The Best American Magazine Writing 2018
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| Author | : The American Society of Magazine Editors |
| Publisher | : Columbia University Press |
| Total Pages | : 417 |
| Release | : 2018-12-18 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0231548656 |
In a time of reckoning, this year’s National Magazine Awards finalists and winners focus on abuse of power in many forms. Ronan Farrow’s Pulitzer Prize–winning revelation of Harvey Weinstein’s depredations (New Yorker), along with Rebecca Traister’s charged commentary for New York and Laurie Penny’s incisive Longreads columns, speak to the urgency of the #MeToo moment. Ginger Thompson’s reporting on the botched U.S. operation that triggered a cartel massacre in Mexico (National Geographic/ProPublica) and Azmat Khan and Anand Gopal’s New York Times Magazine investigation of the civilian casualties of drone strikes in Iraq amplify the voices of those harmed by U.S. actions abroad. And Alex Tizon’s “My Family’s Slave” (Atlantic) is a powerful attempt to come to terms with the cruelty that was in plain sight in his own upbringing. Responding to the overt racism of the Trump era, Ta-Nehisi Coates’s “My President Was Black” (Atlantic) looks back at the meaning of Obama. Howard Bryant (ESPN the Magazine) and Bim Adewunmi (Buzzfeed) offer incisive columns on the intersections of pop culture, sports, race, and politics. In addition, David Wallace-Wells reveals the coming disaster of our climate-change-ravaged future (New York); Don Van Natta Jr. and Seth Wickersham’s ESPN the Magazine reporting exposes the seamy sides of the NFL; Nina Martin and Renee Montagne investigate America’s shameful record on maternal mortality (NPR/ProPublica); Ian Frazier asks “What Ever Happened to the Russian Revolution?” (Smithsonian); and Alex Mar considers “Love in the Time of Robots” (Wired with Epic Magazine). The collection concludes with Kristen Roupenian’s viral hit short story “Cat Person” (New Yorker).
| Author | : Glenn Stout |
| Publisher | : Mariner Books |
| Total Pages | : 355 |
| Release | : 2018-10-02 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1328846288 |
The latest addition to the acclaimed series showcasing the best sports writing from the past year.
| Author | : Sid Holt |
| Publisher | : Columbia University Press |
| Total Pages | : 385 |
| Release | : 2021-01-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0231552440 |
The Best American Magazine Writing 2020 brings together outstanding writing, from in-depth reporting to incisive criticism. The anthology features excerpts from major projects that challenge American certitudes: the Washington Post Magazine’s “Prison” issue, detailing the scope of mass incarceration, and the New York Times Magazine’s “The 1619 Project,” which recenters the nation’s history around slavery and its legacies. It includes extraordinary globe-spanning journalism, including pieces on the genocide against the Rohingya (New York Times Magazine) and the unintended consequences of a dengue fever vaccine (Fortune). Pamela Colloff details prosecutors’ reliance on an untrustworthy jailhouse informant (New York Times Magazine in partnership with ProPublica), and a ProPublica series investigates the disaster that befell the USS Fitzgerald. The anthology showcases the work of remarkable stylists, including Jia Tolentino’s cultural commentary (New Yorker) and Ligaya Mishan’s columns on food and culture (T: The New York Times Style Magazine). Columns by s.e. smith consider disability (Catapult), and the DeafBlind poet John Lee Clark writes about art he can touch (Poetry). Jordan Kisner visits a Martha Washington–themed debutante ball in Texas near the Mexican border for The Believer, and Jacob Baynham offers a moving portrait of his father-in-law (Georgia Review). Arundhati Roy excoriates the increasing authoritarianism of Modi’s India (The Nation in partnership with Type Media Center). The anthology concludes with Jonathan Escoffery’s short story of homesickness for Jamaica, “Under the Ackee Tree” (Paris Review).
| Author | : Ruth Reichl |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 384 |
| Release | : 2018-10-02 |
| Genre | : Cooking |
| ISBN | : 1328663086 |
Selected by Ruth Reichl, “punchy and vibrant” essays on food, its place on our tables, in our lives, and in our world (Publishers Weekly). The twenty-eight pieces in this volume are about food, yet touch on every pillar of society: from the sense memories that connect a family, to the scientific tinkering that gives us new snacks to share, to the intersections of culinary culture with some of our most significant political issues. Included among other essays are: “Revenge of the Lunch Lady” by Jane Black, food writer for the Washington Post, New York Times, and Wall Street Journal “How Driscoll’s Reinvented the Strawberry” by Dana Goodyear, author of Anything that Moves “Who Owns Uncle Ben?” by Shane Mitchell, James Beard Award winner and Saveur contributing editor “Is Dinner for Two Worth $1,000?” by Jonathan Gold, Pulitzer Prize-winning Los Angeles Times restaurant critic At times a celebration, at times a critique, at times a wondrous reverie, The Best American Food Writing 2018 is brimming with delights both circumspect and sensuous. Dig in! “For pure food writing fun, it’s hard to beat Baxter Holmes’s ‘The NBA’s Secret Sandwich Addiction,’ which will have readers first laughing incredulously and then hungrily craving a PB&J on plain white bread. Thoughtful and educational, enticing and entertaining, this collection has something for everyone.”—Publishers Weekly
| Author | : Sid Holt |
| Publisher | : Columbia University Press |
| Total Pages | : 559 |
| Release | : 2013-12-10 |
| Genre | : Literary Collections |
| ISBN | : 0231537069 |
Chosen by the American Society of Magazine Editors, the stories in this anthology include National Magazine Award–winning works of public interest, reporting, feature writing, and fiction. This year's selections include Pamela Colloff (Texas Monthly) on the agonizing, decades-long struggle by a convicted murderer to prove his innocence; Dexter Filkins (The New Yorker) on the emotional effort by an Iraq War veteran to make amends for the role he played in the deaths of innocent Iraqis; Chris Jones (Esquire) on Robert A. Caro's epic, ongoing investigation into the life and work of Lyndon Johnson; Charles C. Mann (Orion) on the odds of human beings' survival as a species; and Roger Angell (The New Yorker) on aging, dying, and loss. The former infantryman Brian Mockenhaupt (Byliner) describes modern combat in Afghanistan and its ability both to forge and challenge friendships; Ta-Nehisi Coates (The Atlantic) reflects on the complex racial terrain traversed by Barack Obama; Frank Rich (New York) assesses Mitt Romney's ambiguous candidacy; and Dahlia Lithwick (Slate) looks at the current and future implications of an eventful year in Supreme Court history. The volume also includes an interview on the art of screenwriting with Terry Southern from The Paris Review and an award-winning short story by Stephen King published in Harper's magazine.
| Author | : Sid Holt |
| Publisher | : Columbia University Press |
| Total Pages | : 378 |
| Release | : 2019-12-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0231548664 |
The Best American Magazine Writing 2019 presents articles honored by this year’s National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic). Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts’s “Getting Out” (New York Times Magazine); “This Place Is Crazy,” by John J. Lennon (Esquire); and Robert Wright’s “Getting Out of Prison Meant Leaving Dear Friends Behind” (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer’s “American Hustler” explores Paul Manafort’s career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Félix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder “The Art of Dying Well” (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub’s piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney’s editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney’s winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.
| Author | : Sid Holt |
| Publisher | : Columbia University Press |
| Total Pages | : 411 |
| Release | : 2022-01-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0231555725 |
The Best American Magazine Writing 2021 presents outstanding journalism and commentary that reckon with urgent topics, including COVID-19 and entrenched racial inequality. In “The Plague Year,” Lawrence Wright details how responses to the pandemic went astray (New Yorker). Lizzie Presser reports on “The Black American Amputation Epidemic” (ProPublica). In powerful essays, the novelist Jesmyn Ward processes her grief over her husband’s death against the backdrop of the pandemic and antiracist uprisings (Vanity Fair), and the poet Elizabeth Alexander considers “The Trayvon Generation” (New Yorker). Aymann Ismail delves into how “The Store That Called the Cops on George Floyd” dealt with the repercussions of the fatal call (Slate). Mitchell S. Jackson scrutinizes the murder of Ahmaud Arbery and how running fails Black America (Runner’s World). The anthology features remarkable reporting, such as explorations of the cases of children who disappeared into the depths of the U.S. immigration system for years (Reveal) and Oakland’s efforts to rethink its approach to gun violence (Mother Jones). It includes selections from a Public Books special issue that investigate what 2020’s overlapping crises reveal about the future of cities. Excerpts from Marie Claire’s guide to online privacy examine topics from algorithmic bias to cyberstalking to employees’ rights. Aisha Sabatini Sloan’s perceptive Paris Review columns explore her family history in Detroit and the toll of a brutal past and present. Sam Anderson reflects on a unique pop figure in “The Weirdly Enduring Appeal of Weird Al Yankovic” (New York Times Magazine). The collection concludes with Susan Choi’s striking short story “The Whale Mother” (Harper’s Magazine).
| Author | : Sid Holt |
| Publisher | : Columbia University Press |
| Total Pages | : 511 |
| Release | : 2023-11-21 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0231557698 |
The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world. The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.
| Author | : Sid Holt |
| Publisher | : Columbia University Press |
| Total Pages | : 368 |
| Release | : 2022-11-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 023155768X |
The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women’s Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban’s seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker’s “Beyond Britney” examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory—and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA’s James Webb Space Telescope (Quanta). It features celebrated writers, including Harper’s magazine pieces by Ann Patchett, whose “These Precious Days” is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers “notes on humiliation.” Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam’s story of queer first love across religious boundaries, “Come with Me” (Georgia Review).
| Author | : Samin Nosrat |
| Publisher | : Mariner Books |
| Total Pages | : 287 |
| Release | : 2019 |
| Genre | : Biography & Autobiography |
| ISBN | : 132866225X |
A NATIONAL BESTSELLER New York Times best-selling author and James Beard Award winner Samin Nosrat collects the year's finest writing about food and drink. "Good food writing evokes the senses," writes Samin Nosrat, best-selling author of Salt, Fat, Acid, Heat and star of the Netflix adaptation of the book. "It makes us consider divergent viewpoints. It makes us hungry and motivates us to go out into the world in search of new experiences. It charms and angers us, breaks our hearts, and gives us hope. And perhaps most importantly, it creates empathy within us." Whether it's the dizzying array of Kit Kats in Japan, a reclamation of the queer history of tapas, or a spotlight on a day in the life of a restaurant inspector, the work in The Best American Food Writing 2019 will inspire you to pick up a knife and start chopping, but also to think critically about what you're eating and how it came to your plate, while still leaving you clamoring for seconds.
