The Call Of The Writers Craft
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| Author | : Tom Bird |
| Publisher | : Simon and Schuster |
| Total Pages | : 256 |
| Release | : 2009-06-18 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1440514070 |
Getting a book successfully published is as much about talent and creative drive as it is a matter of determination and business practice. Luckily for would-be authors, this book delivers the how-to on both the creativity and the business. Lecturer and writing retreat leader Tom Bird introduces authors to their Divine Author Within, and guides them through the process of listening to this inner muse. They will learn how to tap into their "creative connected mind" and relax their "logical critical mind" so they will be able to write the book they've always wanted to--in just two drafts! Once the book is complete, writers learn how to sell their book. Bird instructs his readers how to successfully navigate the publishing world so that they can make the right choices for their work.
| Author | : Patricia Paddey |
| Publisher | : FriesenPress |
| Total Pages | : 198 |
| Release | : 2019-09-04 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1525554123 |
Inspiring and immensely readable, Craft, Cost & Call offers hands-on help to people of faith who want to write well and understand what it takes to be published. For writers yearning to grow in their craft or hoping to launch a writing career, this unique guidebook provides a clear path forward filled with the hard-won wisdom of long-time and widely-published Christian writers. From the beauty of the call to write and insights on how to be published, the authors take their readers on a journey both practical and personal. Readers will find clear direction on writing with excellence and beauty, and “Try this” challenges that will move any aspiring writer out of their armchair and into their writing chair. Far from a manual, Craft, Cost & Call reads as a heartfelt conversation between writers, guiding, encouraging, and cheering others on to success.
| Author | : Matthew Salesses |
| Publisher | : Catapult |
| Total Pages | : 139 |
| Release | : 2021-01-19 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1948226812 |
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."
| Author | : Kathryn Craft |
| Publisher | : Sourcebooks, Inc. |
| Total Pages | : 280 |
| Release | : 2014-01-28 |
| Genre | : Fiction |
| ISBN | : 1402285205 |
"A sensitive study of a woman choreographing her own recovery."—Kirkus One Wrong Step Could Send Her Over the Edge All Penny has ever wanted to do is dance—and when that chance is taken from her, it pushes her to the brink of despair, from which she might never return. When she wakes up after a traumatic fall, bruised and battered but miraculously alive, Penny must confront the memories that have haunted her for years, using her love of movement to pick up the pieces of her shattered life. Kathryn Craft's lyrical debut novel is a masterful portrayal of a young woman trying to come to terms with her body and the artistic world that has repeatedly rejected her. The Art of Falling expresses the beauty of movement, the stasis of despair, and the unlimited possibilities that come with a new beginning.
| Author | : Jerome Stern |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 292 |
| Release | : 2011-04-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0393077691 |
A deft analysis and appreciation of fiction—what makes it work and what can make it fail. Here is a book about the craft of writing fiction that is thoroughly useful from the first to the last page—whether the reader is a beginner, a seasoned writer, or a teacher of writing. You will see how a work takes form and shape once you grasp the principles of momentum, tension, and immediacy. "Tension," Stern says, "is the mother of fiction. When tension and immediacy combine, the story begins." Dialogue and action, beginnings and endings, the true meaning of "write what you know," and a memorable listing of don'ts for fiction writers are all covered. A special section features an Alphabet for Writers: entries range from Accuracy to Zigzag, with enlightening comments about such matters as Cliffhangers, Point of View, Irony, and Transitions.
| Author | : Roy Peter Clark |
| Publisher | : |
| Total Pages | : 181 |
| Release | : 2014-05-21 |
| Genre | : LANGUAGE ARTS & DISCIPLINES |
| ISBN | : 9780316145923 |
One of America 's most influential writing teachers offers a toolbox from which writers of all kinds can draw practical inspiration. "Writing is a craft you can learn," says Roy Peter Clark. "You need tools, not rules." His book distills decades of experience into 50 tools that will help any writer become more fluent and effective. WRITING TOOLS covers everything from the most basic ("Tool 5: Watch those adverbs") to the more complex ("Tool 34: Turn your notebook into a camera") and provides more than 200 examples from literature and journalism to illustrate the concepts. For students, aspiring novelists, and writers of memos, e-mails, PowerPoint presentations, and love letters, here are 50 indispensable, memorable, and usable tools. "Pull out a favorite novel or short story, and read it with the guidance of Clark 's ideas. . . . Readers will find new worlds in familiar places. And writers will be inspired to pick up their pens." - Boston Globe "For all the aspiring writers out there-whether you're writing a novel or a technical report-a respected scholar pulls back the curtain on the art." - Atlanta Journal-Constitution "This is a useful tool for writers at all levels of experience, and it's entertainingly written, with plenty of helpful examples." -Booklist.
| Author | : Christopher Kempf |
| Publisher | : JHU Press |
| Total Pages | : 292 |
| Release | : 2022-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 1421443570 |
The hidden history of the creative writing workshop and the socioeconomic consequences of the craft labor metaphor. In a letter dated September 1, 1912, drama professor George Pierce Baker recommended the term "workshop" for an experimental course in playwriting he had been planning with former students at Harvard and Radcliffe. This was the first time that term, now ubiquitous, was used in the context of creative writing pedagogy. Today, the MFA (master of fine arts) industry is a booming one, with more than 200 programs and thousands of residencies and conferences for aspiring writers nationwide. Almost all of these offerings operate on the workshop model. In Craft Class, Christopher Kempf argues that the primary institutional form of creative writing studies, the workshop, has remained invisible before our scholarly eyes. While Baker and others marshaled craft toward economic critique, craft pedagogies consolidated the authority of elite educational institutions as the MFA industry grew. Transcoding professional-managerial soft skills—linguistic facility, social and emotional discernment, symbolic fluency—in the language of manual labor, the workshop nostalgically invokes practices that the university itself has rendered obsolete. The workshop poem or short story thus shares discursive space with the craft IPA or hand-loomed Pottery Barn rug—a space in which one economic practice rewrites itself in the language of another, just as right-wing corporatism continuously rewrites itself in the language of populism. Delineating an arc that extends from Boston's fin de siècle Society of Arts and Crafts through 1930s proletarian workshops to the pedagogies of Black Mountain College and the postwar MFA, Craft Class reveals how present-day creative writing restructures transhistorical questions of labor, education, and aesthetic and economic production. With the rise of the workshop in American culture, Kempf shows, manual and mental labor have been welded together like steel plates. What fissures does that weld seal shut? And on whose behalf does the poet punch in?
| Author | : David Mura |
| Publisher | : University of Georgia Press |
| Total Pages | : 273 |
| Release | : 2018 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 082035368X |
Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.
| Author | : Ursula K. Le Guin |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 163 |
| Release | : 2015 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0544611616 |
A revised and updated guide to the essentials of a writer's craft, presented by a brilliant practitioner of the art
| Author | : Rayne Hall |
| Publisher | : Rayne Hall |
| Total Pages | : 108 |
| Release | : 2011-09-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
This book will help you to write fight scenes that are entertaining as well as realistic, and leave the reader breathless with excitement. The book suggests a six-part structure to use as blueprint for your scene, and reveals tricks how to combine fighting with dialogue, which senses to use when and how, and how to stir the reader's emotions. You'll decide how much violence your scene needs, what's the best location, how your heroine can get out of trouble with self-defence and how to adapt your writing style to the fast pace of the action. There are sections on female fighters, male fighters, animals and weres, psychological obstacles, battles, duels, brawls, riots and final showdowns. For the requirements of your genre, there is even advice on how to build erotic tension in a fight scene, how magicians fight, how pirates capture ships and much more. You will learn about different types of weapons, how to use them in fiction, and how to avoid embarrassing blunders. The book uses British spellings.
