The Ballad Of Johnny Something Else And Stuff Happens
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Author | : John Ireland |
Publisher | : iUniverse |
Total Pages | : 219 |
Release | : 2011 |
Genre | : Fiction |
ISBN | : 1450285759 |
Blood, jazz, money, lies, Shakespeare, nipples dark as coffee stains, a cop named Ortuzo, night and love and sometimes you aren't sure you're alive until you're out of skin and the ocean and sky are the blues.
Author | : |
Publisher | : |
Total Pages | : 156 |
Release | : 1998-12-05 |
Genre | : |
ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author | : United States. Congress. House. Committee on Un-American Activities |
Publisher | : |
Total Pages | : 298 |
Release | : 1953 |
Genre | : Communism |
ISBN | : |
Author | : United States. Congress. House. Committee on Un-American Activities |
Publisher | : |
Total Pages | : 1186 |
Release | : 1953 |
Genre | : Communism |
ISBN | : |
Author | : United States. Congress. House. Committee on Un-American Activities |
Publisher | : |
Total Pages | : 1522 |
Release | : 1953 |
Genre | : |
ISBN | : |
Author | : United States. Congress. House. Committee on Un-American Activities |
Publisher | : |
Total Pages | : 1190 |
Release | : 1953 |
Genre | : Communism |
ISBN | : |
Author | : Jacob Daniel Myers |
Publisher | : Abingdon Press |
Total Pages | : 277 |
Release | : 2018-10-02 |
Genre | : Religion |
ISBN | : 1501832611 |
If we are willing to shift our approach to church, we will better connect with increasingly heterogeneous cultures. This shifting requires curation. Church leaders must learn to be curators! Churches in modernity were set up to facilitate a particular kind of experience with God. Church was its own (protected) culture. In the wake of postmodernity, facilitated by new forms of (digital) communication, we are entering a new epoch in the history of the church. Curators manage the tasks of connection, preservation, and transformation, in their care for cultural artifacts and communities. When someone serves as a curator, they make connections between different elements in the culture, preserving the best of cultural traditions, and promoting fresh ways of thinking and being in the world. What might this work of curation mean for us? In Curating Church, readers learn how curation can reorient and sharpen the ways and work of the church. Curation can inform how we connect with cultures beyond the church, preserve what is best in the rich history of Christian thought and expression, and nurture spaces where contemporary persons may be transformed by the gospel. This book helps readers to understand with new richness the church and the world, and it equips them to become active in making those connections—as curators—with and for others.
Author | : Anita Faye Garner |
Publisher | : University Alabama Press |
Total Pages | : 256 |
Release | : 2021-04-13 |
Genre | : Biography & Autobiography |
ISBN | : 0817320911 |
Stories and songs from a childhood spent in a vanished world of revivals and road shows Anita Faye Garner grew up in the South—just about every corner of it. She and her musical family lived in Texarkana, Bossier City, Hot Springs, Jackson, Vicksburg, Hattiesburg, Pascagoula, Bogalusa, Biloxi, Gulfport, New Orleans, and points between, picking up sticks every time her father, a Pentecostal preacher known as “Brother Ray,” took over a new congregation. In between jump-starting churches, Brother Ray took his wife and kids out on the gospel revival circuit as the Jones Family Singers. Ray could sing and play, and “Sister Fern” (Mama) was a celebrated singer and songwriter, possessed of both talent and beauty. Rounding out the band were the young Garner (known as Nita Faye then) and her big brother Leslie Ray. At all-day singings and tent revivals across the South, the Joneses made a joyful noise for the faithful and loaded into the car for the next stage of their tour. But growing up gospel wasn’t always joyous. The kids practically raised and fended for themselves, bonding over a shared dislike of their rootless life and strict religious upbringing. Sister Fern dreamed of crossing over from gospel to popular music and recording a hit record. An unlikely combination of preacher’s wife and glamorous performer, she had the talent and presence to make a splash, and her remarkable voice brought Saturday night rock and roll to Sunday morning music. Always singing, performing, and recording at the margins of commercial success, Sister Fern shared a backing band with Elvis Presley and wrote songs recorded by Johnny Cash and many other artists. In her touching memoir The Glory Road, Anita Faye Garner re-creates her remarkable upbringing. The story begins with Ray’s attempts to settle down and the family’s inevitable return to the gospel circuit and concludes with Sister Fern’s brushes with stardom and the family’s journey west to California where they finally landed—with some unexpected detours along the way. The Glory Road carries readers back to the 1950s South and the intersections of faith and family at the very roots of American popular music. For more information about the book and Anita Garner, visit www.thegloryroad.com or www.anitagarner.com
Author | : |
Publisher | : |
Total Pages | : 118 |
Release | : 1958-06-23 |
Genre | : |
ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author | : Marshall Grant |
Publisher | : Cumberland House Publishing |
Total Pages | : 412 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9781581825107 |
Beginning with Grant and guitarist Luther Perkins's initial introductions to Johnny Cash and the jam sessions that followed, readers will marvel at how their musical inabilities drove these three men to musical greatness. From Grant's humorous story of placing adhesive tape on his bass to learn the notes prior to landing their Sun Records recording contract and witnessing Johnny write I Walk the Line, to his experience of playing with Cash at Folsom Prison, readers are taken backstage into Cash's inner circle.