The Cambridge Handel Encyclopedia
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Author | : Annette Landgraf |
Publisher | : |
Total Pages | : 872 |
Release | : 2009-11-26 |
Genre | : Music |
ISBN | : |
From Arias to Zadok the Priest - over 700 entries by international experts explore all aspects of Handel's life and work.
Author | : Caryl Clark |
Publisher | : Cambridge University Press |
Total Pages | : 524 |
Release | : 2019-04-30 |
Genre | : Music |
ISBN | : 9781107129016 |
For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.
Author | : David Vickers |
Publisher | : Routledge |
Total Pages | : 627 |
Release | : 2017-07-05 |
Genre | : History |
ISBN | : 1351564250 |
This anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent research that transforms our knowledge of large-scale English works to an interdisciplinary exploration of an individual opera aria. Designed to bring easy and convenient access to students, performers and music lovers, the wide-ranging articles are selected by David Vickers (co-editor of the recent Cambridge Handel Encyclopedia) from diverse sources - not only familiar important journals, but also specialist yearbooks, festschrifts, not easily accessible newsletters, conference proceedings and exhibition catalogues. Many of these represent an up-to-date understanding of modern Handel studies, deal with fascinating biographical issues (such as the composer's art collection, his chronic health problems, and the nature of popular anecdotal evidence), and fill gaps in the mainstream Handelian literature.
Author | : Donald Burrows |
Publisher | : Cambridge University Press |
Total Pages | : 372 |
Release | : 1997-12-04 |
Genre | : Biography & Autobiography |
ISBN | : 9780521456135 |
A Companion to one of the principal creative figures in Baroque music.
Author | : Percy M. Young |
Publisher | : |
Total Pages | : |
Release | : 1947 |
Genre | : |
ISBN | : |
Author | : Donald Burrows |
Publisher | : OUP USA |
Total Pages | : 652 |
Release | : 2012-06-15 |
Genre | : Biography & Autobiography |
ISBN | : 0199737363 |
Handel was a defining figure of the late Baroque era, perhaps best known for bringing the oratorio form to an English-speaking audience. This insightful study brings to life the glory of his artistry, his elusive personality and the flavour of his time.
Author | : Deborah W. Rooke |
Publisher | : Oxford University Press (UK) |
Total Pages | : 279 |
Release | : 2012-02-23 |
Genre | : Music |
ISBN | : 0199279284 |
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Author | : David Vickers |
Publisher | : Boydell & Brewer |
Total Pages | : 476 |
Release | : 2022-10-11 |
Genre | : Music |
ISBN | : 1783271469 |
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
Author | : Rebecca Probert |
Publisher | : Bloomsbury Publishing |
Total Pages | : 216 |
Release | : 2021-03-11 |
Genre | : History |
ISBN | : 135007926X |
The period of the Enlightenment was marked by innovation in political, cultural, religious, and educational ideas with the aim of improving the experience of human beings in society. Key to intellectual debates and day-to-day life were ideas about the law. Many looked to Britain, and to the British, as exemplars of a state governed by moderate laws under a moderate constitution. Britain's laws and constitution were portrayed and satirized in almost every artistic medium. A Cultural History of Law in the Age of Enlightenment presents essays spanning the “long 18th century” (1680 to 1820) which explore the place of law in a range of creative and artistic media, all of which flourished in a commercial society with law at its center and enlightenment as its aim. Drawing upon a wealth of visual and textual sources, A Cultural History of Law in the Age of Enlightenment presents essays that examine key cultural case studies of the period on the themes of justice, constitution, codes, agreements, arguments, property and possession, wrongs, and the legal profession.
Author | : Jane Glover |
Publisher | : Simon and Schuster |
Total Pages | : 391 |
Release | : 2018-12-04 |
Genre | : Biography & Autobiography |
ISBN | : 1681779471 |
In 1712, a young German composer followed his princely master to London and would remain there for the rest of his life. That master would become King George II and the composer was George Freidrich Handel. Handel, then still only twenty-seven and largely self-taught, would be at the heart of music activity in London for the next four decades, composing masterpiece after masterpiece, whether the glorious coronation anthem, Zadok the Priest, operas such as Rinaldo and Alcina or the great oratorios, culminating, of course, in Messiah. Here, Jane Glover, who has conducted Handel’s work in opera houses and concert halls throughout the world, draws on her profound understanding of music and musicians to tell Handel’s story. It is a story of music-making and musicianship, but also of courts and cabals of theatrical rivalries and of eighteenth-century society. It is also, of course the story of some of the most remarkable music ever written, music that has been played and sung, and loved, in this country—and throughout the world—for three hundred years.