The Cambridge Companion To Arvo Part
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Author | : Andrew Shenton |
Publisher | : Cambridge University Press |
Total Pages | : 478 |
Release | : 2012-05-17 |
Genre | : Music |
ISBN | : 1107495660 |
Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.
Author | : Paul Hillier |
Publisher | : Clarendon Press |
Total Pages | : 238 |
Release | : 1997-04-24 |
Genre | : |
ISBN | : 0191590487 |
World-famous, Estonian-born composer Arvo P--auml--;rt is a unique voice in today's music. From his own extensive experience of working with P--auml--;rt, Paul Hiller here provides the first full-length study of the composer's music. - ;The music of the Estonian-born composer Arvo P--auml--;rt is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, P--auml--;rt created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate tranquillity of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of P--auml--;rt, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of P--auml--;rt's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to P--auml--;rt's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues. -
Author | : Peter C. Bouteneff |
Publisher | : Fordham University Press |
Total Pages | : 261 |
Release | : 2020-12-01 |
Genre | : Music |
ISBN | : 082328977X |
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.
Author | : Leopold Brauneiss |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Composers |
ISBN | : 9781564787866 |
This collection of essays and interviews is an ideal guide to the work and thought of one of the world's greatest and most original living composers. In Enzo Restagno's extensive interview, P'rt gives an intimate description of his work and life in Soviet Estonia, his emigration, his artistic odyssey, and his worldview. Then, Arvo P'rt's compositional technique is the focus of a musicological essay by Leopold Brauneiss. Finally, Saale Kareda explores the spiritual aspects of the composer's approach to his works. Two acceptance speeches, delivered by P'rt on receiving major European prizes, complete this fascinating and illuminating portrait.
Author | : Andrew Shenton |
Publisher | : Cambridge University Press |
Total Pages | : 312 |
Release | : 2018-05-10 |
Genre | : Music |
ISBN | : 1108514863 |
Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Part's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.
Author | : Russell Hartenberger |
Publisher | : Cambridge University Press |
Total Pages | : 371 |
Release | : 2020-09-24 |
Genre | : Music |
ISBN | : 1108492924 |
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Author | : Peter Bouteneff |
Publisher | : St. Vladimir's Seminary Press |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Music |
ISBN | : 9780881415124 |
Points of entry: Spirituality and religion - Part's spiritual reach - The role of text; Out of silence: Music lost to silence - Music found in silence - Excusus: silence in the tradition; Bright sadness: Bright sadness in the tradition - Bright sadness in the music of Arvo Part.
Author | : Alex Ross |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 706 |
Release | : 2007-10-16 |
Genre | : Music |
ISBN | : 1429932880 |
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author | : Erling E. Guldbrandsen |
Publisher | : Cambridge University Press |
Total Pages | : 369 |
Release | : 2015-10-26 |
Genre | : Art |
ISBN | : 1107127211 |
This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.
Author | : M. Jennifer Bloxam |
Publisher | : Lexington Books |
Total Pages | : 259 |
Release | : 2017-06-12 |
Genre | : Music |
ISBN | : 1498549918 |
This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.