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| Author | : Agnieszka Pindera |
| Publisher | : Verlag Der Buchhandlung Walther Konig |
| Total Pages | : 605 |
| Release | : 2021-02-22 |
| Genre | : |
| ISBN | : 9783960989479 |
Agnieszka Pindera, Daniel Muzyczuk, Frauke Josenhans, J. Myers & J. Szupinska (grupa o.k.), Jaroslaw Suchan, Jennifer Gross, Marcin Szelag, Maria Gough, Mascha Chlenova, Rebecca Uchill, Sandra Loschke, Tomasz Zaluski
| Author | : Arseny Zhilyaev |
| Publisher | : U of Minnesota Press |
| Total Pages | : 635 |
| Release | : 2015-12-15 |
| Genre | : Art |
| ISBN | : 1452952280 |
The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.
| Author | : Margit Rowell |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 2002 |
| Genre | : Design |
| ISBN | : 0870700073 |
Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.
| Author | : Inés Katzenstein |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 380 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780870703669 |
This book explores the intense, internationally significant developments in Argentine art of the 1960s through English translations of the original documents of the time.
| Author | : Doryun Chong |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 238 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 0870708341 |
Catalog of an exhibition held at the Museum of Modern Art, New York, Nov. 18, 2012-Feb. 25, 2013.
| Author | : Marcia Reed |
| Publisher | : Getty Publications |
| Total Pages | : 146 |
| Release | : 2020-12-01 |
| Genre | : Art |
| ISBN | : 1606066625 |
An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown. Throughout the 1960s, Jean and Leonard Brown used their radical tastes, prescient instincts, and friendships with artists to assemble an extensive archive of Dada and surrealist publications and prints—including works by Marcel Duchamp, Man Ray, and Tristan Tzara. After Leonard’s death in 1970, Jean’s attention turned to Fluxus and other contemporary genres. Jean also established a site of alternative art production at her Shaker Seed House in Tyringham, Massachusetts, where she invited artists to engage with her collections. Fluxus works embraced the social and political critiques of earlier avant-garde artists and questioned the authority of the increasingly powerful contemporary art world of critics, collectors, curators, and gallerists. This examination of artists and their antiestablishment demands for change shows how their art was created, performed, exhibited, and collected in new ways that intentionally challenged traditional modes. By providing an expanded understanding of avant-garde and Fluxus artists through the lens of the Jean Brown Archive at the Getty Research Institute, this volume demonstrates the profound influence these artists had on contemporary art.
| Author | : Terence Riley |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2002 |
| Genre | : Architecture |
| ISBN | : 9780870700040 |
Featuring 165 expertly reproduced visionary architectural drawings from The Museum of Modern Art's Howard Gilman Archive, this collection brings together a selection of idealized, fantastic and utopian architectural drawings.
| Author | : Héctor Olea Galaviz |
| Publisher | : Yale University Press |
| Total Pages | : 618 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0300102690 |
In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for
| Author | : Rebecca A. Rabinow |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 466 |
| Release | : 2006 |
| Genre | : Art dealers |
| ISBN | : 1588391957 |
| Author | : Rupert Richard Arrowsmith |
| Publisher | : OUP Oxford |
| Total Pages | : 248 |
| Release | : 2010-11-25 |
| Genre | : Literary Criticism |
| ISBN | : 0199593698 |
By demonstrating that many of the concepts and styles associated with Modernism were actually derived directly from cultures such as Japan, China, Korea, India, Egypt, Assyria, West Africa, and the Pacific Islands, this book provides an entirely new way of looking at the evolution of Modernist art and literature in the West.
