The Berlin School
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Author | : Jaimey Fisher |
Publisher | : Wayne State University Press |
Total Pages | : 367 |
Release | : 2018-06-04 |
Genre | : Art |
ISBN | : 0814342019 |
This volume will be of great interest to scholars of German and global cinema.
Author | : Rajendra Roy |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art |
ISBN | : 9780870708749 |
"The informal movement that critics like to call the Berlin School, " as director Christoph Hochhäusler puts it, is a loose affiliation of filmmakers who emerged around the time the Berlin Wall fell. The founding figures--Thomas Arslan, Christian Petzold, and Angela Schanelec--and their younger colleagues are not bound by a manifesto or by any singular aesthetic. Nonetheless, their observant portrayals of characters in flux offer a compelling cinematic expression of the search for new identities in a time of societal change. The films of the Berlin School have resonated profoundly since the mid-1990s, making it one of the most influential auteur movements to emerge from Europe in the new millennium.
Author | : Roger F. Cook |
Publisher | : |
Total Pages | : |
Release | : 2013 |
Genre | : |
ISBN | : 9781783200610 |
Author | : Marco Abel |
Publisher | : Boydell & Brewer |
Total Pages | : 362 |
Release | : 2013 |
Genre | : Music |
ISBN | : 1571134387 |
The contemporary German directors collectively known as the "Berlin School" constitute the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because their films mark the emergence of a new film language. The Berlin School filmmakers, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent of the directors of the New German Autorenkino and of French cinéma des auteurs of the 1960s. This is the first book-length study of the Berlin School in any language. Its central thesis - that the movement should be regarded as a "counter-cinema" - is built around the unusual style of realism employed in its films, a realism that presents images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political: they are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" - a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Professor of English and Film Studies at the University of Nebraska, Lincoln.
Author | : OECD |
Publisher | : OECD Publishing |
Total Pages | : 194 |
Release | : 2010-10-22 |
Genre | : |
ISBN | : 9264089845 |
This publication explores a range of helpful policy measures and institutional reforms to mobilise higher education for Berlin’s development.
Author | : Michael O'Loghlin |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 284 |
Release | : 2008 |
Genre | : Music |
ISBN | : 9780754658856 |
After decades of stagnation, the performing arts began to flourish in Berlin under Frederick the Great. A group of musician-composers were recruited who were to form the basis of a brilliant court ensemble, including C.P.E. Bach and the Graun brothers, encouraged by the presence of Ludwig Christian Hesse. They wrote music for the viola da gamba, an instrument which was already becoming obsolete elsewhere. This study shows how the unique situation in Berlin produced the last major corpus of music written for the viola da gamba, and how the more virtuosic works were probably the result of close collaboration between Hesse and the Berlin School composers. The book will appeal to professional and amateur viola da gamba players as well as to scholars of eighteenth-century German music.
Author | : Thomas Levenson |
Publisher | : Random House |
Total Pages | : 498 |
Release | : 2017-05-23 |
Genre | : Biography & Autobiography |
ISBN | : 0525508953 |
In a book that is both biography and the most exciting form of history, here are eighteen years in the life of a man, Albert Einstein, and a city, Berlin, that were in many ways the defining years of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern science traveled to Zurich. Their mission: to offer the most prestigious position in the very center of European scientific life to a man who had just six years before been a mere patent clerk. Albert Einstein accepted, arriving in Berlin in March 1914 to take up his new post. In December 1932 he left Berlin forever. “Take a good look,” he said to his wife as they walked away from their house. “You will never see it again.” In between, Einstein’s Berlin years capture in microcosm the odyssey of the twentieth century. It is a century that opens with extravagant hopes--and climaxes in unparalleled calamity. These are tumultuous times, seen through the life of one man who is at once witness to and architect of his day--and ours. He is present at the events that will shape the journey from the commencement of the Great War to the rumblings of the next one. We begin with the eminent scientist, already widely recognized for his special theory of relativity. His personal life is in turmoil, with his marriage collapsing, an affair under way. Within two years of his arrival in Berlin he makes one of the landmark discoveries of all time: a new theory of gravity--and before long is transformed into the first international pop star of science. He flourishes during a war he hates, and serves as an instrument of reconciliation in the early months of the peace; he becomes first a symbol of the hope of reason, then a focus for the rage and madness of the right. And throughout these years Berlin is an equal character, with its astonishing eruption of revolutionary pathways in art and architecture, in music, theater, and literature. Its wild street life and sexual excesses are notorious. But with the debacle of the depression and Hitler’s growing power, Berlin will be transformed, until by the end of 1932 it is no longer a safe home for Einstein. Once a hero, now vilified not only as the perpetrator of “Jewish physics” but as the preeminent symbol of all that the Nazis loathe, he knows it is time to leave.
Author | : Marjorie Lamberti |
Publisher | : Berghahn Books |
Total Pages | : 288 |
Release | : 2004 |
Genre | : Education |
ISBN | : 1571812997 |
Lamberti (history, Middlebury College) examines the culture wars that took place in 1920s and 1930s Germany over issues in education. She describes how innovative educators attempted to reform the stratified educational system to foster democracy and social justice. She also shows the relationship between the traditionalists' opposition to school reform and the attraction of certain sections of the teaching profession to the Nazi movement. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Jaimey Fisher |
Publisher | : University of Illinois Press |
Total Pages | : 225 |
Release | : 2013-11-30 |
Genre | : Performing Arts |
ISBN | : 0252095235 |
In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking. In the first book-length study on Petzold in English, Jaimey Fisher frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. Fisher explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.
Author | : Helen Myers |
Publisher | : W. W. Norton & Company |
Total Pages | : 578 |
Release | : 1993 |
Genre | : Alm |
ISBN | : 9780393033786 |
Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.