Satire

Satire
Author: Matthew Hodgart
Publisher: Routledge
Total Pages: 299
Release: 2017-07-28
Genre: Language Arts & Disciplines
ISBN: 1351492128

Satire, according to Jonathan Swift, is a mirror where beholders generally discover everybody's face but their own. and over twenty-four centuries the mirror of satirical literature has taken on many shapes. Yet certain techniques recur continually, certain themes are timeless, and some targets are perennial. Politics (the mismanagement of men by other men) has always been a target of satire, as has the war between sexes.The universality of satire as a mode and creative impulse is demonstrated by the cross-cultural development of lampoon and travesty. Its deep roots and variety are shown by the persistence of allegory, fable, aphorism, and other literary subgenres. Hodgart analyzes satire at some of its most exuberant moments in Western literature, from Aristophanes to Brecht. His analysis is supplemented by a selection and discussion of prints and cartoons.Satire continues to help us make sense of the conventions that seem to have been almost genetically transmitted from their satiric ancestors to our digital contemporaries. This is especially evident in Hodgart's repeated references to satire's predilection for the ephemeral, for camouflaging itself among the everyday, for speaking to the moment, and thus for integrating itself as deeply as possible into society. Brian Connery's new introduction places Hodgart's analysis in its proper place in the development of twentieth-century criticism.

The Oxford Handbook of Eighteenth-Century Satire

The Oxford Handbook of Eighteenth-Century Satire
Author: Paddy Bullard
Publisher: Oxford University Press
Total Pages: 744
Release: 2019-07-30
Genre: Literary Criticism
ISBN: 0191043702

Eighteenth century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to first decade of the seventeenth century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.

Satire

Satire
Author: Joel Schechter
Publisher: Bloomsbury Publishing
Total Pages: 193
Release: 2021-07-15
Genre: Performing Arts
ISBN: 1350140090

Satire reconsiders the entertainment, political dissent and comic social commentary created by innovative writers and directors since this theatrical form took the stage in ancient Athens. From Aristophanes to the 18th-century plays of John Gay and Henry Fielding, to the creations of Joan Littlewood, Bertolt Brecht, Vsevolod Meyerhold, Erika Mann, Brendan Behan and Dario Fo, practitioners of theatrical satire have prompted audiences to laugh at corruption, greed, injustice and abusive authority. In the theatre these artists jested at prominent citizens, scandals and fashions. In retrospect it can be seen that their topical references, allegories and impersonations also promoted intervention in public discourse and events outside the theatre, as satire extended its reach beyond the stage into society. Satire focuses on three exemplary satiric plays: The Knights by Aristophanes, The Beggar's Opera by John Gay and The Hostage by Brendan Behan under Joan Littlewood's direction. Detailed discussion of these three innovative works reveals both changes and continuities in stage satire over the course of its long, hilarious history. The survey concludes with a discussion of stage satire as an endangered art in need of preservation by actors, directors and theatre historians.

Satire

Satire
Author: Dustin Griffin
Publisher: University Press of Kentucky
Total Pages: 355
Release: 2021-03-17
Genre: Literary Criticism
ISBN: 0813156246

Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.

The Art of Satire

The Art of Satire
Author: David Worcester
Publisher: Russell & Russell Publishers
Total Pages: 216
Release: 1960
Genre: Humor
ISBN:

The Power of Satire

The Power of Satire
Author: Marijke Meijer Drees
Publisher: John Benjamins Publishing Company
Total Pages: 293
Release: 2015-10-15
Genre: Language Arts & Disciplines
ISBN: 902726855X

Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other.

The Literature of Satire

The Literature of Satire
Author: Charles A. Knight
Publisher: Cambridge University Press
Total Pages: 341
Release: 2004-02-12
Genre: Literary Criticism
ISBN: 1139452282

The Literature of Satire is an accessible but sophisticated and wide-ranging study of satire from the classics to the present in plays, novels and the press as well as in verse. In it Charles Knight analyses the rhetorical problems created by satire's complex relations to its community, and examines how it exploits the genres it borrows. He argues that satire derives from an awareness of the differences between appearance, ideas and discourse. Knight provides illuminating readings of such satirists familiar and unfamiliar as Horace, Lucian, Jonson, Molière, Swift, Pope, Byron, Flaubert, Ostrovsky, Kundera, and Rushdie. This broad-ranging examination sheds light on the nature and functions of satire as a mode of writing, as well as on theoretical approaches to it. It will be of interest to scholars interested in literary theory as well as those specifically interested in satire.

The Cambridge Introduction to Satire

The Cambridge Introduction to Satire
Author: Jonathan Greenberg
Publisher: Cambridge University Press
Total Pages: 335
Release: 2019
Genre: Humor
ISBN: 1107030188

Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.