The Art Of The Islamic Garden
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Author | : Emma Clark |
Publisher | : Crowood Press (UK) |
Total Pages | : 216 |
Release | : 2004 |
Genre | : Architecture |
ISBN | : |
The Islamic garden is regarded as one of the highest forms of visual art in the civilization of Islam. The principal elements are water and shade; they are also characterized by the chahar-bagh: a four-fold pattern, constructed around a central pool or fountain, with four streams flowing toward the four corners of the earth. Aesthetically, this design provides a striking feature in itself; however, a true appreciation of an Islamic garden is only ever complete with an understanding of the spiritual symbolism manifested in its design and planting. This lavish book provides both an intellectual guide to the symbolism of the Islamic garden and a practical guide to its component parts, with recommendations for suitable trees, shrubs, and flowers and advice on creating an Islamic garden in cooler climates. Garden designer Emma Clark teaches Visual Islamic and Traditional Arts at The Prince’s Foundation, London.
Author | : D. Fairchild Ruggles |
Publisher | : University of Pennsylvania Press |
Total Pages | : 291 |
Release | : 2011-12-30 |
Genre | : Architecture |
ISBN | : 0812207289 |
Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India. Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra. Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections. Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.
Author | : |
Publisher | : Penn State Press |
Total Pages | : 314 |
Release | : 2000 |
Genre | : Agriculture |
ISBN | : 9780271042725 |
Author | : Mohammad Gharipour |
Publisher | : Penn State Press |
Total Pages | : 706 |
Release | : 2017-10-12 |
Genre | : Architecture |
ISBN | : 0271080671 |
The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions. In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 241 |
Release | : 2012 |
Genre | : Art |
ISBN | : 1588394824 |
Family guide, Dazzling details in folded front cover.
Author | : Monty Don |
Publisher | : Two Roads |
Total Pages | : 301 |
Release | : 2018-03-22 |
Genre | : Gardening |
ISBN | : 1473666503 |
'Lavish ... a celebration of the history and enduring romance of Islamic gardens' Washington Post As seen on the highly acclaimed BBC2 series Monty Don's Paradise Gardens, a glorious celebration of the richness of Islamic culture through some of the most beautiful gardens on earth. In the Islamic tradition, a garden with its central elements of water, the scent of fruit trees, and places for rest and reflection, celebrate heaven on earth. Paradise gardens play a central role in everyday life in the Islamic world, yet little is known about them. Monty Don and acclaimed photographer, Derry Moore, set off on a journey to find out more about the principles and immersive delights of paradise gardens and how a very different culture and climate has influenced garden design round the world. Their journey covers twenty-nine gardens from the Real Alcazar and the Alhambra in Spain, and Le Jardin Majorelle in Morocco, to Highgrove and a Mughal garden in Bradford in England. There are some spectacular and rarely seen examples such as Pasargadae and the Maidan in Isfahan, Iran, the birthplace of paradise gardens, as well as the more renowned examples such as Turkey's Topkapi Palace and the Amber Palace and Taj Mahal in India. 'A garden, green and filled with water is heaven on earth - it is paradise.' Monty Don ALSO BY MONTY DON & DERRY MOORE JAPANESE GARDENS: A JOURNEY An exploration of the exquisite beauty and fascinating history of the most beautiful and famous gardens across Japan, from Kenrok-en to the Zen gardens of Tokyo. 'A fabulous, bonsai-filled book' Daily Mail
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 1972 |
Genre | : Art |
ISBN | : 0870991116 |
Author | : Sheila S. Blair |
Publisher | : Yale University Press |
Total Pages | : 376 |
Release | : 1996-09-25 |
Genre | : Art |
ISBN | : 9780300064650 |
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
Author | : Iftikhar Dadi |
Publisher | : Univ of North Carolina Press |
Total Pages | : 356 |
Release | : 2010-05-15 |
Genre | : Art |
ISBN | : 0807895962 |
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author | : Petruccioli |
Publisher | : BRILL |
Total Pages | : 212 |
Release | : 1997-04-01 |
Genre | : Art |
ISBN | : 9004660828 |
Interest in the Islamic garden has increased considerably in the past years, to such a point where a conference specifically on this subject was held at M.I.T. in Cambridge, Massachusetts, in 1994. This volume collects eight papers from the conference and two additional papers especially written for the book, to further and act as a basis for the attention given by scholars these days to Islamic landscape architecture.