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| Author | : Dominic Molon |
| Publisher | : Yale University Press |
| Total Pages | : 296 |
| Release | : 2007-01-01 |
| Genre | : Art |
| ISBN | : 9780300134261 |
Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.
| Author | : Howard Sklar |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 207 |
| Release | : 2013 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027233500 |
Focuses on the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." This book examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience.
| Author | : Lars Spuybroek |
| Publisher | : V2_ publishing |
| Total Pages | : 402 |
| Release | : 2011 |
| Genre | : Architecture |
| ISBN | : 9056628275 |
We have to find our way back to beauty," writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must "undo" the twentieth century - the age in which the sublime turned from an art category into a technical reality. This leads him to the aesthetical insights of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time. In The Sympathy of Things, the old romantic notion of sympathy, a core concept in Ruskin's aesthetics, is re-evaluated as the driving force of the aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century. Spuybroek addresses the five central dual themes of Ruskin in turn: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, ecology and design. He wrests each of these themes from the Victorian era and compares them with the related ideas of later aestheticians and philosophers like William James and Bruno Latour.
| Author | : Caleb Crain |
| Publisher | : Yale University Press |
| Total Pages | : 320 |
| Release | : 2008-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 0300133677 |
“A friend in history,” Henry David Thoreau once wrote, “looks like some premature soul.” And in the history of friendship in early America, Caleb Crain sees the soul of the nation’s literature. In a sensitive analysis that weaves together literary criticism and historical narrative, Crain describes the strong friendships between men that supported and inspired some of America’s greatest writing--the Gothic novels of Charles Brockden Brown, the essays of Ralph Waldo Emerson, and the novels of Herman Melville. He traces the genealogy of these friendships through a series of stories. A dapper English spy inspires a Quaker boy to run away from home. Three Philadelphia gentlemen conduct a romance through diaries and letters in the 1780s. Flighty teenager Charles Brockden Brown metamorphoses into a horror novelist by treating his friends as his literary guinea pigs. Emerson exchanges glances with a Harvard classmate but sacrifices his crush on the altar of literature--a decision Margaret Fuller invites him to reconsider two decades later. Throughout this engaging book, Crain demonstrates the many ways in which the struggle to commit feelings to paper informed the shape and texture of American literature.
| Author | : Mark Polizzotti |
| Publisher | : MIT Press |
| Total Pages | : 200 |
| Release | : 2018-04-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0262346710 |
An engaging and unabashedly opinionated examination of what translation is and isn't. For some, translation is the poor cousin of literature, a necessary evil if not an outright travesty—summed up by the old Italian play on words, traduttore, traditore (translator, traitor). For others, translation is the royal road to cross-cultural understanding and literary enrichment. In this nuanced and provocative study, Mark Polizzotti attempts to reframe the debate along more fruitful lines. Eschewing both these easy polarities and the increasingly abstract discourse of translation theory, he brings the main questions into clearer focus: What is the ultimate goal of a translation? What does it mean to label a rendering “faithful”? (Faithful to what?) Is something inevitably lost in translation, and can something also be gained? Does translation matter, and if so, why? Unashamedly opinionated, both a manual and a manifesto, his book invites usto sympathize with the translator not as a “traitor” but as the author's creative partner. Polizzotti, himself a translator of authors from Patrick Modiano to Gustave Flaubert, explores what translation is and what it isn't, and how it does or doesn't work. Translation, he writes, “skirts the boundaries between art and craft, originality and replication, altruism and commerce, genius and hack work.” In Sympathy for the Traitor, he shows us how to read not only translations but also the act of translation itself, treating it not as a problem to be solved but as an achievement to be celebrated—something, as Goethe put it, “impossible, necessary, and important.”
| Author | : Audrey Jaffe |
| Publisher | : Cornell University Press |
| Total Pages | : 198 |
| Release | : 2018-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 150171998X |
In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.
| Author | : James Chandler |
| Publisher | : University of Chicago Press |
| Total Pages | : 453 |
| Release | : 2013-06-17 |
| Genre | : Literary Criticism |
| ISBN | : 022603495X |
In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people’s very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein’s influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra’s It Happened One Night, Mr. Deeds Goes to Town, and It’s a Wonderful Life. Chandler then moves forward to romanticism and modernism—two cultural movements often seen as defined by their rejection of the sentimental—examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.
| Author | : Olivia Sudjic |
| Publisher | : HarperCollins |
| Total Pages | : 421 |
| Release | : 2017-04-04 |
| Genre | : Fiction |
| ISBN | : 0544836626 |
“Packed with tension, pathos, and vitality . . . This is a potent first novel from a formidable talent.” — Minneapolis Star Tribune “The best fictional account I’ve read of the way the internet has shaped our inner lives.” — Guardian (UK) At twenty-three Alice Hare, a loner, arrives in New York with only the vaguest of plans: to find a city to call home. Instead she discovers the online profile of a Japanese writer called Mizuko Himura, whose stories blur the line between autobiography and fiction. Alice becomes infatuated with Mizuko from afar, convinced this stranger’s life holds a mirror to her own. Realities multiply as Alice closes in on her “internet twin,” staging a chance encounter and inserting herself into his orbit. When Mizuko disappears, Alice is alone and adrift again. Tortured by her silence, Alice uses the only tool at her disposal, writing herself back into Mizuko’s story, with disastrous consequences. “A smart and lyrical evocation of that murky emotional terrain between our online and offline selves.” — Vice (UK) “At once a riveting mystery and a literary tour de force, Sympathy had me spellbound from the first page to the last.” — Emily Gould, author of Friendship
| Author | : Anita Naughton |
| Publisher | : Putnam Adult |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Cooking |
| ISBN | : 9780399149375 |
One of the original waitresses of the Greenwich Avenue teashop looks at life behind the scenes of the popular restaurant, and offers recipes for dishes including bubble & squeak, baked rice pudding, and Yorkshire pudding.
| Author | : Max Scheler |
| Publisher | : Routledge |
| Total Pages | : 280 |
| Release | : 2017-07-28 |
| Genre | : Philosophy |
| ISBN | : 1351478869 |
The Nature of Sympathy explores, at different levels, the social emotions of fellow-feeling, the sense of identity, love and hatred, and traces their relationship to one another and to the values with which they are associated. Scheler criticizes other writers, from Adam Smith to Freud, who have argued that the sympathetic emotions derive from self-interested feelings or instincts. He reviews the evaluations of love and sympathy current in different historical periods and in different social and religious environments, and concludes by outlining a theory of fellow-feeling as the primary source of our knowledge of one another.A prolific writer and a stimulating thinker, Max Scheler ranks second only to Husserl as a leading member of the German phenomenological school. Scheler's work lies mostly in the fields of ethics, politics, sociology, and religion. He looked to the emotions, believing them capable, in their own quality, of revealing the nature of the objects, and more especially the values, to which they are in principle directed.
