The BFI Companion to Horror
Author | : British Film Institute |
Publisher | : |
Total Pages | : 364 |
Release | : 1996 |
Genre | : Cinema |
ISBN | : |
A handbook of horror cinema
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Author | : British Film Institute |
Publisher | : |
Total Pages | : 364 |
Release | : 1996 |
Genre | : Cinema |
ISBN | : |
A handbook of horror cinema
Author | : Kim Newman |
Publisher | : |
Total Pages | : 352 |
Release | : 1996 |
Genre | : Horror films |
ISBN | : |
In addition to entries on actors, directors, writers and technicians associated with horror, and all horror-themed film and television series, there are insightful essays on classic horror characters like Frankenstein and Dracula, on recurrent situations like decapitation and body-snatching, even on often-horrific portions of the body like eyes and brains. Among the experts who have contributed are Mark Ashworth, Anne Billson, Jeremy Clarke, Christopher Frayling, Neil Gaiman, Phil Hardy, Peter Hutchings, Tom Hutchinson, Alan Jones, Stephen Jones, Mark Kermode, Tim Lucas, Maitland McDonagh, David Prothero, Mark Salisbury, Philip Strick, Steve Thrower and Linda Ruth Williams.
Author | : Kim Newman |
Publisher | : Carlton Books |
Total Pages | : 0 |
Release | : 2018-10-02 |
Genre | : Performing Arts |
ISBN | : 9781787391390 |
Two seasoned, top horror experts lead the way through more than a century of fear with authority, humor, and encyclopedic knowledge. Packed with images of the most terrifying scenes in cinema history, this fully updated volume--with reviews right up to 2017--traces the genre decade by decade, providing a witty and informative critique of more than 300 movies from all around the world, plus TV series and literature too. Kim Newman and James Marriott discuss both neglected gems and big-budget duds, from Frankenstein and Peeping Tom to It Follows, Get Out, The Babadook, and Mother , as well as material from countries as far afield as Japan and Brazil. These movies will continue to shock and delight viewers with their inventiveness and flair. Diehard and new horror fans will enjoy this superb, eye-opening look at their favorite genre.
Author | : Christopher Frayling |
Publisher | : Bloomsbury Publishing |
Total Pages | : 119 |
Release | : 2017-10-24 |
Genre | : Performing Arts |
ISBN | : 1844578623 |
Jack Clayton's gothic masterpiece The Innocents, though not a commercial success on its release in 1961, has been hailed as one of the greatest psychological thrillers of all time. Dividing reviewers with its ambiguous depiction of ghosts, the film ignited a debate about the aesthetics of horror which still rages today. In this stimulating introduction to The Innocents, Sir Christopher Frayling traces the film from its genesis in the original novel The Turn of The Screw by Henry James, via contemporary critical contexts and William Archibald's 1950 stage adaptation of the same name, to the screenplay by William Archibald, Truman Capote and John Mortimer. Drawing on unpublished material from Jack Clayton's archive – including Capote's handwritten drafts for the film – and interviews with Deborah Kerr, Freddie Francis, and John Mortimer, Frayling explores how this classic ghost story came to life on screen. This special edition features original cover artwork by Matthew Young.
Author | : Kevin Jackson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 142 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838717382 |
F.W. Murnau's 1922 Nosferatu, the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula, starring Max Schreck as the hollow-eyed, cadaverous vampire, remains a potent and disturbing horror film. Kevin Jackson's study traces Nosferatu's eventful production and reception history, including attempts by Stoker's widow to suppress it.
Author | : Kim Newman |
Publisher | : |
Total Pages | : 344 |
Release | : 2002-03 |
Genre | : Performing Arts |
ISBN | : |
This new volume provides a varied and diverse overview of trends that have shaped sci-fi/horror film in the last decade.
Author | : Kim Newman |
Publisher | : |
Total Pages | : 96 |
Release | : 2013 |
Genre | : Cat people (Motion picture : 1982) |
ISBN | : 9781838712556 |
"Novelist and critic Kim Newman assesses the horror noir Cat People (1943), produced by Val Lewton and directed by Jacques Tourneur. This important and influential film is considered in the light of its place in film history and as a work of ambitious horror. The new edition includes a postscript about the sequel, The Curse of the Cat People."--Bloomsbury publishing.
Author | : Jim Kitses |
Publisher | : Bloomsbury Publishing |
Total Pages | : 138 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838716041 |
Joseph H. Lewis's 'Gun Crazy' is the story of two young lovers who embark on a crime spree. For this book, Kitses researched widely into the film production's history and explored its connection to the crime film tradition and to the dark underside of American society.
Author | : Robert Murphy |
Publisher | : |
Total Pages | : 360 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : |
No Marketing Blurb
Author | : Will Brooker |
Publisher | : Bloomsbury Publishing |
Total Pages | : 96 |
Release | : 2017-10-07 |
Genre | : Performing Arts |
ISBN | : 1844575543 |
The release of Star Wars in 1977 marked the start of what would become a colossal global franchise. Star Wars remains the second highest-grossing film in the United States, and George Lucas's six-part narrative has grown into something more: a culture that goes far beyond the films themselves, with tie-in toys, novels, comics, games and DVDs as well as an enthusiastic fan community which creates its own Star Wars fictions. Critical studies of Star Wars have treated it as a cultural phenomenon, or in terms of its special effects, fans and merchandising, or as a film that marked the end of New Hollywood's innovation and the birth of the blockbuster. Will Brooker's illuminating study of the film takes issue with many of these commonly-held ideas about Star Wars. He provides a close analysis of Star Wars as a film, carefully examining its shots, editing, sound design, cinematography and performances. Placing the film in the context of George Lucas's previous work, from his student shorts to his 1970s features, and the diverse influences that shaped his approach, from John Ford to Jean-Luc Godard, Brooker argues that Star Wars is not, as Lucas himself has claimed, a departure from his earlier cinema, but a continuation of his experiments with sound and image. He reveals Lucas's contradictory desires for total order and control, embodied by the Empire, and for the raw energy and creative improvisation of the Rebels. What seemed a simple fairy-tale becomes far more complex when we realise that the director is rooting for both sides; and this tension unsettles the saga as a whole, blurring the boundaries between Empire and Republic, dark side and light side, father and son. In his foreword to this new edition, Will Brooker discusses is how subsequent films in the series, specifically Rogue One (2016) and The Last Jedi (2017), foregrounded and developed the themes of opposition that are at the heart of Star Wars. He shows how Derridean theories of opposites which become undermined and subverted, and which change places are made more clear with hindsight and provide us with a useful lens for looking back at the 1977 Star Wars.