The Blue Octavo Notebooks
Author | : Franz Kafka |
Publisher | : |
Total Pages | : 128 |
Release | : 1991 |
Genre | : Fiction |
ISBN | : |
Originally published in Dearest father: stories and other writings. Schocken Books, 1954.
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Author | : Franz Kafka |
Publisher | : |
Total Pages | : 128 |
Release | : 1991 |
Genre | : Fiction |
ISBN | : |
Originally published in Dearest father: stories and other writings. Schocken Books, 1954.
Author | : Franz Kafka |
Publisher | : New Directions Publishing |
Total Pages | : 186 |
Release | : 2020-10-06 |
Genre | : Fiction |
ISBN | : 0811228029 |
A windfall for every reader: a trove of marvelous impossible-to-find Kafka stories in a masterful new translation by Michael Hofmann Selected by the preeminent Kafka biographer and scholar Reiner Stach and newly translated by the peerless Michael Hofmann, the seventy-four pieces gathered here have been lost to sight for decades and two of them have never been translated into English before. Some stories are several pages long; some run about a page; a handful are only a few lines long: all are marvels. Even the most fragmentary texts are revelations. These pieces were drawn from two large volumes of the S. Fischer Verlag edition Nachgelassene Schriften und Fragmente (totaling some 1100 pages). “Franz Kafka is the master of the literary fragment,” as Stach comments in his afterword: "In no other European author does the proportion of completed and published works loom quite so...small in the overall mass of his papers, which consist largely of broken-off beginnings.” In fact, as Hofmann recently added: “‘Finished' seems to me, in the context of Kafka, a dubious or ironic condition, anyway. The more finished, the less finished. The less finished, the more finished. Gregor Samsa’s sister Grete getting up to stretch in the streetcar. What kind of an ending is that?! There’s perhaps some distinction to be made between ‘finished' and ‘ended.' Everything continues to vibrate or unsettle, anyway. Reiner Stach points out that none of the three novels were ‘completed.' Some pieces break off, or are concluded, or stop—it doesn’t matter!—after two hundred pages, some after two lines. The gusto, the friendliness, the wit with which Kafka launches himself into these things is astonishing.”
Author | : Reiner Stach |
Publisher | : Princeton University Press |
Total Pages | : 580 |
Release | : 2017-09-05 |
Genre | : Biography & Autobiography |
ISBN | : 0691178186 |
The eagerly anticipated final volume of the award-winning, definitive biography of Franz Kafka How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest—his predilection for the back-to-nature movement—stemmed from his “nervous” surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.
Author | : Reiner Stach |
Publisher | : New Directions Publishing |
Total Pages | : 399 |
Release | : 2016-03-21 |
Genre | : Biography & Autobiography |
ISBN | : 0811224554 |
Out of the massive research for an authoritative 1,500-page biography emerges this wunderkammer of 99 delightfully odd facts about Kafka In the course of compiling his highly acclaimed three-volume biography of Kafka, while foraying to libraries and archives from Prague to Israel, Reiner Stach made one astounding discovery after another: unexpected photographs, inconsistencies in handwritten texts, excerpts from letters, and testimonies from Kafka’s contemporaries that shed surprising light on his personality and his writing. Is that Kafka? presents the crystal granules of the real Kafka: he couldn’t lie, but he tried to cheat on his high-school exams; bitten by the fitness fad, he avidly followed the regime of a Danish exercise guru; he drew beautifully; he loved beer; he read biographies voraciously; he made the most beautiful presents, especially for children; odd things made him cry or made him furious; he adored slapstick. Every discovery by Stach turns on its head the stereotypical version of the tortured neurotic—and as each one chips away at the monolithic dark Kafka, the keynote, of all things, becomes laughter. For Is that Kafka? Stach has assembled 99 of his most exciting discoveries, culling the choicest, most entertaining bits, and adding his knowledge-able commentaries. Illustrated with dozens of previously unknown images, this volume is a singular literary pleasure.
Author | : Reiner Stach |
Publisher | : Princeton University Press |
Total Pages | : 592 |
Release | : 2021-07-13 |
Genre | : Biography & Autobiography |
ISBN | : 069123356X |
This is the acclaimed central volume of the definitive biography of Franz Kafka. Reiner Stach spent more than a decade working with over four thousand pages of journals, letters, and literary fragments, many never before available, to re-create the atmosphere in which Kafka lived and worked from 1910 to 1915, the most important and best-documented years of his life. This period, which would prove crucial to Kafka's writing and set the course for the rest of his life, saw him working with astonishing intensity on his most seminal writings--The Trial, The Metamorphosis, The Man Who Disappeared (Amerika), and The Judgment. These are also the years of Kafka's fascination with Zionism; of his tumultuous engagement to Felice Bauer; and of the outbreak of World War I. Kafka: The Decisive Years is at once an extraordinary portrait of the writer and a startlingly original contribution to the art of literary biography.
Author | : Carmen GimŽnez Smith |
Publisher | : University of Arizona Press |
Total Pages | : 110 |
Release | : 2010-10-15 |
Genre | : Biography & Autobiography |
ISBN | : 0816528691 |
How does a contemporary woman with a career as a poet, professor, and editor experience motherhood with one small child, another soon to be born, and her own mother suddenly diagnosed with a brain tumor and AlzheimerÕs? The dichotomy between life as a mother and life as an artist and professional is a major theme in modern literature because often the two seem irreconcilable. In Bring Down the Little Birds, Carmen GimŽnez Smith faces this seeming irreconcilability head-on, offering a powerful and necessary lyric memoir to shed light on the difficultiesÑand joysÑof being a mother juggling work, art, raising children, pregnancy, and being a daughter to an ailing mother, and, perhaps most important, offering a rigorous and intensely imaginative contemplation on the concept of motherhood as such. Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a womanÕs first and second journeys into motherhood. GimŽnez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book. Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, GimŽnez Smith interrogates everything involved in becoming and being a mother for both the first and second time, from wondering what her children will one day know about her own Òsecret lifeÓ to meditations on the physical effects of pregnancy as well as the myths, the nostalgia, and the glorification of motherhood. While GimŽnez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means.
Author | : Franz Kafka |
Publisher | : SCB Distributors |
Total Pages | : 392 |
Release | : 2013-07-29 |
Genre | : Fiction |
ISBN | : 190992329X |
This volume collects all the texts from Franz Kafka’s literary remains that originated in the period up until Autumn 1917, with the exception of the two novels The Man Who Disappeared (Kafka’s original title for Amerika) and The Trial, plus the material that passed into the published Diaries. These texts – short story drafts, aphorisms, dreams, dialogues, and other shards of recorded imagination – are presented here in strict adherence to Kafka’s handwritten drafts – not only in the original form of the text, but also in their raw, handwritten arrangements. Each piece is preserved in its original context, including the various different first attempts that indicate the way towards a work in progress. Whatever stands together in Kafka’s handwritten drafts, remains together in this edition. These ABANDONED FRAGMENTS are presented together in English for the very first time, providing a unique resource which will prove indispensable to Kafka scholars, and essential for the general reader of classic literature.
Author | : Naama Harel |
Publisher | : University of Michigan Press |
Total Pages | : 217 |
Release | : 2020-05-04 |
Genre | : Literary Criticism |
ISBN | : 0472902091 |
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.
Author | : Workman Publishing |
Publisher | : Workman Publishing Company |
Total Pages | : 529 |
Release | : 2021-04-27 |
Genre | : Young Adult Nonfiction |
ISBN | : 1523504366 |
Biology? No Problem! This Big Fat Notebook covers everything you need to know during a year of high school BIOLOGY class, breaking down one big bad subject into accessible units. Including: biological classification, cell theory, photosynthesis, bacteria, viruses, mold, fungi, the human body, plant and animal reproduction, DNA & RNA, evolution, genetic engineering, the ecosystem and more. Study better with mnemonic devices, definitions, diagrams, educational doodles, and quizzes to recap it all. Millions and millions of BIG FAT NOTEBOOKS sold!
Author | : Harry Houdini |
Publisher | : Cosimo, Inc. |
Total Pages | : 125 |
Release | : 2007-04-01 |
Genre | : Body, Mind & Spirit |
ISBN | : 1602060770 |
Magicians debunking charlatans and revealing secrets of the trade: it's not something that Penn and Teller or James "The Amazing" Randi invented. The legendary Harry Houdini was doing the same thing a century ago, to popular acclaim. In this 1920 book, the master showman-and surprisingly entertaining writer-uncovers the mysteries behind such extraordinary feats as fire-eating, sword-swallowing, snake-charmers, and strong men. More a simple expose of stage trickery, though, this is a brisk history of such oddities throughout history and around the world, from the Middle Ages to the 20th century, from the culture of the Native Americans to that of Japan. This is a fascinating work of the strange and seemingly inexplicable made plain and understandable. Hungarian-American magician and professional skeptic EHRICH WEISS (1874-1926)-aka Harry Houdini, "Handcuff King and Jail Breaker"-also wrote Magical Rope Ties and Escapes (1920) and A Magician Among the Spirits (1924).