The Cambridge Companion To The Cello
Download The Cambridge Companion To The Cello full books in PDF, epub, and Kindle. Read online free The Cambridge Companion To The Cello ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Robin Stowell |
| Publisher | : Cambridge University Press |
| Total Pages | : 290 |
| Release | : 1999-06-28 |
| Genre | : Music |
| ISBN | : 1139825739 |
This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers.
| Author | : Robin Stowell |
| Publisher | : Cambridge University Press |
| Total Pages | : 290 |
| Release | : 1999-06-28 |
| Genre | : Music |
| ISBN | : 9780521629287 |
This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers.
| Author | : Robin Stowell |
| Publisher | : Cambridge University Press |
| Total Pages | : 672 |
| Release | : 2003-11-13 |
| Genre | : Music |
| ISBN | : 1139826549 |
This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.
| Author | : Trevor Herbert |
| Publisher | : Cambridge University Press |
| Total Pages | : 366 |
| Release | : 1997-10-13 |
| Genre | : Music |
| ISBN | : 9780521565226 |
This Companion covers many diverse aspects of brass instruments and in such detail. It provides an overview of the history of brass instruments, and their technical and musical development. Although the greatest part of the volume is devoted to the western art music tradition, with chapters covering topics from the medieval to the contemporary periods, there are important contributions on the ancient world, non-western music, vernacular and popular traditions and the rise of jazz. Despite the breadth of its narrative, the book is rich in detail, with an extensive glossary and bibliography. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers on brass instruments.
| Author | : Glenn Stanley |
| Publisher | : Cambridge University Press |
| Total Pages | : 268 |
| Release | : 2000-05-11 |
| Genre | : Music |
| ISBN | : 1107494044 |
This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.
| Author | : Valerie Walden |
| Publisher | : Cambridge University Press |
| Total Pages | : 338 |
| Release | : 2004-08-19 |
| Genre | : Music |
| ISBN | : 9780521607612 |
The first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.
| Author | : Daniel M. Grimley |
| Publisher | : Cambridge University Press |
| Total Pages | : 280 |
| Release | : 2004 |
| Genre | : Music |
| ISBN | : 9780521826235 |
| Author | : Robin Stowell |
| Publisher | : Cambridge University Press |
| Total Pages | : 326 |
| Release | : 1992-12-10 |
| Genre | : Music |
| ISBN | : 9780521399234 |
Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth
| Author | : Beate Perrey |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2007-06-28 |
| Genre | : Music |
| ISBN | : 1139826379 |
This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.
| Author | : Jim Samson |
| Publisher | : Cambridge University Press |
| Total Pages | : 364 |
| Release | : 1994-12-08 |
| Genre | : Music |
| ISBN | : 1139824996 |
The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.
