming the Elizabethan stage into a place of astonishing creativity. The outline of Marlowe's life, work, and violent death are known, but few of the details that explain why his writing and ideas made him such a provocateur in the Elizabethan era have been available until now. In this absorbing consideration of Marlowe and his times, David Riggs presents Marlowe as the language's first poetic dramatist whose desires proved his undoing. In an age of tremendous cultural change in Europe when Cervantes wrote the first novel and Copernicus demonstrated a world subservient to other nonreligious forces, Catholics and Protestants battled for control of England and Elizabeth's crown was anything but secure. Into this whirlwind of change stepped Marlowe espousing sexual freedom and atheism. His beliefs proved too dangerous to those in power and he was condemned as a spy and later murdered. In The World of Christopher Marlowe, Riggs's exhaustive research digs deeply into the mystery of how and why Marlowe was killed.
| Author | : Tom Rutter |
| Publisher | : |
| Total Pages | : 149 |
| Release | : 2012 |
| Genre | : |
| ISBN | : 9781139230322 |
Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre.
| Author | : Emma Smith |
| Publisher | : Cambridge University Press |
| Total Pages | : 6 |
| Release | : 2007-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 1139462393 |
This lively and innovative introduction to Shakespeare promotes active engagement with the plays, rather than recycling factual information. Covering a range of texts, it is divided into seven subject-based chapters: Character; Performance; Texts; Language; Structure; Sources and History, and it does not assume any prior knowledge. Instead, it develops ways of thinking and provides the reader with resources for independent research through the 'Where next?' sections at the end of each chapter. The book draws on scholarship without being overwhelmed by it, and unlike other introductory guides to Shakespeare it emphasizes that there is space for new and fresh thinking by students and readers, even on the most-studied and familiar plays.
| Author | : Milena Kostic |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Dramatists, English |
| ISBN | : 9781443849500 |
The Faustian Motif in the Tragedies by Christopher Marlowe discusses the argument that the pact with demonic forces, and/or its consequences, is a motif explored not only in Doctor Faustus, but in Marloweâ (TM)s other plays as well (Tamburlaine the Great, Dido, Queen of Carthage, The Jew of Malta). The book sets out to explore the way Marlowe explained this process, from play to play, in psychological and cultural terms, and to demonstrate its relevance for modern man and his culture. The text is divided into the Introduction and four main parts, each focusing on a particular aforementioned play by Marlowe. The book does not follow the actual chronological order in which these plays are supposed to have been written, not because it is uncertain, but for the obvious reason suggested by the nature of the theme: the text begins with Dr. Faustus because it is the only way to introduce and discuss the possible symbolic meanings of the act of selling oneâ (TM)s soul to the Devil. It ends with The Jew of Malta because in the world of Marloweâ (TM)s Malta â " closest perhaps to our own in its mindless pursuit of profit â " the major protagonists no longer have any soul to lose or to renounce. The method used in the book is wide-ranging and eclectic: besides relying on some permanently valid ideas of Humanist criticism, the book also offers insights into the views of the New Critics, particularly their requirement of the close reading of the literary works chosen for examination. Their approach is combined here with that of the New Historicists, who provided a corrective to the New Criticâ (TM)s formalism by insisting on the importance of taking into consideration the historical and cultural context the work belongs to. The book will appeal to both scholars and students interested in the field of the English Renaissance literature, and also to a wider reading audience keen on observing, detecting and understanding the cultural processes equally relevant for the history of the English Renaissance period and presentâ "day Western society.
