The Cambridge Companion To Berlioz
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Author | : Peter Bloom |
Publisher | : Cambridge University Press |
Total Pages | : 332 |
Release | : 2000-08-24 |
Genre | : Music |
ISBN | : 9780521596381 |
Provides a comprehensive view of Berlioz the man, the composer, the critic and the writer.
Author | : Kenneth Hamilton |
Publisher | : Cambridge University Press |
Total Pages | : 367 |
Release | : 2005-09-22 |
Genre | : Music |
ISBN | : 1139825755 |
This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.
Author | : Francesca Brittan |
Publisher | : Cambridge University Press |
Total Pages | : 377 |
Release | : 2017-09-14 |
Genre | : History |
ISBN | : 1107136326 |
An exploration of fantastic soundworlds in nineteenth-century France, providing a fresh aesthetic and compositional context for Berlioz and others.
Author | : Colin James Lawson |
Publisher | : Cambridge University Press |
Total Pages | : 316 |
Release | : 2003-04-24 |
Genre | : Music |
ISBN | : 9780521001328 |
This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.
Author | : Robin Stowell |
Publisher | : Cambridge University Press |
Total Pages | : 672 |
Release | : 2003-11-13 |
Genre | : Music |
ISBN | : 1139826549 |
This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.
Author | : Edward James |
Publisher | : Cambridge University Press |
Total Pages | : 297 |
Release | : 2012-01-26 |
Genre | : Literary Criticism |
ISBN | : 1107493730 |
Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).
Author | : David Charlton |
Publisher | : Cambridge University Press |
Total Pages | : 524 |
Release | : 2003-09-04 |
Genre | : Music |
ISBN | : 9780521646833 |
Author | : Julian Horton |
Publisher | : Cambridge University Press |
Total Pages | : 469 |
Release | : 2013-05-02 |
Genre | : Music |
ISBN | : 1107469708 |
Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.
Author | : Deborah Mawer |
Publisher | : Cambridge University Press |
Total Pages | : 316 |
Release | : 2000-08-24 |
Genre | : Biography & Autobiography |
ISBN | : 9780521648561 |
A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.
Author | : Richard Ingham |
Publisher | : Cambridge University Press |
Total Pages | : 252 |
Release | : 1999-02-13 |
Genre | : Music |
ISBN | : 1107494052 |
The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.