The Birth Of Landscape Painting In China The Sui And Tang Dynasties
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Author | : Michael Sullivan |
Publisher | : Univ of California Press |
Total Pages | : 330 |
Release | : 1962-01-01 |
Genre | : Art |
ISBN | : 9780520035584 |
Vol. 2 has title: Chinese landscape painting.
Author | : Michael Sullivan |
Publisher | : Univ of California Press |
Total Pages | : 372 |
Release | : 1962 |
Genre | : Landscape painting, Chinese |
ISBN | : |
Author | : Wen Fong |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 571 |
Release | : 1992 |
Genre | : Calligraphy, Chinese |
ISBN | : 0300057016 |
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
Author | : Michael Sullivan |
Publisher | : Univ of California Press |
Total Pages | : 292 |
Release | : 1977 |
Genre | : Art |
ISBN | : 9780520033672 |
Sullivan has thoroughly revised this classic history of Chinese art which covers the period from Neolithic times to the 1990s. 224 photos. 164 color illustrations. 14 maps.
Author | : Michael Sullivan |
Publisher | : Univ of California Press |
Total Pages | : 308 |
Release | : 1984-01-01 |
Genre | : Art |
ISBN | : 9780520049185 |
this book presents a fascinating and balanced picture of Chinese art from the Stone Age to the present day. The author concerns himself not only with art, but also with Chinese philosophy, religion, and the realm of ideas.
Author | : Guo, Xi |
Publisher | : |
Total Pages | : 70 |
Release | : 1936 |
Genre | : Aesthetics |
ISBN | : |
Author | : Richard M. Barnhart |
Publisher | : Yale University Press |
Total Pages | : 422 |
Release | : 1997-01-01 |
Genre | : Art |
ISBN | : 0300094477 |
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author | : Mark Edward LEWIS |
Publisher | : Harvard University Press |
Total Pages | : 351 |
Release | : 2009-06-30 |
Genre | : History |
ISBN | : 0674040155 |
After the collapse of the Han dynasty in the third century CE, China divided along a north-south line. This book traces the changes that both underlay and resulted from this split in a period that saw the geographic redefinition of China, more engagement with the outside world, significant changes to family life, developments in the literary and social arenas, and the introduction of new religions.
Author | : Li Shi |
Publisher | : DeepLogic |
Total Pages | : 230 |
Release | : |
Genre | : History |
ISBN | : |
The book is the volume of “The History of Art in Sui, Tang and Five Dynasties” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Author | : William Reynolds Beal Acker |
Publisher | : Brill Archive |
Total Pages | : 500 |
Release | : 1954 |
Genre | : China painters |
ISBN | : |