Byzantium

Byzantium
Author: André Grabar
Publisher: London : Methuen
Total Pages: 228
Release: 1966
Genre: Art, Byzantine
ISBN:

An unmanageable, but lovable, eleven-year-old misfit learns to believe in himself when he gets to know the new school counselor, who is a sort of misfit too.

Byzantine Art

Byzantine Art
Author: Robin Cormack
Publisher: Oxford University Press
Total Pages: 264
Release: 2018
Genre: Art
ISBN: 0198778791

A beautifully illustrated, new edition of the best single-volume guide to Byzantine art, providing an introduction to the whole period and range of styles.

Art of Empire

Art of Empire
Author: Annabel Jane Wharton
Publisher: Penn State University Press
Total Pages: 216
Release: 1988
Genre: Architecture
ISBN:

Between the ninth and twelfth centuries the Byzantine Empire encompassed a wide geographical territory extending from South Italy to Armenia, from the Danube to Cyprus. From the capital of the Empire, Constantinople, the all-powerful, God-elected emperor exercised autocratic control over the periphery. These structures of centralization stood in tension with the decentralizing force of local interests in the provinces. This present volume offers a comparative study of the form and patronage of surviving buildings and their painted decoration in four very different provinces-- Cappadocia, Cyprus, Macedonia, and South Italy--as a means of assessing the nature of Byzantine provincial art. All too often art historians have simplistically labeled high quality works in the provinces "metropolitan" and those of lesser aesthetic interests "provincial." The study establishes that a context in the hinterlands of the Empire affected the making of all provincial buildings--great and small. Local traditions and distinct patterns of patronage left their mark on even the most cosmopolitan structures. At the same time, the relative receptivity of the provinces to metropolitan artistic conventions indicates the ideological power of those conventions. Monumental works constructed in the provinces consistently served to reinforce Constantinopolitan hegemony. The reciprocity of these actions in the art of the Empire calls into question the facile equation of "provincial" with poor quality, derivativeness, and artistic insignificance. Most of the great fresco programs and buildings of the Byzantine Empire survive not in its capital, Constantinople, but in its provinces. Art of Empire is the only study to date which treats both the painting and architecture of these monuments comparatively within their geographical and social context. Though not a survey of provincial monuments, the book makes accessible to a broader audience a compendium of little-known and underappreciated works of great aesthetic and historical value.

Byzantine Art and Diplomacy in an Age of Decline

Byzantine Art and Diplomacy in an Age of Decline
Author: Cecily J. Hilsdale
Publisher: Cambridge University Press
Total Pages: 425
Release: 2014-02-20
Genre: Art
ISBN: 1107033306

Questions how political decline refigures the visual culture of empire by examining the imperial image and the gift in later Byzantium (1261-1453). Provides a more nuanced account of medieval artistic cultural exchange that considers the temporal dimensions of power and the changing fates of empires.

Art of the Byzantine Era

Art of the Byzantine Era
Author: David Talbot Rice
Publisher: London : Thames and Hudson
Total Pages: 292
Release: 1963
Genre: Art
ISBN:

"Useful ... convenient ... authoritative."--The Times Educational Supplement

The Byzantine Art of War

The Byzantine Art of War
Author: Michael J. Decker
Publisher:
Total Pages: 0
Release: 2016-09
Genre:
ISBN: 9781594162718

A Complete Overview of One of the Most Important Military Forces in the History of the World The Byzantine Art of War explores the military history of the thousand-year empire of the eastern Mediterranean, Byzantium. Throughout its history the empire faced a multitude of challenges from foreign invaders seeking to plunder its wealth and to occupy its lands, from the deadly Hunnic hordes of Attila, to the Arab armies of Islam, to the western Crusaders bent on carving out a place in the empire or its former lands. In order to survive the Byzantines relied on their army that was for centuries the only standing, professional force in Europe. Leadership provided another key to survival; Byzantine society produced a number of capable strategic thinkers and tacticians--and several brilliant ones. These officers maintained a level of professionalism and organization inherited and adapted from Roman models. The innovations of the Byzantine military reforms of the sixth century included the use of steppe nomad equipment and tactics, the most important of which was the refinement of the Roman mounted archer. Strategy and tactics evolved in the face of victory and defeat; the shock of the Arab conquests led to a sharp decline in the number and quality of imperial forces. By the eighth and ninth centuries Byzantine commanders mastered the art of the small war, waging guerrilla campaigns, raids, and flying column attacks that injured the enemy but avoided the decisive confrontation the empire was no longer capable of winning. A century later they began the most sustained, glorious military expansion of their history. This work further sketches the key campaigns, battles, and sieges that illustrate Byzantine military doctrine, vital changes from one era to another, the composition of forces and the major victories and defeats that defined the territory and material well-being of its citizens. Through a summary of their strategies, tactics, and innovations in the tools of war, the book closes with an analysis of the contributions of this remarkable empire to world military history.

Art and Identity in Thirteenth-Century Byzantium

Art and Identity in Thirteenth-Century Byzantium
Author: Antony Eastmond
Publisher: Routledge
Total Pages: 346
Release: 2017-03-02
Genre: History
ISBN: 1351957228

The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the thirteenth century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.

Encyclopedia of the Byzantine Empire

Encyclopedia of the Byzantine Empire
Author: Jennifer Lawler
Publisher: McFarland
Total Pages: 377
Release: 2015-05-20
Genre: History
ISBN: 1476609292

The Middle Ages as they were lived in Eastern Europe are covered in this encyclopedia. An introduction provides an overview of the Byzantine Empire--what life was like, what people wore and ate, how families were formed and cared for, and how the so-called Eastern Empire differed from its Western counterpart. Over 1500 entries, from Adrianopolis to Zoe, embrace a broad range of topics. Illustrations include genealogies of Byzantine rulers, maps of the Empire at various stages, and photographs of Byzantine buildings and art. A pronunciation guide, a note about transliteration and spelling, genealogical charts, a chronology of emperors, a glossary, a suggested readings list, and an index are also included.