The Autocracy Of Mr Parham His Remarkable Adventures In This Changing World
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| Author | : H. G. Wells |
| Publisher | : Read Books Ltd |
| Total Pages | : 247 |
| Release | : 2016-09-14 |
| Genre | : Fiction |
| ISBN | : 1473345197 |
Mr Parham is a traditional academic disappointed with the social trends of his time. Sir Bussy Woodcock is an intelligent but unrefined self-made millionaire. The pair happen to meet one day and form an unlikely relationship; Sir Bussy interested to learn something of culture and Mr Parham looking for funding for a high-quality periodical. "The Autocracy of Mr. Parham - His Remarkable Adventures in This Changing World" is a novel written by H. G. Wells and first published in 1930. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
| Author | : H.G. Wells |
| Publisher | : Gateway |
| Total Pages | : 204 |
| Release | : 2017-04-30 |
| Genre | : Fiction |
| ISBN | : 1473216990 |
Mr Parham is a traditional academic disappointed with the social trends of his time. Sir Bussy Woodcock is an intelligent but unrefined self-made millionaire. The pair happen to meet one day and form an unlikely relationship; Sir Bussy interested to learn something of culture and Mr Parham looking for funding for a high-quality periodical
| Author | : H G Wells |
| Publisher | : |
| Total Pages | : 204 |
| Release | : 2020-04 |
| Genre | : |
| ISBN | : |
Sir Bussy Woodcock was one of those crude plutocrats with whom men of commanding intelligence, if they have the slightest ambition to be more than lookers-on at the spectacle of life, are obliged to associate nowadays. These rich adventurers are, under modern conditions, the necessary interpreters between high thought and low reality. It is regrettable that such difficult and debasing intervention should be unavoidable, but it seems to be so in this inexplicable world. Man of thought and man of action are mutually necessary-or, at any rate, the cooperation seems to be necessary to the man of thought. Plato, Confucius, Machiavelli had all to seek their princes. Nowadays, when the stuffing is out of princes, men of thought must do their best to use rich men.
| Author | : Herbert George Wells |
| Publisher | : |
| Total Pages | : 370 |
| Release | : 1930 |
| Genre | : Future life |
| ISBN | : |
| Author | : H G Wells |
| Publisher | : |
| Total Pages | : 192 |
| Release | : 2020-03-31 |
| Genre | : |
| ISBN | : |
Mr Parnham is in a quandary. Sir Bussy Woodcock has invited him to a siance and Mr Parnham is more than a little keen to keep the acquaintance going - after all, the great financier might just be his ticket to fame and fortune. But to a siance? Damned silly nonsense all this medium business! Just at the point of giving up Sir Bussy once and for all, Mr Parnham has one final change of mind and decides to go along after all. And so he does - with some very interesting results.
| Author | : H G Wells |
| Publisher | : |
| Total Pages | : 196 |
| Release | : 2020-05-05 |
| Genre | : |
| ISBN | : |
Mr. Parham is a university don with solid right-wing convictions who dreams of finding a rich benefactor to finance a review he can edit. He thinks he has found such a man in Sir Bussy Woodcock, a "crude plutocrat" who makes money at anything to which he puts his hand. In an attempt to foster this acquaintance that goes on for six years, Mr. Parham finds himself involved in séances that summon a Master Spirit from the beyond. This entity occupies Mr. Parham's body, and commences to inspire a political movement (the League of Duty Paramount) that overthrows the British government in a coup d'état. As "Lord Paramount", Mr. Parham undertakes to conquer the world. But the opposition of the United States ultimately leads to a "Second World War" that goes badly for Britain. Believing that he can win if he overcomes the resistance of industrialists who control a new poison gas ("Gas L") but who refuse to make it available to the military, Lord Paramount attacks their stronghold ... and it is at this point that Mr. Parham reawakens from what has been a wild dream he had when he fell asleep during the séance. Shortly thereafter he discovers that Sir Bussy has never had any intention of conferring an editorship upon him, and the association of the "deflated publicist" and the millionaire is over.
| Author | : John Batchelor |
| Publisher | : Cambridge University Press |
| Total Pages | : 470 |
| Release | : 1985-03-21 |
| Genre | : Literary Criticism |
| ISBN | : 9780521260268 |
H. G. Wells wrote almost a hundred books, yet he is generally remembered for only a handful of them. He is known above all as a writer who heralded the future, yet throughout his life he clung to fixed attitudes from the Victorian past. He began his career as a draper's apprentice; by the age of forty-five he had secured an international reputation as the author of The Time Machine, The War of the Worlds, Kipps and Tono Bungay; he went on to establish himself as an influential educator, polemicist and sage. In this book John Batchelor offers a readable introduction to Wells's huge and varied output as a writer and thinker. He guides the reader through the whole oeuvre, and argues persuasively that at his best Wells was a great artist: a man with a remarkable, restless imagination (not limited, as many critics have implied, merely to his early romances) and with a coherent and responsible theory of fiction.
| Author | : George Edgar Slusser |
| Publisher | : University of Georgia Press |
| Total Pages | : 236 |
| Release | : 1993 |
| Genre | : Literary Criticism |
| ISBN | : 9780820315331 |
This collection of fifteen original essays offers new perspectives on armed conflict as a central aspect of science fiction and fantasy writing. Looking past the superficial conventions associated with ray guns and aliens, swords and sorcerers, the contributors show how writers in the genre today are not so much imagining war more fully as they are completely re-imagining it. Science fiction and fantasy writing is no longer mired in epic or chivalric models but is responding to new and more complex "real-world" motivations for armed aggression: advances in weaponry, shifts in the theaters of war, and changes in battlefield conditions. Most of the papers were presented at the annual J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature, the field's most prestigious international gathering. The trend throughout the book is away from critical interest in stories of spatial or territorial conquest and toward works that deal with topics related to wars of temporal logistics and the internationalization of the combat zone, including urban street violence, gender conflicts, and resistance to runaway technology. The essays range from studies of the semantics and linguistics of warfare in science fiction to a critique of Osip Senkovsky's Fantastic Journeys of Baron Brambeus; from writer Joe Haldeman's assessment of the impact of his Vietnam experiences on his fiction to inquiries into a shared author/reader agenda in novels concerning potential mass destruction, including Stephen King's Dead Zone and M. J. Engh's Arslan. The collection also charts new directions in writing, such as the anti-apocalyptic science fiction of Samuel R. Delany, and embraces new modes of presentation, particularly computer animation and the bande dessinee, or illustrated narrative, as exemplified by French novelist Phillippe Druillet's La Nuit. Musician Bob Marley, film actor/directors Sylvester Stallone and Bruce Lee, and the cyberpunk film classics Terminator and the Road Warrior series are among other topics discussed. Together, the essays reinforce the editors' contention that the true function of these fantasies and science fictions is neither nostalgia nor fancy, but analysis. The contributors treat the texts they examine as a means not of playing war games but of understanding the role of war in the present and the future.
| Author | : David Bradshaw |
| Publisher | : Oxford University Press |
| Total Pages | : 330 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 0198714173 |
The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism's complex geographies, focusing on Anglo-European modernisms while also engaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and place, the volume moves to a focus on movement and motion, with topics ranging from modernity and bodily energies to issues of scale and quantity. The final chapters in the volume examine modernist film and the moving image, and travel and transport in the modern metropolis. "Movement is reality itself," the philosopher Henri Bergson wrote: the original and illuminating essays in Moving Modernisms point in new ways to the realities, and the fantasies, of movement in modernist culture.
| Author | : Maxim Shadurski |
| Publisher | : Routledge |
| Total Pages | : 216 |
| Release | : 2019-08-14 |
| Genre | : Literary Criticism |
| ISBN | : 1000682870 |
Since its generic inception in 1516, utopia has produced visions of alterity which renegotiate, subvert, and transcend existing places. Early in the twentieth century, H. G. Wells linked utopia to the World State, whose post-national, post-Westphalian emergence he predicated on English national discourse. This critical study examines how the discursive representations of England’s geography, continuity, and character become foundational to the Wellsian utopia and elicit competing response from Wells’s contemporaries, particularly Robert Hugh Benson and Aldous Huxley, with further ramifications throughout the twentieth century. Contextualized alongside modern theories of nationalism and utopia, as well as read jointly with contemporary projections of England as place, reactions to Wells demonstrate a shift from disavowal to retrieval of England, on the one hand, and from endorsement to rejection of the World State, on the other. Attempts to salvage the residual traces of English culture from their degradation in the World State have taken increasing precedence over the imagination of a post-national order. This trend continues in the work of George Orwell, Anthony Burgess, J. G. Ballard, and Julian Barnes, whose future scenarios warn against a world without England. The Nationality of Utopia investigates utopia’s capacity to deconstruct and redeploy national discourse in ways that surpass fear and nostalgia.
