From the Ballroom to Hell

From the Ballroom to Hell
Author: Elizabeth Aldrich
Publisher: Northwestern University Press
Total Pages: 254
Release: 1991
Genre: History
ISBN: 9780810109131

During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies--and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society. From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.

Ballroom Dancing

Ballroom Dancing
Author: Alex Moore
Publisher: Taylor & Francis
Total Pages: 322
Release: 2002
Genre: Performing Arts
ISBN: 0878301534

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

"Tips to Dancers,"

Author: Vivian Persis Dewey
Publisher:
Total Pages: 44
Release: 1918
Genre: Dance
ISBN:

This small manual is aimed at a non-urban population and, although it contains substantial sections on etiquette and the value of good manners, the only dances mentioned by Dewey are the one step and foxtrot. Advice includes "A man should not try to dance in his stiff, heavy, working shoes," and admonishments to remove chewing gum from the pockets so "you will not be tempted to use it at the party."

Teacher's Manual Of Ballroom Dancing

Teacher's Manual Of Ballroom Dancing
Author: Norman Dorothy
Publisher: Read Books Ltd
Total Pages: 116
Release: 2013-01-10
Genre: Education
ISBN: 1447484398

This early work by dance instructor Dorothy Norman Cropper is both expensive and hard to find in its first edition. It details the fundamentals of ballroom dancing and body mechanics but also outlines other aspects of the art such as etiquette and organising classes. This fascinating work is thoroughly recommended for anyone interested in the techniques of ballroom dancing and its various styles. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Howe's Complete Ball-room Hand Book

Howe's Complete Ball-room Hand Book
Author: Elias Howe
Publisher:
Total Pages: 130
Release: 1858
Genre: Ballroom dancing
ISBN:

To demonstrate the authority of this manual, the publisher claims the author to be American inventor, Elias Howe. Similar to many other dance manuals published throughout the nineteenth century, this book is a publisher's compilation of other sources. The book begins with a description of ballroom etiquette, dress, appropriate music, and rules for prompters. The manual continues with discussion of the era's most popular dances including quadrilles, waltz, polka, schottisch, gorlitza, polka mazurka, country dances, and figures for forty-two "French Fancy Cotillons," (also known as the cotillon or German), a group dance performed as a series of party games, usually to waltz music.

Public Dance Halls, Their Regulation and Place in the Recreation of Adolescents

Public Dance Halls, Their Regulation and Place in the Recreation of Adolescents
Author: Ella Gardner
Publisher: Legare Street Press
Total Pages: 0
Release: 2022-10-27
Genre: History
ISBN: 9781019256176

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.