The Bootleg Manifesto
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Author | : Donnie Lamon |
Publisher | : Lulu.com |
Total Pages | : 296 |
Release | : 2016-12-26 |
Genre | : Religion |
ISBN | : 1365634280 |
This is a bootleg book. It didn't go through the proper channels. It took the backroads, sometimes blind drunk at at 100mph. It ran low on gas and low on oil. It ran on bald tires and a temporary spare. It stopped off at fleabag motel rooms and twobit dive bars and greasyspoon truckstops. It ran through Gatlinburg and Atlanta and Seattle and San Diego and Houston and Orlando and Little Rock and Tijuana and New York City. It found love there in those dark hollers and crowded streets. It found love and art and politics and philosophy and pain and justice and truth and beauty and history and racism and culture and religion and God. It found God on those twisted backroads and busy streets. This is a book about God. This is a book about The Gospel, that original bootleg manuscript, written longhand and passed around in secret by palsied hands and leprous fingers; passed around by the fingers of hookers and junkies, fishermen and truckdrivers, children and old folks, thieves and murderers. And it passed to me.
Author | : Ayn Rand |
Publisher | : Penguin |
Total Pages | : 173 |
Release | : 1971-10-01 |
Genre | : Philosophy |
ISBN | : 110113772X |
In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.
Author | : Clinton Heylin |
Publisher | : Omnibus Press |
Total Pages | : 423 |
Release | : 2010-03-04 |
Genre | : Music |
ISBN | : 0857122177 |
An absorbing account of the record industry's worst nightmare. In the summer of 1969, Great White Wonder, a collection of unreleased Bob Dylan recordings appeared in Los Angeles. It was the first rock bootleg and it spawned an entire industry dedicated to making unofficial recordings available to true fans. Bootleg! tells the whole fascinating saga, from its underground infancy through the CD 'protection gap' era, when its legal status threatened the major labels' monopoly, to the explosion of trading via Napster and Gnutella on MP-3 files. Clinton Heylin provides a highly readable account of the busts, the defeats and victories in court; the personalities – many interviewed for the first time for this book. This classic history has now been updated and revised to include today's digital era and the emergence of a whole new bootleg culture.
Author | : Garry Freeman |
Publisher | : Lanham, Md. : Scarecrow Press |
Total Pages | : 740 |
Release | : 2003 |
Genre | : Music |
ISBN | : |
The Bootleg Guide is the ultimate in reference works for the 1960s and the 1970s bootleg recordings. Within these pages lies a history of rock at its best, as performed on stage or in the studio. Each entry is catalogued by title, date, featured tracks, and contains a quality rating and comments on the nature and origin of the recording. Cross-references are provided to other titles and extensive information is available on alternate titles of bootlegs. In many cases, quirky facts about a particular title are given-something that in itself may make a title a highly desirable and sought-after 'rarity' amongst collectors. Limited editions are listed to help the reader and collector develop a clearer picture of just how obtainable a bootleg may be. Bootlegs are unofficial 'live' and studio recordings of artists and bands that are released onto vinyl, tape or CD. By definition, most are so rare that they change hands only for vastly inflated sums or are traded by networks of dedicated collectors worldwide. Serious fans and collectors have been known to spend as much as $225 for an original, scratchy vinyl recording of bands like Deep Purple and the Grateful Dead dating back to the early seventies. The rarest of all are akin to valuable paintings as far as collectors and traders are concerned.
Author | : Chris Matthew Sciabarra |
Publisher | : Penn State Press |
Total Pages | : 545 |
Release | : 2015-06-13 |
Genre | : Philosophy |
ISBN | : 0271063742 |
Author of The Fountainhead and Atlas Shrugged, Ayn Rand (1905–1982) is one of the most widely read philosophers of the twentieth century. Yet, despite the sale of over thirty million copies of her works, there have been few serious scholarly examinations of her thought. Ayn Rand: The Russian Radical provides a comprehensive analysis of the intellectual roots and philosophy of this controversial thinker. It has been nearly twenty years since the original publication of Chris Sciabarra’s Ayn Rand: The Russian Radical. Those years have witnessed an explosive increase in Rand sightings across the social landscape: in books on philosophy, politics, and culture; in film and literature; and in contemporary American politics, from the rise of the Tea Party to recent presidential campaigns. During this time Sciabarra continued to work toward the reclamation of the dialectical method in the service of a radical libertarian politics, culminating in his book Total Freedom: Toward a Dialectical Libertarianism (Penn State, 2000). In this new edition of Ayn Rand, Chris Sciabarra adds two chapters that present in-depth analysis of the most complete transcripts to date documenting Rand’s education at Petrograd State University. A new preface places the book in the context of Sciabarra’s own research and the recent expansion of interest in Rand’s philosophy. Finally, this edition includes a postscript that answers a recent critic of Sciabarra’s historical work on Rand. Shoshana Milgram, Rand’s biographer, has tried to cast doubt on Rand’s own recollections of having studied with the famous Russian philosopher N. O. Lossky. Sciabarra shows that Milgram’s analysis fails to cast doubt on Rand’s recollections—or on Sciabarra’s historical thesis.
Author | : Sheila Whiteley |
Publisher | : Oxford University Press |
Total Pages | : 721 |
Release | : 2016-01-14 |
Genre | : Music |
ISBN | : 0199321299 |
Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited.
Author | : Andrew Durkin |
Publisher | : Pantheon |
Total Pages | : 538 |
Release | : 2014-11-18 |
Genre | : Music |
ISBN | : 0307911764 |
Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.
Author | : Mimi R. Gladstein |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 121 |
Release | : 2013-02-14 |
Genre | : Political Science |
ISBN | : 1623566738 |
The novelist and philosopher Ayn Rand was one of the most influential 20th century advocates of free market capitalism. Her work inspired Objectivism, a philosophical movement and former US Federal Reserve Chairman Alan Greenspan cited Rand as a formative intellectual influence. In this outstanding volume, Mimi Gladstein details Rand's belief in the moral supremacy of individualism over collectivism, highlighting her contribution to libertarian thought.
Author | : |
Publisher | : |
Total Pages | : 24 |
Release | : 2004-05-17 |
Genre | : |
ISBN | : |
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Author | : Dave Thompson |
Publisher | : Hal Leonard Corporation |
Total Pages | : 256 |
Release | : 2008 |
Genre | : Music |
ISBN | : 9780879309350 |
Provides a comparative look at the classic rockers of yesteryear, such as Led Zepplin and the Doors, in relation to modern bands to demonstrate what influence the original masters had on their work today and the errors they are making by straying from the true rock-and-roll format.