The Burden Of Representation
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| Author | : John Tagg |
| Publisher | : U of Minnesota Press |
| Total Pages | : 260 |
| Release | : 1993 |
| Genre | : Photography |
| ISBN | : 9780816624058 |
Photographs are used as documents, evidence, and records every day in courtrooms, hospitals, and police work, on passports, permits, and licenses. But how did such usages come to be established and accepted, and when? What kinds of photographs were seen seen as purely instrumental and able to function in this way? What sorts of agencies and institutions had the power to give them this status? And more generally, what conception of photographic representation did this involve, and what were its consequences?
| Author | : Barry C. Burden |
| Publisher | : Princeton University Press |
| Total Pages | : 186 |
| Release | : 2015-02-18 |
| Genre | : Political Science |
| ISBN | : 1400866936 |
Despite heightened partisanship in the U.S. Congress and constituencies split along ideological lines, congressional representatives frequently buck their parties and seldom do precisely what voters ask. In Personal Roots of Representation, Barry Burden challenges standard explanations of legislative preferences to emphasize the important role that personal influences play in representatives' voting behavior. This timely book is the first to examine the extent to which the very same values, experiences, and interests that shape congressional members as individuals and guide their own life choices similarly shape their policymaking decisions. Burden takes a close look at legislative decision making in the areas of tobacco regulation, vouchers and school choice, and religion and bioethics. He finds that personal factors become more significant when legislators are acting proactively rather than reactively, grappling with specific policy issues, and defending rather than challenging the status quo. Marshaling both qualitative and quantitative evidence, Burden reveals that the personal roots of representatives' actions can be as influential as the usual suspects of partisanship and constituency--and that personal factors quite often have the greatest impact when the policymaking stakes are at their highest. Personal Roots of Representation is a provocative book that raises pressing new questions about legislative discretion and the accountability of our elected officials.
| Author | : Anna Wylegala |
| Publisher | : Indiana University Press |
| Total Pages | : 320 |
| Release | : 2019-01-29 |
| Genre | : History |
| ISBN | : 0253046734 |
Essays on how chaos, totalitarianism, and trauma have shaped Ukraine’s culture: “A milestone of the scholarship about Eastern European politics of memory.” —Wulf Kansteiner, Aarhus University In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma. In Ukraine, memory mechanisms were disrupted by political systems seeking to repress and control the past in order to form new national identities supportive of their own agendas. With the collapse of the Soviet Union, memory in Ukraine was released, creating alternate visions of the past, new national heroes, and new victims. This release of memories led to new conflicts and “memory wars.” How does the past exist in contemporary Ukraine? The works collected in The Burden of the Past focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. The works explore contemporary memory culture in Ukraine and the ways in which it is being researched and understood. Drawing on work from historians, sociologists, anthropologists, psychologists, and political scientists, the collection represents a truly interdisciplinary approach. Taken together, the groundbreaking scholarship collected in The Burden of the Past provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.
| Author | : Awais Khan |
| Publisher | : Hera books Ltd |
| Total Pages | : 355 |
| Release | : 2022-10-20 |
| Genre | : Fiction |
| ISBN | : 1804369039 |
She had everything she ever wanted – apart from love. As the wife of a wealthy but cruel businessman, Mona has all her heart desires: money, friends, social status... everything aside from freedom. Reconnecting with old friend, Meera, introduces her to a world of glamour, parties and covert affairs. And when she meets Ali, a young man whose beautiful exterior hides the pain of his humble roots and family tragedy, Mona feels alive for the very first time. Heady with love, Mona and Ali begin a delicate game of deceit that spirals out of control. But in a world where danger lurks on every corner, their forbidden love may not only destroy Mona’s marriage, but have tragic and long-lasting consequences. A captivating tale of love and loss, set against a backdrop of contemporary Pakistan that fans of Christy Lefteri and Lucinda Riley will love.
| Author | : Ella Shohat |
| Publisher | : Routledge |
| Total Pages | : 438 |
| Release | : 2013-09-27 |
| Genre | : Social Science |
| ISBN | : 113612196X |
This excellent book corrects eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective.
| Author | : Lori Kido Lopez |
| Publisher | : NYU Press |
| Total Pages | : 340 |
| Release | : 2020-12-15 |
| Genre | : Social Science |
| ISBN | : 1479889318 |
A foundational collection of essays that demonstrate how to study race and media From graphic footage of migrant children in cages to #BlackLivesMatter and #OscarsSoWhite, portrayals and discussions of race dominate the media landscape. Race and Media adopts a wide range of methods to make sense of specific occurrences, from the corporate portrayal of mixed-race identity by 23andMe to the cosmopolitan fetishization of Marie Kondo. As a whole, this collection demonstrates that all forms of media—from the sitcoms we stream to the Twitter feeds we follow—confirm racism and reinforce its ideological frameworks, while simultaneously giving space for new modes of resistance and understanding. In each chapter, a leading media scholar elucidates a set of foundational concepts in the study of race and media—such as the burden of representation, discourses of racialization, multiculturalism, hybridity, and the visuality of race. In doing so, they offer tools for media literacy that include rigorous analysis of texts, ideologies, institutions and structures, audiences and users, and technologies. The authors then apply these concepts to a wide range of media and the diverse communities that engage with them in order to uncover new theoretical frameworks and methodologies. From advertising and music to film festivals, video games, telenovelas, and social media, these essays engage and employ contemporary dialogues and struggles for social justice by racialized communities to push media forward. Contributors include: Mary Beltrán Meshell Sturgis Ralina L. Joseph Dolores Inés Casillas Jennifer Lynn Stoever Jason Kido Lopez Peter X Feng Jacqueline Land Mari Castañeda Jun Okada Amy Villarejo Aymar Jean Christian Sarah Florini Raven Maragh-Lloyd Sulafa Zidani Lia Wolock Meredith D. Clark Jillian M. Báez Miranda J. Brady Kishonna L. Gray Susan Noh
| Author | : Scott Turow |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 640 |
| Release | : 2009-12-28 |
| Genre | : Fiction |
| ISBN | : 1429957751 |
In The Burden of Proof, Scott Turow probes the fascinating and complex character of Alejandro Stern as he tries to uncover the truth about his wife's life. Late one spring afternoon, Alejandro Stern, the brilliant defense lawyer from Presumed Innocent, comes home from a business trip to find that Clara, his wife of thirty years, has committed suicide.
| Author | : Ariella Azoulay |
| Publisher | : Princeton University Press |
| Total Pages | : 586 |
| Release | : 2021-09-14 |
| Genre | : Photography |
| ISBN | : 1935408372 |
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
| Author | : Nicholas Mirzoeff |
| Publisher | : Psychology Press |
| Total Pages | : 566 |
| Release | : 1999 |
| Genre | : Art and society |
| ISBN | : 0415158761 |
The author traces the history and theory of visual culture asking how and why visual media have become so central to contemporary everyday life. He explores a wide range of visual forms, including painting, sculpture, photography, television, cinema, virtual reality, and the Internet while addressing the subjects of race, ethnicity, gender, sexuality, the body, and the international media event that followed the death of Princess Diana.
| Author | : Jonathan Cohn |
| Publisher | : Rutgers University Press |
| Total Pages | : 241 |
| Release | : 2019-03-01 |
| Genre | : Social Science |
| ISBN | : 0813597838 |
The Burden of Choice examines how recommendations for products, media, news, romantic partners, and even cosmetic surgery operations are produced and experienced online. Fundamentally concerned with how the recommendation has come to serve as a form of control that frames a contemporary American as heteronormative, white, and well off, this book asserts that the industries that use these automated recommendations tend to ignore and obscure all other identities in the service of making the type of affluence they are selling appear commonplace. Focusing on the period from the mid-1990s to approximately 2010 (while this technology was still novel), Jonathan Cohn argues that automated recommendations and algorithms are far from natural, neutral, or benevolent. Instead, they shape and are shaped by changing conceptions of gender, sexuality, race, and class. With its cultural studies and humanities-driven methodologies focused on close readings, historical research, and qualitative analysis, The Burden of Choice models a promising avenue for the study of algorithms and culture.
