The Black Border And Fugitive Narration In Black American Literature
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| Author | : Paula von Gleich |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 307 |
| Release | : 2022-03-07 |
| Genre | : Literary Criticism |
| ISBN | : 3110761033 |
This book tests the limits of fugitivity as a concept in recent Black feminist and Afro-pessimist thought. It follows the conceptual travels of confinement and flight through three major Black writing traditions in North America from the 1840s to the early 21st century. Cultural analysis is the basic methodological approach and recent concepts of captivity and fugitivity in Afro-pessimist and Black feminist theory form the theoretical framework.
| Author | : Paula von Gleich |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 319 |
| Release | : 2022-03-07 |
| Genre | : Literary Criticism |
| ISBN | : 3110761289 |
This book tests the limits of fugitivity as a concept in recent Black feminist and Afro-pessimist thought. It follows the conceptual travels of confinement and flight through three major Black writing traditions in North America from the 1840s to the early 21st century. Cultural analysis is the basic methodological approach and recent concepts of captivity and fugitivity in Afro-pessimist and Black feminist theory form the theoretical framework.
| Author | : Mariya Nikolova |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 277 |
| Release | : 2023-03-20 |
| Genre | : Literary Criticism |
| ISBN | : 3110891336 |
Interested in the ideological workings of fiction, I study how major avant-garde tropes promote the potential of permanent renewal as white America’s property. Renewal ties to the capacities to create, progress, transcend, and simply be. From Black critique we know that, within dominant discourse, all these capacities have been denied to Black bodies ever since colonization. Black work has been fetishized, appropriated, stolen, and dismissed in and by dominant culture, while Black being is construed as negativity and barred on the level of ontology. It follows then that racialization operates on multiple levels in the conceptual frame of renewal. I study this conceptualization by re-reading the works of and criticism on progressive white authors. I examine how images of renewal enable the claim on futurity, transformative potential, and movement forward as exclusively white properties. Premised on oppositions between positive capacities and a state of complete incapacitation, these images are often viewed as separate constructions. This project shows that, deriving from white ideology, such representations are symbiotic and simultaneous - the "good" story of white renewal rests on the continual transgression towards Black being.
| Author | : Marnie Hughes-Warrington |
| Publisher | : Taylor & Francis |
| Total Pages | : 474 |
| Release | : 2023-11-07 |
| Genre | : History |
| ISBN | : 1000984834 |
The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today’s media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor’s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications. Both Chapter 17 and the Afterword of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
| Author | : |
| Publisher | : |
| Total Pages | : 130 |
| Release | : 2006 |
| Genre | : American literature |
| ISBN | : |
| Author | : Alejandro de la Fuente |
| Publisher | : Cambridge University Press |
| Total Pages | : 663 |
| Release | : 2018-04-26 |
| Genre | : History |
| ISBN | : 1316832325 |
Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region's long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.
| Author | : Gina Wisker |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 376 |
| Release | : 2017-03-04 |
| Genre | : Literary Criticism |
| ISBN | : 0333985249 |
This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.
| Author | : Joycelyn Moody |
| Publisher | : Cambridge University Press |
| Total Pages | : 724 |
| Release | : 2021-07-22 |
| Genre | : Literary Criticism |
| ISBN | : 1108875661 |
This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
| Author | : Markus Nehl |
| Publisher | : Transcript Publishing |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Literary Collections |
| ISBN | : 9783837636666 |
Biographical note: Markus Nehl received his PhD from the Graduate School”Practices of Literature“at the University of Münster. His research interests include African American, Black Diaspora and Postcolonial Studies.
| Author | : Theodore W. Cohen |
| Publisher | : Cambridge University Press |
| Total Pages | : 572 |
| Release | : 2020-05-07 |
| Genre | : History |
| ISBN | : 1108671179 |
In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican history and Afro-diasporic thought.
