The Bloomington, Indiana, Controversy Over Urban Renewal
Author | : Grafton D. Trout |
Publisher | : |
Total Pages | : 88 |
Release | : 1962 |
Genre | : Urban renewal |
ISBN | : |
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Author | : Grafton D. Trout |
Publisher | : |
Total Pages | : 88 |
Release | : 1962 |
Genre | : Urban renewal |
ISBN | : |
Author | : Pieter Boons |
Publisher | : Leuven University Press |
Total Pages | : 272 |
Release | : 2021-06-01 |
Genre | : Political Science |
ISBN | : 9462702365 |
One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city. Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of Congoville, an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia. Een eeuw na de oprichting van de École Coloniale Supérieure in Antwerpen nodigt het naburige Middelheimmuseum onderzoeker en curator Sandrine Colard uit om een tentoonstelling te creëren die sitespecifiek peilt naar de stille geschiedenissen van het kolonialisme. Congoville duidt op de zichtbare en onzichtbare stedelijke sporen van de kolonie, niet op het Afrikaanse continent, maar pal in het België van vandaag: een schoolgebouw, een park, imperialistische mythes en burgers van Afrikaanse origine. Doorheen de tentoonstelling en deze bijhorende publicatie is Congoville de context waarbinnen 15 hedendaagse kunstenaars, als zwarte flâneurs op pad in een postkoloniale stad, het koloniale verleden en de impact ervan adresseren. Door de veelheid aan perspectieven en stemmen is dit boek tegelijk een catalogus en een naslagwerk met zowel academische als artistieke bijdragen. Samen ontvouwen de betrokken kunstenaars en auteurs de blauwdruk van Congoville, een imaginaire stad die ons nog steeds onbewust in haar greep houdt, maar ons ook aanspoort om na te denken over een de-koloniaal utopia. With contributions by/Met bijdragen van: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Léonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud Participating artists/Deelnemende kunstenaars: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pélagie Gbaguidi For more information, visit www.middelheimmuseum.be/nl/activiteit/congoville
Author | : United States. Housing and Home Finance Agency. Library |
Publisher | : |
Total Pages | : 32 |
Release | : 1965 |
Genre | : City planning |
ISBN | : |
Author | : United States. Congress. House. Committee on Education and Labor. General Subcommittee on Education |
Publisher | : |
Total Pages | : 582 |
Release | : 1966 |
Genre | : Educational innovations |
ISBN | : |
Considers H.R. 13160, and related H.R. 13161, to increase assistance to elementary and secondary schools. Includes "Pacesetters in Innovation, " HEW report (Feb. 1966. 171-289 p.).
Author | : Christopher MacGregor Scribner |
Publisher | : University of Georgia Press |
Total Pages | : 216 |
Release | : 2002 |
Genre | : History |
ISBN | : 9780820323282 |
Renewing Birmingham is the first book-length study of how federal funding helped transform a twentieth-century southern city. Christopher MacGregor Scribner shows that such funding not only aided Birmingham's transition from an industrial to a service economy but also led to redrawn avenues of power, influence, and justice in the city. By the 1960s Alabama's largest city faced wrenching changes brought on by economic decline, suburbanization, and racial tension. Decades in the making, these problems pitted old-guard politicians, manufacturing elites, and working-class whites against an alternative vision, kindled by federal dollars, of Birmingham's future. Scribner uses the Birmingham experience to trace the evolution of federal grants from extensions of Depression-era fiscal policy to instruments of social change. As he discusses federal backing of projects ranging from low-income housing to the University of Alabama Medical College, Scribner also shows how control of the grant purse, which once belonged exclusively to politicians, came to be shared with bureaucrats and activists, local and federal participants, and blacks and whites. Most important in Birmingham's case, debates over spending drew in entrepreneurs in fields as diverse as biomedicine and education, real estate and construction. This complicated bargaining and coalition-building sparked a "quiet revolution" that had begun hollowing out the core of Birmingham's old order even as civil rights protests cemented the city's segregationist reputation. Scribner stresses that the social benefits of Birmingham's economic rebirth reflected not so much a change of heart for the city as an admission that segregation was simply bad for business. As a new Birmingham ascended--and became less distinguishable from other American cities--aspects of its racist, elitist past persisted. In learning the particulars of Birmingham we come closer to understanding how the South can be at odds with the rest of the country even as it participates in national trends.
Author | : Charles Waldheim |
Publisher | : Princeton University Press |
Total Pages | : 216 |
Release | : 2022-03-15 |
Genre | : Architecture |
ISBN | : 0691238308 |
A definitive intellectual history of landscape urbanism It has become conventional to think of urbanism and landscape as opposing one another—or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape. Charles Waldheim traces the roots of landscape as a form of urbanism from its origins in the Renaissance through the twentieth century. Growing out of progressive architectural culture and populist environmentalism, the concept was further informed by the nineteenth-century invention of landscape architecture as a "new art" charged with reconciling the design of the industrial city with its ecological and social conditions. In the late twentieth and early twenty-first centuries, as urban planning shifted from design to social science, and as urban design committed to neotraditional models of town planning, landscape urbanism emerged to fill a void at the heart of the contemporary urban project. Generously illustrated, Landscape as Urbanism examines works from around the world by designers ranging from Ludwig Hilberseimer, Andrea Branzi, and Frank Lloyd Wright to James Corner, Adriaan Geuze, and Michael Van Valkenburgh. The result is the definitive account of an emerging field that is likely to influence the design of cities for decades to come.
Author | : Jonathan Sperber |
Publisher | : Routledge |
Total Pages | : 423 |
Release | : 2014-01-14 |
Genre | : History |
ISBN | : 1317866606 |
This innovative survey of European history from the middle of the nineteenth century to the outbreak of the First World War tells the story of an era of outward tranquillity that was also a period of economic growth, social transformation, political contention and scientific, and artistic innovation. During these years, the foundations of our present urban-industrial society were laid, the five Great Powers vied in peaceful and violent fashion for dominance in Europe and throughout the world, and the darker forces that were to dominate the twentieth century – violent nationalism, totalitarianism, racism, ethnic cleansing – began to make themselves felt. Jonathan Sperber sets out developments in this period across the entire European continent, from the Atlantic to the Urals, from the Baltic to the Mediterranean. To help students of European history grasp the main dynamics of the period, he divides the book into three overlapping sections covering the periods from 1850-75, 1871-95 and 1890-1914. In each period he identifies developments and tendencies that were common in varying degrees to the whole of Europe, while also pointing the unique qualities of specific regions and individual countries. Throughout, his argument is supported by illustrative material: tables, charts, case studies and other explanatory features, and there is a detailed bibliography to help students to explore further in those areas that interest them.