The Art of Transcribing for the Organ - Primary Source Edition

The Art of Transcribing for the Organ - Primary Source Edition
Author: Herbert F. Ellingford
Publisher: Nabu Press
Total Pages: 184
Release: 2014-02
Genre:
ISBN: 9781293767429

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Transcriber's Art

The Transcriber's Art
Author: RICHARD YATES
Publisher: Mel Bay Publications
Total Pages: 152
Release: 2012-03-02
Genre: Music
ISBN: 1619111500

A collection of articles and music transcribed for solo classical guitar gathered from ten years of the popular series in the journal Soundboard. Each of the music scores is accompanied by an article describing the process of transcription for the guitar, the history of the music and composer, and performance suggestions. All pieces are fully fingered and suitable for intermediate to advanced players.

Complete Recorded Works in Transcription

Complete Recorded Works in Transcription
Author: Sam Morgan's Jazz Band
Publisher: A-R Editions, Inc.
Total Pages: 312
Release: 2012-01-01
Genre: Music
ISBN: 0895797240

Book URL: https://www.areditions.com/rr/rra/a073.html This edition consists of musical transcriptions of all eight recordings of Sam Morgan¿s Jazz Band, made in New Orleans in 1927. These are among the first recordings of black New Orleans jazz bands made in their home city and, as the band consisted of musicians who stayed on in New Orleans after the Great Exodus to Chicago and New York in the early 1920s, the recordings preserve a purer form of the collectively improvised ensemble of the earliest black jazz bands. It is a loosely integrated, purely linear ensemble mass, a collective projecting of melodic lines close to the unassimilated heterophonic singing of the Black Primitive Baptist and Sanctified Churches. This proto jazz style was being rapidly eclipsed in the 1920s by more flamboyant and technically brilliant forms of New Orleans jazz being recorded by Louis Armstrong, Sidney Bechet, and Jelly Roll Morton. The scores contained herein are the first complete transcriptions of this rare and distinctive music to appear in print.