The Bible On Film
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Author | : Adele Reinhartz |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2013-10-08 |
Genre | : Religion |
ISBN | : 1134627017 |
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
Author | : Matthew S. Rindge |
Publisher | : The Basics |
Total Pages | : 222 |
Release | : 2021 |
Genre | : Bible |
ISBN | : 9780815392224 |
Bible and Film: The Basics is a concise, accessible, and illuminating introduction to the study of Bible and Film. The book introduces non-specialists to the essential content in Bible and Film, and to some of the most common and important methods Bible and Film scholars use. Questions asked throughout the book include: How do films (re)interpret and illuminate biblical texts? How do films appropriate, reconfigure, and transform biblical texts? How does a film's treatment of biblical texts help interpret and illuminate the film? This book examines various types of interplay between film and the Bible. The theme of 'Bible on film' is explored through Hebrew Bible epics including The Prince of Egypt and Noah, and Jesus films such as The Last Temptation of Christ and Son of Man. The theme 'Bible in film' is analyzed through films including Mary Magdalene, Magnolia, Pulp Fiction, and The Book of Eli. Films that 'reimagine the Bible' include Ex Machina, mother!, and The Tree of Life; unusual Jesus figures in Pan's Labyrinth, Dogville, and Donnie Darko are also explored. 'Film as Bible' considers films such as To the Wonder, Silence, and Parasite. A conclusion examines television shows such as Dekalog, The West Wing, The Handmaid's Tale, and God on Trial. With a glossary of key terms and suggestions for further reading throughout, this book is an ideal starting point for anyone seeking a full introduction to religion and film, bible and film, bible and popular culture, and theology and film.
Author | : Rhonda Burnette-Bletsch |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 940 |
Release | : 2016-09-12 |
Genre | : Religion |
ISBN | : 1614513260 |
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
Author | : |
Publisher | : Grove/Atlantic, Inc. |
Total Pages | : 146 |
Release | : 1999 |
Genre | : Bible |
ISBN | : 9780802136107 |
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
Author | : Philip A Scheidt |
Publisher | : Philip a Scheidt |
Total Pages | : 530 |
Release | : 2020-01-23 |
Genre | : Humor |
ISBN | : 9780578636887 |
This is unlike any book you have ever read! What if the pharaoh of Egypt could post on social media using the moniker "@atmakeegypt greatagain" and he describes his encounters with Moses? In this book he does. What if eighteen characters are in a movie theater watching dozens of films about Bible stories, and they are free to comment or yell about absurdities and errors they see on the screen? In this book they are. For example, in the famous scene of the parting of the Red Sea in the Ten Commandments what does a drunken defrocked minister yell when it parts from the wrong direction? In this book you will find out. What if there is a radio station that has been broadcasting since the time of Noah? In this case there is, with the exception of the two times it is destroyed and the announcer, The Salty Dog, is killed each time. First in the flood of Noah and the second time when he is playing the song, Great Balls of Fire as Sodom is being incinerated. As you enter the theater, be prepared to laugh out loud, as you see how "Holy Wood" has changed Bible stories. By the time you finish this book you will realize you have learned a few things while you were laughing, and in some cases these things do make a difference.
Author | : Francesca Stavrakopoulou |
Publisher | : Walter de Gruyter |
Total Pages | : 424 |
Release | : 2012-10-24 |
Genre | : Religion |
ISBN | : 3110899647 |
The Hebrew Bible portrays King Manasseh and child sacrifice as the most reprehensible person and the most objectionable practice within the story of 'Israel'. This monograph suggests that historically, neither were as deviant as the Hebrew Bible appears to insist. Through careful historical reconstruction, it is argued that Manasseh was one of Judah's most successful monarchs, and child sacrifice played a central role in ancient Judahite religious practice. The biblical writers, motivated by ideological concerns, have thus deliberately distorted the truth about Manasseh and child sacrifice.
Author | : Rob Hill |
Publisher | : Movie Bibles |
Total Pages | : 240 |
Release | : 2017-04 |
Genre | : Motion pictures |
ISBN | : 9780993240775 |
Whether you realise it or not, you probably enjoy bad movies. If you've ever been amused by cheesy '80s action, or laughed at a shoddy horror movie monster then you've paddled in the so-bad-it's-good shallows. The deep waters beyond can be intimidating, teeming as they are with dreck. But among the unmentionables are some of the most ridiculous and enjoyable movies ever made, you just need to know where to look. Exposing good-bad action movies, science fiction and fantasy, horror - and the rest - The Bad Movie Bible includes films such as Batman & Robin, The Room, Troll 2, Miami Connection, Nick Fury: Agent of Shield, Black Devil Doll From Hell, and Hell Comes to Frogtown The Bad Movie Bible is the first in the series of light-hearted movie bibles, analysing and eulogising cinematic subcultures. AUTHORS: Author Rob Hill has worked in the visual effects and post production industry for I5 years and has written widely on cinema and genre films. He co-wrote the multimillion selling 50I Movies and his most recent work is Top I0 Lists: Movies (both for Octopus Publishing Group). Editor Emma Hill has spent the past I4 years in illustrated non-fiction, working across a variety of genres including popular culture, craft, cookery, art and travel for the UK and co-edition markets. SELLING POINTS: * Most movies aren't very good. That shouldn't be a surprise to anyone. But nor should it be a surprise that some are so bad they possess a unique appeal arising specifically from their inadequacies. This book is a celebration of, and guide to, those movies * Analysis and reviews of 101 of the best good-bad movies of the last fifty years * Exclusive interviews with heroes and villains as diverse as Dame Joan Collins and Tommy Wiseau * First-hand accounts from genre legends who explain what went wrong, and why it isn't their fault * Unique behind-the-scenes images * Future classics are exposed, old mysteries solved 240 colour photographs
Author | : Timothy K. Beal |
Publisher | : University of Chicago Press |
Total Pages | : 221 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : 0226039765 |
Biblical scholars Timothy K. Beal and Tod Linafelt, along with an esteemed group of contributors, offer a provocative range of views on The Passion of the Christ. The book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts. The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian Gospel. Finally, the third section explores the film as a pop cultural phenomenon.
Author | : Steve A. Wiggins |
Publisher | : McFarland |
Total Pages | : 216 |
Release | : 2018-12-03 |
Genre | : Performing Arts |
ISBN | : 1476633711 |
What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Holy Writ attempts to ward off aliens, ghosts, witches, psychopaths and demons, yet it often becomes a source of evil itself. Looking first at Psycho (1960) and continuing through 2017, this book analyzes the starring and supporting roles of the Good Book in horror films, monster movies and thrillers to discover why it incites such fear. In a culture with high biblical awareness and low biblical literacy, horrific portrayals can greatly influence an audience's canonical beliefs.
Author | : Adele Reinhartz |
Publisher | : Routledge |
Total Pages | : 313 |
Release | : 2013-10-08 |
Genre | : Religion |
ISBN | : 1134627084 |
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.