The Art of the July Monarchy

The Art of the July Monarchy
Author: University of Missouri--Columbia. Museum of Art and Archaeology
Publisher:
Total Pages: 340
Release: 1990
Genre: Art
ISBN:

In the years between 1830 and 1848, the period know as the July Monarchy, French art underwent the major transformation from romanticism to realism. Yet, because of their transitional nature, the works of this period have often been ignored by art historians. By avoiding a concentration on either a single artist or a single ism, the book illuminates this 18 year period.

The Popularization of Images

The Popularization of Images
Author: Petra ten-Doesschate Chu
Publisher:
Total Pages: 299
Release: 1994
Genre: Art
ISBN: 9780691032108

The portentous, eighteen-year period (1830-1848) in the history of French revolutions known as the July Monarchy was circumscribed by the rule of Louis Philippe d'Orleans and was characterized by the political and social ascendancy of the bourgeoisie. Accompanying this brief and transitional stage was a phenomenal increase in printed media, especially in all forms of culture with a visual component. These nine essays, gathered from social historians and art historians, address the formation and consequences of the emergence of a popular culture. They significantly reframe the mental picture of the July Monarchy, calling into account traditional ideas of social order during this formative period of demographic change. While the expanded availability of images and words, together with an elevated literacy rate, enhanced political awareness among lower classes, the rule of Louis Philippe inaugurated hegemonic social agendas. This was the period that saw the rise of class consciousness, the concept of "dangerous" classes, police surveillance, and the identification of "criminal" types. The pandemic medium of caricature was at once a vehicle for critiquing government and social mores and an effective tool for determining and controlling class distinctions. In addition to the editors, the contributors are Albert Boime, James Cuno, Michael Paul Driskel, Michael Marrinan, Elizabeth K. Menon, Kim Munholland, and David Van Zanten.

French Royal Women during the Restoration and July Monarchy

French Royal Women during the Restoration and July Monarchy
Author: Heta Aali
Publisher: Springer Nature
Total Pages: 265
Release: 2021-06-10
Genre: History
ISBN: 3030597547

This book examines public discussions around France's four most prominent royal women during the first and second Restoration and July Monarchy: the duchesse d’Angoulême, the duchesse de Berry, Queen of the French Marie-Amélie, and Adélaïde d’Orléans. These were the most powerful women of the last decades of the French monarchy, but the new roles women were assigned in post-revolutionary France did not permit them to openly exercise political influence. This book explores continuities and variations in narratives of royal legitimacy, and how historians, authors, and politicians used national history - particularly medieval and early modern history - to either legitimize or undermine the French monarchy, and to define women's social and political roles.

Paris Between Empires

Paris Between Empires
Author: Philip Mansel
Publisher: St. Martin's Press
Total Pages: 794
Release: 2014-03-25
Genre: History
ISBN: 146686690X

Paris between 1814 and 1852 was the capital of Europe, a city of power and pleasure, a magnet for people of all nationalities that exerted an influence far beyond the reaches of France. Paris was the stage where the great conflicts of the age, between nationalism and cosmopolitanism, revolution and royalism, socialism and capitalism, atheism and Catholicism, were fought out before the audience of Europe. As Prince Metternich said: When Paris sneezes, Europe catches cold. Not since imperial Rome has one city so dominated European life. Paris Between Empires tells the story of this golden age, from the entry of the allies into Paris on March 31, 1814, after the defeat of Napoleon I, to the proclamation of his nephew Louis-Napoleon, as Napoleon III in the Hôtel de Ville on December 2, 1852. During those years, Paris, the seat of a new parliamentary government, was a truly cosmopolitan capital, home to Rossini, Heine, and Princess Lieven, as well as Berlioz, Chateaubriand, and Madame Recamier. Its salons were crowded with artisans and aristocrats from across Europe, attracted by the freedom from the political, social, and sexual restrictions that they endured at home. This was a time, too, of political turbulence and dynastic intrigue, of violence on the streets, and women manipulating men and events from their salons. In describing it Philip Mansel draws on the unpublished letters and diaries of some of the city's leading figures and of the foreigners who flocked there, among them Lady Holland, two British ambassadors, Lords Stuart de Rothesay and Normanby, and Charles de Flahaut, lover of Napoleon's step-daughter Queen Hortense. This fascinating book shows that the European ideal was as alive in the nineteenth century as it is today.

In the Court of the Pear King

In the Court of the Pear King
Author: Sandy Petrey
Publisher: Cornell University Press
Total Pages: 208
Release: 2005
Genre: Biography & Autobiography
ISBN: 9780801443411

Sandy Petrey explores the factors accounting for such consequential innovations in so short a time, so restricted a space. In Petrey's view, these disparate events betoken a common recognition of society's capacity to make and unmake what it recognizes as real."--Jacket.

Graphic Culture

Graphic Culture
Author: Jillian Lerner
Publisher: McGill-Queen's Press - MQUP
Total Pages:
Release: 2018-07-30
Genre: Art
ISBN: 0773555153

Nineteenth-century Paris is often celebrated as the capital of modernity. However, this story is about cultural producers who were among the first to popularize and profit from that idea. Graphic Culture investigates the graphic artists and publishers who positioned themselves as connoisseurs of Parisian modernity in order to market new print publications that would amplify their cultural authority while distributing their impressions to a broad public. Jillian Lerner's exploration of print culture illuminates the changing conditions of vision and social history in July Monarchy Paris. Analyzing a variety of caricatures, fashion plates, celebrity portraits, city guides, and advertising posters from the 1830s and 1840s, she shows how quotidian print imagery began to transform the material and symbolic dimensions of metropolitan life. The author's interdisciplinary approach situates the careers and visual strategies of illustrators such as Paul Gavarni and Achille Devéria in a broader context of urban entertainments and social practices; it brings to light a rich terrain of artistic collaboration and commercial experimentation that linked the worlds of art, literature, fashion, publicity, and the theatre. A timely historical meditation on the emergence of a commercial visual culture that prefigured our own, Graphic Culture traces the promotional power of artistic celebrities and the crucial perceptual and social transformations generated by new media.