The Atlantic Monthly 1857 1909
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| Author | : Ellery Sedgwick |
| Publisher | : Univ of Massachusetts Press |
| Total Pages | : 360 |
| Release | : 1994 |
| Genre | : History |
| ISBN | : |
From its founding in 1857 until its sale by Houghton Mifflin in 1908, the Atlantic Monthly was the most respected literary periodical in the United States. This study focuses on the magazine's first seven editors: James Russell Lowell, James T. Fields, William Dean Howells, Thomas Bailey Aldrich, Horace Scudder, Walter Hines Page, and Bliss Perry. Ellery Sedgwick examines their personalities, editorial policies, and literary tastes, and shows how each balanced his role as advocate of "high" culture with the demands of the literary marketplace and American democracy. Although the Atlantic was rooted in the Yankee humanism of Boston, Cambridge, and Concord, its scope was national. Sedgwick points out that while the magazine spoke for high culture, its tradition was one of intellectual tolerance and of moderate liberalism on social and political issues. It supported abolition, women's rights, and religious tolerance, and published incisive criticism of unregulated industrial capitalism. The Atlantic also played an important role in the rise of American literary realism, and published early work not only by such authors as James, Jewett, and Howells, but also by Chesnutt, Du Bois, Cahan, and Zitkala-Sa.
| Author | : Augusta Rohrbach |
| Publisher | : Springer |
| Total Pages | : 167 |
| Release | : 2002-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 0230107265 |
Using the lens of business history to contextualize the development of an American literary tradition, Truth Stranger than Fiction shows how African American literature and culture greatly influenced the development of realism, which remains one of the most significant genres of writing in the United States. More specifically, Truth Stranger than Fiction traces the influences of generic conventions popularized in slave narratives - such as the use of authenticating details, as well as dialect, and a frank treatment of the human body - in later realist writings. As it unfolds, Truth Stranger than Fiction poses and explores a set of questions about the shifting relationship between literature and culture in the United States from 1830-1930 by focusing on the evolving trend of literary realism. Beginning with the question, 'How might slave narratives - heralded as the first indigenous literature by Theodore Parker - have influenced the development of American Literature?' the book develops connections between an emerging literary marketplace, the rise of the professional writer, and literary realism.
| Author | : Alexandra Kindell |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 840 |
| Release | : 2018-09-20 |
| Genre | : History |
| ISBN | : |
This set provides insight into the lives of ordinary Americans free and enslaved, in farms and cities, in the North and the South, who lived during the years of 1815 to 1860. Throughout the Antebellum Era resonated the theme of change: migration, urban growth, the economy, and the growing divide between North and South all led to great changes to which Americans had to respond. By gathering the important aspects of antebellum Americans' lives into an encyclopedia, The World of Antebellum America provides readers with the opportunity to understand how people across America lived and worked, what politics meant to them, and how they shaped or were shaped by economics. Entries on simple topics such as bread and biscuits explore workers' need for calories, the role of agriculture, and gendered divisions of labor, while entries on more complex topics, such as aging and death, disclose Americans' feelings about life itself. Collectively, the entries pull the reader into the lives of ordinary Americans, while section introductions tie together the entries and provide an overarching narrative that primes readers to understand key concepts about antebellum America before delving into Americans' lives in detail.
| Author | : John D. Buenker |
| Publisher | : Routledge |
| Total Pages | : 1412 |
| Release | : 2021-04-14 |
| Genre | : History |
| ISBN | : 1317471687 |
Spanning the era from the end of Reconstruction (1877) to 1920, the entries of this reference were chosen with attention to the people, events, inventions, political developments, organizations, and other forces that led to significant changes in the U.S. in that era. Seventeen initial stand-alone essays describe as many themes.
| Author | : Paul Giles |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 432 |
| Release | : 2006-11-23 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199206333 |
| Author | : Jeffrey Rosen |
| Publisher | : Times Books |
| Total Pages | : 206 |
| Release | : 2018-03-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1250293693 |
The only man to serve as president and chief justice, who approached every decision in constitutional terms, defending the Founders’ vision against new populist threats to American democracy William Howard Taft never wanted to be president and yearned instead to serve as chief justice of the United States. But despite his ambivalence about politics, the former federal judge found success in the executive branch as governor of the Philippines and secretary of war, and he won a resounding victory in the presidential election of 1908 as Theodore Roosevelt’s handpicked successor. In this provocative assessment, Jeffrey Rosen reveals Taft’s crucial role in shaping how America balances populism against the rule of law. Taft approached each decision as president by asking whether it comported with the Constitution, seeking to put Roosevelt’s activist executive orders on firm legal grounds. But unlike Roosevelt, who thought the president could do anything the Constitution didn’t forbid, Taft insisted he could do only what the Constitution explicitly allowed. This led to a dramatic breach with Roosevelt in the historic election of 1912, which Taft viewed as a crusade to defend the Constitution against the demagogic populism of Roosevelt and Woodrow Wilson. Nine years later, Taft achieved his lifelong dream when President Warren Harding appointed him chief justice, and during his years on the Court he promoted consensus among the justices and transformed the judiciary into a modern, fully equal branch. Though he had chafed in the White House as a judicial president, he thrived as a presidential chief justice.
| Author | : James Perrin Warren |
| Publisher | : University of Georgia Press |
| Total Pages | : 282 |
| Release | : 2010-02-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 0820330817 |
This study situates John Burroughs, together with John Muir and Theodore Roosevelt, as one of a trinity of thinkers who, between the Civil War and World War I, defined and secured a place for nature in mainstream American culture. Though not as well known today, Burroughs was the most popular American nature writer of his time. Prolific and consistent, he published scores of essays in influential large-circulation magazines and was often compared to Thoreau. Unlike Thoreau, however, whose reputation grew posthumously, Burroughs wasa celebrity during his lifetime: he wrote more than thirty books, enjoyed a continual high level of visibility, and saw his work taught widely in public schools. James Perrin Warren shows how Burroughs helped guide urban and suburban middle-class readers “back to nature” during a time of intense industrialization and urbanization. Warren discusses Burroughs’s connections not only to Muir and Roosevelt but also to his forebears Emerson, Thoreau, and Whitman. By tracing the complex philosophical, creative, and temperamental lineage of these six giants, Warren shows how, in their friendships and rivalries, Burroughs, Muir, and Roosevelt made the high literary romanticism of Emerson, Thoreau, and Whitman relevant to late-nineteenth- and early-twentieth-century Americans. At the same time, Warren offers insights into the rise of the nature essay as a genre, the role of popular magazines as shapers and conveyors of public values, and the dynamism of place in terms of such opposed concepts as retreat and engagement, nature and culture, and wilderness and civilization. Because Warren draws on Burroughs’s personal, critical, and philosophical writings as well as his better-known narrative essays, readers will come away with a more informed sense of Burroughs as a literary naturalist and a major early practitioner of ecocriticism. John Burroughs and the Place of Nature helps extend the map of America’s cultural landscape during the period 1870-1920 by recovering an unfairly neglected practitioner of one of his era’s most effective forces for change: nature writing.
| Author | : Susan M. Ryan (Ph. D.) |
| Publisher | : Oxford University Press |
| Total Pages | : 230 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 0190274026 |
The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations. Using a wide range of printed materials--prefaces, dedications, and other paratexts as well as book reviews, advertisements, and editorials that appeared in the era's magazines and newspapers--The Moral Economies of American Authorship recovers and analyzes the circulation of authors' moral currency, attending not only to the marketing of apparently ironclad status but also to the period's not-infrequent author scandals and ensuing attempts at recuperation. These preoccupations prove to be more than a historical curiosity-they prefigure the complex (if often disavowed) interdependence of authorial character and literary value in contemporary scholarship and pedagogy. Combining broad investigations into the marketing and reception of books with case studies that analyze the construction and repair of particular authors' reputations (e.g., James Fenimore Cooper, Mary Prince, Elizabeth Keckley, Frederick Douglass, Harriet Beecher Stowe, and E.D.E.N. Southworth), the book constructs a genealogy of the field's investments in and uses of authorial character. In the nineteenth century's deployment of moral character as a signal element in the marketing, reception, and canonization of books and authors, we see how biography both vexed and created literary status, adumbrating our own preoccupations while demonstrating how malleable-and how recuperable-moral authority could be.
| Author | : Jennifer Putzi |
| Publisher | : Cambridge University Press |
| Total Pages | : 718 |
| Release | : 2016-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1316033546 |
A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of the field and focus entirely on women's poetry of the period. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and methodological approaches. Organized into three chronological sections, the essays examine multiple genres of poetry, consider poems circulated in various manuscript and print venues, and propose alternative ways of narrating literary history. From these essays, a rich story emerges about a diverse poetics that was once immensely popular but has since been forgotten. This History confirms that the field has advanced far beyond the recovery of select individual poets. It will be an invaluable resource for students, teachers, and critics of both the literature and the history of this era.
| Author | : Julia Straub |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 632 |
| Release | : 2016-05-10 |
| Genre | : Literary Criticism |
| ISBN | : 3110376733 |
Transatlantic literary studies have provided important new perspectives on North American, British and Irish literature. They have led to a revision of literary history and the idea of a national literature. They have changed the perception of the Anglo-American literary market and its many processes of transatlantic production, distribution, reception and criticism. Rather than dwelling on comparisons or engaging with the notion of ‘influence,’ transatlantic literary studies seek to understand North American, British and Irish literature as linked with each other by virtue of multi-layered historical and cultural ties and pay special attention to the many refractions and mutual interferences that have characterized these traditions since colonial times. This handbook brings together articles that summarize some of the crucial transatlantic concepts, debates and topics. The contributions contained in this volume examine periods in literary and cultural history, literary movements, individual authors as well as genres from a transatlantic perspective, combining theoretical insight with textual analysis.
