The Blue Buick New And Selected Poems
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| Author | : B. H. Fairchild |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 304 |
| Release | : 2014-07-21 |
| Genre | : Poetry |
| ISBN | : 0393243982 |
“[B. H. Fairchild] is the American voice at its best: confident and conflicted, celebratory and melancholic.”—New York Times Gathering works from five of B. H. Fairchild's previous volumes stretching over thirty years, and adding twenty-six brilliant new poems, The Blue Buick showcases the career of a poet who represents "the American voice at its best: confident and conflicted, celebratory and melancholic" (New York Times). Fairchild's poetry covers a wide range, both geographically and intellectually, though it finds its center in the rural Midwest: in oilfields and dying small towns, in taverns, baseball fields, one-screen movie theaters, and skies "vast, mysterious, and bored." Ultimately, its cultural scope—where Mozart stands beside Patsy Cline, with Grunewald, Gödel, and Rothko only a subway ride from the Hollywood films of the 1950s—transcends region and decade to explore the relationship of memory to the imagination and the mysteries of time and being. And finally there is the character of Roy Eldridge Garcia, a machinist/poet/philosopher who sees in the landscape and silence of the high plains the held breath of the earth, "as if we haven't quite begun to exist. That coming into being still going on." From the machine work elevated to high art that is the subject of The Arrival of the Future (1985) to the despairing dreamers of Early Occult Memory Systems of the Lower Midwest (2002) to the panoramic, voice-driven structure of Usher (2009), Fairchild's work, "meaty, maximalist, driven by narrative, stakes out an American mythos" (David Ulin, Los Angeles Times). From "The Blue Buick:" A boy standing on a rig deck looks across the plains. A woman walks from a trailer to watch the setting sun. A man stands beside a lathe, lighting a cigar. Imagined or remembered, a girl in Normandy Sings across a sea, that something may remain.
| Author | : B. H. Fairchild |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2016-02-09 |
| Genre | : Poetry |
| ISBN | : 0393352161 |
“[B. H. Fairchild] is the American voice at its best: confident and conflicted, celebratory and melancholic.”—New York Times Gathering works from five of B. H. Fairchild's previous volumes stretching over thirty years, and adding twenty-six brilliant new poems, The Blue Buick showcases the career of a poet who represents "the American voice at its best: confident and conflicted, celebratory and melancholic" (New York Times). Fairchild's poetry covers a wide range, both geographically and intellectually, though it finds its center in the rural Midwest: in oilfields and dying small towns, in taverns, baseball fields, one-screen movie theaters, and skies "vast, mysterious, and bored." Ultimately, its cultural scope—where Mozart stands beside Patsy Cline, with Grunewald, Gödel, and Rothko only a subway ride from the Hollywood films of the 1950s—transcends region and decade to explore the relationship of memory to the imagination and the mysteries of time and being. And finally there is the character of Roy Eldridge Garcia, a machinist/poet/philosopher who sees in the landscape and silence of the high plains the held breath of the earth, "as if we haven't quite begun to exist. That coming into being still going on." From the machine work elevated to high art that is the subject of The Arrival of the Future (1985) to the despairing dreamers of Early Occult Memory Systems of the Lower Midwest (2002) to the panoramic, voice-driven structure of Usher (2009), Fairchild's work, "meaty, maximalist, driven by narrative, stakes out an American mythos" (David Ulin, Los Angeles Times). From "The Blue Buick:" A boy standing on a rig deck looks across the plains. A woman walks from a trailer to watch the setting sun. A man stands beside a lathe, lighting a cigar. Imagined or remembered, a girl in Normandy Sings across a sea, that something may remain.
| Author | : B. H. Fairchild |
| Publisher | : W. W. Norton |
| Total Pages | : 125 |
| Release | : 2004-05-01 |
| Genre | : Poetry |
| ISBN | : 9780393325669 |
A collection of works reflects the vision of dreamers who have despaired of attaining their ideals, from baseball players and laborers to a surrealist priest and a group of college boys at a burlesque theater. By the author of The Art of the Lathe. Winner of the National Book Critics Circle Award. Reprint.
| Author | : Benjamin P. Myers |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 140 |
| Release | : 2020-12-17 |
| Genre | : Poetry |
| ISBN | : 1532695462 |
What makes one poem better than another? Do Christians have an obligation to strive for excellence in the arts? While orthodox Christians are generally quick to affirm the existence of absolute truth and absolute goodness, even many within the church fall prey to the postmodern delusion that “beauty is in the eye of the beholder.” This book argues that Christian doctrine in fact gives us a solid basis on which to make aesthetic judgments about poetry in particular and about the arts more generally. The faith once and for all delivered unto the saints is remarkable in its combined emphasis on embodied particularity and meaningful transcendence. This unique combination makes it the perfect starting place for art that speaks to who we are as creatures made for eternity.
| Author | : B.H. Fairchild |
| Publisher | : Alice James Books |
| Total Pages | : 80 |
| Release | : 2015-11-01 |
| Genre | : Poetry |
| ISBN | : 1938584503 |
B.H. Fairchild’s The Art of the Lathe is a collection of poems centering on the working-class world of the Midwest, the isolations of small-town life, and the possibilities and occasions of beauty and grace among the machine shops and oil fields of rural Kansas.
| Author | : B. H. Fairchild |
| Publisher | : W. W. Norton |
| Total Pages | : 136 |
| Release | : 2009 |
| Genre | : Poetry |
| ISBN | : |
From Manhattan to the rural Midwest--one of our most distinguished poets offers a verbal cinema of America.
| Author | : Amanda Jernigan |
| Publisher | : Able Muse Press |
| Total Pages | : 164 |
| Release | : 2016-07-07 |
| Genre | : Literary Collections |
| ISBN | : 1927409799 |
This is the seminannual Able Muse Review (Print Edition) - Summer 2016 issue, Number 21. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: EDITORIAL - Alexander Pepple. FEATURED ARTIST - Andy Biggs. FEATURED POET - Amanda Jernigan; (Interviewed by Ange Mlinko). FICTION - Andrew Valentine, Terri Brown-Davidson, John Christopher Nelson, Timothy Reilly. ESSAYS - Ron McFarland, N.S. Thompson, Barbara Haas. BOOK REVIEWS - Amit Majmudar, John Ellis. POETRY - Midge Goldberg, Jean L. Kreiling, Sankha Ghosh, Timothy Murphy, Pedro Poitevin, Joseph Hutchison, Pierre de Ronsard, Heinrich Heine, Catharine Savage Brosman, Rachel Hadas, Stephen Palos, Bruce Bennett, Doris Watts, Jeanne Emmons.
| Author | : Anders Carlson-Wee |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 98 |
| Release | : 2019-03-12 |
| Genre | : Poetry |
| ISBN | : 0393652394 |
In a “trenchantly observed and moving debut” (John James, Kenyon Review), Anders Carlson-Wee mines nourishment and holiness from the darkest of our human origins. Explosive and incantatory, The Low Passions traces the fringes of the American experiment through the eyes of a young drifter. Pathologically frugal, reckless, and vulnerable, the narrator of these viscerally compelling poems hops freight trains, hitchhikes, dumpster dives, and sleeps in the homes of total strangers, scavenging forgotten and hardscrabble places for tangible forms of faith.
| Author | : Sarah Janssen |
| Publisher | : Simon and Schuster |
| Total Pages | : 3278 |
| Release | : 2015-12-08 |
| Genre | : Reference |
| ISBN | : 1600572006 |
Get thousands of facts right at your fingertips with this essential resource The World Almanac® and Book of Facts is America's top-selling reference book of all time, with more than 82 million copies sold. Since 1868, this compendium of information has been the authoritative source for all your entertainment, reference, and learning needs. The 2016 edition of The World Almanac® reviews the events of 2015 and will be your go-to source for any questions on any topic in the upcoming year. Praised as a "treasure trove of political, economic, scientific and educational statistics and information" by The Wall Street Journal, The World Almanac® and Book of Facts will answer all of your trivia needs—from history and sports to geography, pop culture, and much more. Features include: • The Year in Review: The World Almanac® takes a look back at 2015 while providing all the information you'll need in 2016. • 2015—Top 10 News Topics: The editors of The World Almanac® list the top stories that held their attention in 2015. • 2015—Year in Sports: Hundreds of pages of trivia and statistics that are essential for any sports fan, featuring complete coverage of the first College Football Playoff, the Women's World Cup, 2015 World Series, and much more. • 2015—Year in Pictures: Striking full-color images from around the world in 2015, covering news, entertainment, science, and sports. • 2015—Offbeat News Stories: The World Almanac® editors found some of the strangest news stories of the year. • World Almanac® Editors' Picks: Time Capsule: The World Almanac® lists the items that most came to symbolize the year 2015, from news and sports to pop culture. • U.S. Immigration: A Statistical Feature: The World Almanac® covers the historical background, statistics, and legal issues surrounding immigration, giving factual context to one of the hot-button topics of the upcoming election cycle. • World Almanac® Editors' Picks: Most Memorable Super Bowls: On the eve of Super Bowl 50, the editors of The World Almanac® choose the most memorable "big games." • New Employment Statistics: Five years after the peak of the great recession, The World Almanac® takes a look at current and historic data on employment and unemployment, industries generating job growth, and the training and educational paths that lead to careers. • 2016 Election Guide: With a historic number of contenders for the presidential nominations, The World Almanac® provides information that every primary- and general-election voter will need to make an informed decision in 2016, including information on state primaries, campaign fundraising, and the issues voters care about most in 2016. • The World at a Glance: This annual feature of The World Almanac® provides a quick look at the surprising stats and curious facts that define the changing world. • and much more.
| Author | : W.J. Herbert |
| Publisher | : Beacon Press |
| Total Pages | : 114 |
| Release | : 2021-10-05 |
| Genre | : Poetry |
| ISBN | : 0807007609 |
A National Poetry Series winner, selected and with a foreword by Kwame Dawes. A 5-part series of interwoven poems from a dying parent to her daughter, examining the human capacity for grief, culpability, and love, asking: do we as a species deserve to survive? Dear Specimen opens with both its speaker and her planet in peril. In “Speak to Me,” she puzzles over a millipede, as if the blue rune of its body could help her understand her impending death and the crisis her species has created. Throughout the collection, poems addressed to specimens echo the speaker’s concern and amplify her wonderment. A catalog of our climate transgressions, Dear Specimen’s final poem foretells a future in which climate refugees overrun one of our planet’s last habitable places. The collection’s lifeblood is a series of poems in which the speaker and her daughter express their concern for, and devotion to, one another. The daughter’s questions mirror the ones her mother asks of specimens: what are we meant to do with so much hazard and wonder? When the speaker hints at the climate crisis in a bedtime story she tells her grandson, we, too, feel the peril he may face. Juxtaposing a profound sense of intimacy with the vastness of geological time, the collection offers a climate-conscious critique of the human species—our search for meaning and intimacy, our capacity for greed and destruction. Dear Specimen is an extended love letter and dire warning, not only to the daughter its speaker leaves behind but to all of us.
