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| Author | : Carl Senna |
| Publisher | : Franklin Watts |
| Total Pages | : 160 |
| Release | : 1994-03-01 |
| Genre | : African American press |
| ISBN | : 9780531156933 |
An account of the black press from the first black newspaper to the integration of black journalists into the mainstream of American journalism.
| Author | : Frederick German Detweiler |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 1922 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Todd Vogel |
| Publisher | : Rutgers University Press |
| Total Pages | : 296 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780813530055 |
The Black Press progresses chronologically from abolitionist newspapers to today's Internet and reveals how the black press's content and its very form changed with evolving historical conditions in America.
| Author | : Kim Gallon |
| Publisher | : University of Illinois Press |
| Total Pages | : 0 |
| Release | : 2020-05-25 |
| Genre | : Social Science |
| ISBN | : 9780252043222 |
Critics often chastised the twentieth-century black press for focusing on sex and scandal rather than African American achievements. In Pleasure in the News, Kim Gallon takes an opposing stance—arguing that African American newspapers fostered black sexual expression, agency, and identity. Gallon discusses how journalists and editors created black sexual publics that offered everyday African Americans opportunities to discuss sexual topics that exposed class and gender tensions. While black churches and black schools often encouraged sexual restraint, the black press printed stories that complicated notions about respectability. Sensational coverage also expanded African American women’s sexual consciousness and demonstrated the tenuous position of female impersonators, black gay men, and black lesbians in early twentieth African American urban communities. Informative and empowering, Pleasure in the News redefines the significance of the black press in African American history and advancement while shedding light on the important cultural and social role that sexuality played in the power of the black press.
| Author | : Ethan Michaeli |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 884 |
| Release | : 2016-01-12 |
| Genre | : History |
| ISBN | : 0547560877 |
This “extraordinary history” of the influential black newspaper is “deeply researched, elegantly written [and] a towering achievement” (Brent Staples, New York Times Book Review). In 1905, Robert S. Abbott started printing The Chicago Defender, a newspaper dedicated to condemning Jim Crow and encouraging African Americans living in the South to join the Great Migration. Smuggling hundreds of thousands of copies into the most isolated communities in the segregated South, Abbott gave voice to the voiceless, galvanized the electoral power of black America, and became one of the first black millionaires in the process. His successor wielded the newspaper’s clout to elect mayors and presidents, including Harry S. Truman and John F. Kennedy, who would have lost in 1960 if not for The Defender’s support. Drawing on dozens of interviews and extensive archival research, Ethan Michaeli constructs a revelatory narrative of journalism and race in America, bringing to life the reporters who braved lynch mobs and policemen’s clubs to do their jobs, from the age of Teddy Roosevelt to the age of Barack Obama. “[This] epic, meticulously detailed account not only reminds its readers that newspapers matter, but so do black lives, past and present.” —USA Today
| Author | : Kathy Roberts Forde |
| Publisher | : University of Illinois Press |
| Total Pages | : 534 |
| Release | : 2021-12-14 |
| Genre | : Social Science |
| ISBN | : 0252053044 |
Winner of the American Historical Association’s 2022 Eugenia M. Palmegiano Prize. White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. They also examine the Black press’s parallel fight for a multiracial democracy of equality, justice, and opportunity for all—a losing battle with tragic consequences for the American experiment. Original and revelatory, Journalism and Jim Crow opens up new ways of thinking about the complicated relationship between journalism and power in American democracy. Contributors: Sid Bedingfield, Bryan Bowman, W. Fitzhugh Brundage, Kathy Roberts Forde, Robert Greene II, Kristin L. Gustafson, D'Weston Haywood, Blair LM Kelley, and Razvan Sibii
| Author | : Roland Edgar Wolseley |
| Publisher | : Iowa State Press |
| Total Pages | : 488 |
| Release | : 1990 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
| Author | : Sarah J. Jackson |
| Publisher | : Routledge |
| Total Pages | : 219 |
| Release | : 2014-05-23 |
| Genre | : Social Science |
| ISBN | : 1134588372 |
Shifting understandings and ongoing conversations about race, celebrity, and protest in the twenty-first century call for a closer examination of the evolution of dissent by black celebrities and their reception in the public sphere. This book focuses on the way the mainstream and black press have covered cases of controversial political dissent by African American celebrities from Paul Robeson to Kanye West. Jackson considers the following questions: 1) What unique agency is available to celebrities with racialized identities to present critiques of American culture? 2) How have journalists in both the mainstream and black press limited or facilitated this agency through framing? What does this say about the varying role of journalism in American racial politics? 3) How have framing trends regarding these figures shifted from the mid-twentieth century to the twenty-first century? Through a series of case studies that also includes Eartha Kitt, Sister Souljah, and Mahmoud Abdul-Rauf, Jackson illustrates the shifting public narratives and historical moments that both limit and enable African American celebrities in the wake of making public politicized statements that critique the accepted racial, economic, and military systems in the United States.
| Author | : Robert M. Entman |
| Publisher | : University of Chicago Press |
| Total Pages | : 326 |
| Release | : 2001-12 |
| Genre | : Political Science |
| ISBN | : 0226210766 |
Living in a segregated society, white Americans learn about African Americans through the images the media show. This text offers a look at the racial patterns in the mass media and how they shape the ambivalent attitudes of whites toward blacks.
| Author | : Imani Perry |
| Publisher | : UNC Press Books |
| Total Pages | : 297 |
| Release | : 2018-02-02 |
| Genre | : Social Science |
| ISBN | : 1469638614 |
The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses "Lift Every Voice and Sing" as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century.
