The Cable And Satellite Television Industries
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| Author | : Patrick Parsons |
| Publisher | : Allyn & Bacon |
| Total Pages | : 392 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : |
The world of cable and satellite delivered television is constantly evolving and changing with new technology. These new technologies, especially the transition to digital distribution, are altering the world of television. The momentous results of these changes can be seen in the convergence of communications markets and services. This is the only book on the market that successfully captures the scope and detail of these developments. It examines the convergence and competition of emerging television industries both domestically and internationally. This book's clarity and comprehensibility make it accessible to readers without a background in these areas. Also, current employees in the industry will benefit from the broad based topics of the industry that are explored in this book. These topics include chapters on history, technology, industry structure, industry programming and services, daily operations, law and policy, international activities, and social issues. Also included is a detailed discussion of the 1996 Telecommunications Act, as well as other legal issues that are crucial to a clear understanding of the industry. Ultimately this book is a detailed review of where cable and satellite has come from, what it is like today, where it is headed and why, and how it relates to other media. Industry gurus and novices alike. Part of the Allyn & Bacon Series inMass Communication.
| Author | : Patrick Parsons |
| Publisher | : Temple University Press |
| Total Pages | : 816 |
| Release | : 2008-04-05 |
| Genre | : Business & Economics |
| ISBN | : 1592137067 |
Cable television is arguably the dominant mass media technology in the U.S. today. Blue Skies traces its history in detail, depicting the important events and people that shaped its development, from the precursors of cable TV in the 1920s and '30s to the first community antenna systems in the 1950s, and from the creation of the national satellite-distributed cable networks in the 1970s to the current incarnation of "info-structure" that dominates our lives. Author Patrick Parsons also considers the ways that economics, public perception, public policy, entrepreneurial personalities, the social construction of the possibilities of cable, and simple chance all influenced the development of cable TV. Since the 1960s, one of the pervasive visions of "cable" has been of a ubiquitous, flexible, interactive communications system capable of providing news, information, entertainment, diverse local programming, and even social services. That set of utopian hopes became known as the "Blue Sky" vision of cable television, from which the book takes its title. Thoroughly documented and carefully researched, yet lively, occasionally humorous, and consistently insightful, Blue Skies is the genealogy of our media society.
| Author | : Catherine Johnson |
| Publisher | : Routledge |
| Total Pages | : 227 |
| Release | : 2012-03-12 |
| Genre | : Performing Arts |
| ISBN | : 1136618546 |
Branding Television examines why and how the UK and US television industries have turned towards branding as a strategy in response to the rise of satellite, cable and digital television, and new media, such as the internet and mobile phone. This is the first book to offer a sustained critical analysis of this new cultural development. Branding Television examines the industrial, regulatory and technological changes since the 1980s in the UK and the USA that have led to the adoption of branding as broadcasters have attempted to manage the behaviour of viewers and the values associated with their channels, services and programmes in a world of increased choice and interactivity. Wide-ranging case studies drawn from commercial, public service, network and cable/satellite television (from NBC and HBO to MTV, and from BBC and Channel 4 to UKTV and Sky) analyse the role of marketing and design in branding channels and corporations, and the development of programmes as brands. Exploring both successful and controversial uses of branding, this book asks what problems there are in creating television brands and whether branding supports or undermines commercial and public service broadcasting. Branding Television extends and complicates our understanding of the changes to television over the past 30 years and of the role of branding in contemporary Western culture. It will be of particular interest to students and researchers in television studies, but also in creative industries and media and cultural studies more generally.
| Author | : Edward Herrmann |
| Publisher | : A&C Black |
| Total Pages | : 274 |
| Release | : 2001-08-27 |
| Genre | : Social Science |
| ISBN | : 9780826458193 |
Describes in detail the most recent rapid growth and cross border activities and linkages of an industry of large global media conglomerates.
| Author | : Ken Basin |
| Publisher | : Routledge |
| Total Pages | : 324 |
| Release | : 2018-07-11 |
| Genre | : Art |
| ISBN | : 1351254162 |
In this book, esteemed television executive and Harvard lecturer Ken Basin offers a comprehensive overview of the business, financial, and legal structure of the U.S. television industry, as well as its dealmaking norms. Written for working or aspiring creative professionals who want to better understand the entertainment industry — as well as for executives, agents, managers, and lawyers looking for a reference guide — The Business of Television presents a readable, in-depth introduction to rights and talent negotiations, intellectual property, backend deals, licensing, streaming platforms, international production, and much more. The book also includes breakdowns after each chapter summarizing deal points and points of negotiation, a glossary, a list of referenced cases, and a wealth of real-world examples to help readers put the material into context.
| Author | : Great Britain: Parliament: House of Lords: Select Committee on Communications |
| Publisher | : The Stationery Office |
| Total Pages | : 108 |
| Release | : 2010-01-24 |
| Genre | : Business & Economics |
| ISBN | : 9780108459290 |
This is the first report from the House of Lords Select Committee on Communications of the 2009-10 session (HLP 37-I, ISBN 9780108459290) and examines "The British film and television industries - decline or opportunity?". The report looks at how these industries have developed, the challenges they are currently facing and what practical help might be provided to enable them to develop further. The film and television industries make an important contribution to the British economy. They contribute to national income and employment, and make a net contribution to exports, which has the capacity to grow. Despite the competition from abroad, particularly the US, UK-produced content on film and television has a strong international reputation and makes a major contribution to the entertainment and education of British audiences. The publication is divided into 6 chapters and looks in detail at the following areas: Chapter 1: The British film industry; Chapter 2: A better future for British films; Chapter 3: British television; Chapter 4: Promoting British television; Chapter 5: Skills and training. With Chapter 6 setting out recommendations, including, in respect of television: that the Government should urge public service broadcasters to revive their investment in training; encourage the expansion of online video on demand; promote greater production of UK TV content by a tax credit or through the use of the proceeds of spectrum sale and sharing part of the BBC licence fee; expand the role played by BBC Worldwide in distributing UK content overseas. Recommendations in respect of film, include: new legislation specifically targeted at making the recording of a film in a cinema by camcorder a criminal offence; provide more support to smaller films and allowing British films to be partly shot abroad without suffering a financial penalty; encourage more private investment in film production. For Vol. 2, Evidence, see (ISBN 9780108459306).
| Author | : Sarah Banet-Weiser |
| Publisher | : NYU Press |
| Total Pages | : 376 |
| Release | : 2007-09 |
| Genre | : Performing Arts |
| ISBN | : 0814799493 |
Looks beyond broadcasting's mainstream, toward cable's alternatives, to critically consider the capacity of commercial media to serve the public interest. This work offers an overview of the industry's history and regulatory trends, case studies of cable newcomers aimed at niche markets, and analyses of programming forms introduced by cable TV.
| Author | : William M. Kunz |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 276 |
| Release | : 2007 |
| Genre | : Business & Economics |
| ISBN | : 9780742540668 |
Explains conglomeration and regulation in the film and television industries, covering its history as well as the contemporary scene. Useful as a supplement for a variety of media courses, this text includes synopses of key media regulations and policies, discussion questions, a glossary, and entertaining boxed features.
| Author | : Amanda D. Lotz |
| Publisher | : Maize Books |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Business & Economics |
| ISBN | : 9781607854005 |
Television audiences and its industry alike have been confused by the emergence of new ways to watch television. On one hand, the programs seem every bit like the television we've long known, while the way we can watch, what we can watch, and the business models supporting them differ significantly. Portals: A Treatise on Internet-Distributed Television pushes understandings of the business of television to keep pace with the considerable technological change of the last decade. It explains why shows such as Orange is the New Black or Transparent are indeed television despite coming to screens over internet connection and in exchange for a monthly fee. It explores how internet-distributed television is able to do new things - particularly, allow different people to watch different shows chosen from a library of possibilities. This technological ability allows new audience behaviors and new norms in making television. Portals are the "channels" of internet-distributed television, and Portals identifies how the task of curating a library of shows differs from channels' task of building a schedule. It explores the business model--subscriber funding--that supports many portals, and identifies the key differences from advertiser or direct purchase. Portals considers what we know about the future of television, even though we remain early in a process of transformative change.
| Author | : Howard J. Blumenthal |
| Publisher | : Billboard Books |
| Total Pages | : 594 |
| Release | : 2006 |
| Genre | : Television |
| ISBN | : 0823077632 |
This publication reflects the changes in television, both domestically and internationally and is a useful guide to the legal, economic, and production aspects of the industry.
