The Art Of Political Murder
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Author | : Francisco Goldman |
Publisher | : Grove/Atlantic, Inc. |
Total Pages | : 416 |
Release | : 2008-09-16 |
Genre | : History |
ISBN | : 1555846378 |
In this New York Times Notable Book, the Pulitzer Prize–finalist undertakes his own investigation into the murder of a Guatemalan bishop. Named a Best Book of the Year by the Washington Post Book World, the Chicago Tribune, the Economist, and the San Francisco Chronicle Two days after releasing a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand Guatemalan civilians, Bishop Juan Gerardi was bludgeoned to death in his garage. Gerardi was the country’s leading human rights activist, but the Church quickly realized it could not rely on police investigators or the legal system to solve the crime. Instead, Church leaders formed their own investigative team: a group of secular young men who called themselves Los Intocables—the Untouchables. Author Francisco Goldman spoke to witnesses no other reporter was able to reach, observing firsthand some of the most crucial developments in this sensational case. Documenting the Latin American reality of mara youth gangs and organized crime, The Art of Political Murder tells the incredible true story of Los Intocables and their remarkable fight for justice. “Becoming by turns a little bit Columbo, Jason Bourne and Seymour Hersh, Goldman gives us the anatomy of a crime while opening a window to a misunderstood neighboring country that is flirting with anarchy.” —The New York Times Book Review
Author | : Greg Woolf |
Publisher | : Harvard University Press |
Total Pages | : 230 |
Release | : 2007 |
Genre | : Business & Economics |
ISBN | : 9780674026841 |
'Then fall, Caesar!" -- Talking tyrannicide -- Caesar's murdered heirs -- Aftershocks.
Author | : Sara Schatz |
Publisher | : Springer Science & Business Media |
Total Pages | : 255 |
Release | : 2011-02-28 |
Genre | : Social Science |
ISBN | : 1441980687 |
Murder and Politics in Mexico studies the causes of political killings in Mexico’s liberalization-democratization within the larger context of political repression. Mexico’s democratization process has entailed a little known but highly significant cost of human lives in pre- and post-election violence. The majority of these crimes remain in a state of impunity: in other words, no person had been charged with the crime and/or no investigation of it had occurred. This has several consequences for Mexican politics: when the level of violence is extreme and when political killings that are systematic and invasive are involved, this could indicate a real fracture in the democratic system. This book analyzes several dimensions regarding impunity and political crime, more specifically, the political killings of members of the PRD in the post-1988 period in Mexico. The main argument proposed in this book is that impunity for political killings is a structured system requiring one central precondition, namely the failure of the legal system to function as a system of restraint for killings. Dr Schatz’s research finds that political assassinations are indeed rational, targeted actions but they do not occur within an institutional vacuum. Political assassinations are calculated strategies of action aimed at eliminating political rivals. As a form of interpersonal violence, political assassination involves direct or implied authorization from political leaders, the availability of assassins for hire and the willingness of some political leaders to utilize them against political opponents, and violent interactions between political parties combined with judicial system ineffectiveness. A corrupt legal system facilitates the use of political assassination and explains the persistence of impunity for political murder over time. To reduce political violence in the transition to electoral democracy, specific institutional conditions, namely a structured system of impunity for murder, must be overcome.
Author | : Bruce Chilton |
Publisher | : Augsburg Fortress Publishers |
Total Pages | : 384 |
Release | : 2021-08-03 |
Genre | : History |
ISBN | : 1506474284 |
The Herods explores the Herodian rule from Herod the Great's father, Antipater, until the dynastic sunset with Bereniké, Herod's great-granddaughter, describing the theocratic aims that motivated Herod and his progeny, and the groups and factions within Judaism and Christianity that often defined themselves in opposition to the Herodian project.
Author | : Francisco Goldman |
Publisher | : Grove Press |
Total Pages | : 347 |
Release | : 2021-05-10 |
Genre | : Fiction |
ISBN | : 0802157696 |
A Guatemalan-American writer returns to the Boston suburb of his youth in this American Book Award–winning novel “full of rebellious comedy and vitality” (New Yorker). A 2022 Pulitzer Prize Finalist In Monkey Boy, Francisco Goldman’s “brilliantly constructed auto-fiction” (NPR), we meet Francisco Goldberg, a middle-aged writer grappling with the challenges of family and love, legacies of violence and war, and growing up as the son of immigrants. Having fled Mexico after his journalism provokes the wrong people, Goldberg’s attempt to start fresh in New York. But even as he finds himself falling in love, he is drawn away yet again—back to his childhood home in the white, working-class suburbs of Boston. Frankie is beckoned there by a high school girlfriend who witnessed his youthful humiliations, and by his ailing mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. His brief trip is haunted by memories of his recently deceased father, the Guatemalan woman who helped raise him, and the high school bullies who called him “monkey boy.”
Author | : Jonathan Paul Eburne |
Publisher | : Cornell University Press |
Total Pages | : 348 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780801446740 |
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political. In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values. Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
Author | : Fernando Fabio Sanchez |
Publisher | : Vanderbilt University Press |
Total Pages | : 241 |
Release | : 2010-11-29 |
Genre | : History |
ISBN | : 0826517285 |
The grim role of violence in shaping modern Mexican identity
Author | : Amy Knight |
Publisher | : Biteback Publishing |
Total Pages | : 240 |
Release | : 2019-08-06 |
Genre | : Political Science |
ISBN | : 1785905228 |
Ever since Vladimir Putin came to power, his critics have been turning up dead. According to Amy Knight, one of the West's foremost scholars of the KGB, this is no coincidence. Here, she links together dozens of deaths, exposing a far-reaching campaign of killing that is even tied to the Boston Marathon bombing. Russia is no stranger to political murder, from the Tsars and the Soviets through to the current regime, during which many journalists, activists, and political opponents have been slain. However convenient these deaths are for the Russian president, Kremlin defenders assert that there is no evidence against him. Because he controls all the murder investigations, Putin will never be seen holding a smoking gun. With new information about the most famous cases—such as Alexander Litvinenko, Boris Nemtsov, and the Salisbury poisoning victims—Knight assesses Putin's role in these deaths, and asks: is there nothing we can do to stop him?
Author | : Francisco Goldman |
Publisher | : Grove Press |
Total Pages | : 655 |
Release | : 2013 |
Genre | : Fiction |
ISBN | : 0802144608 |
It is the story of Roger Graetz, raised in a Boston suburb by an aristocratic Guatemalan mother, and his relationship with Flor de Mayo, the beautiful young guatemalan orphn sent by his grandmother to live with family as a maid.
Author | : Horacio Castellanos Moya |
Publisher | : New Directions Publishing |
Total Pages | : 161 |
Release | : 2008-05-17 |
Genre | : Fiction |
ISBN | : 0811219844 |
A Rainmaker Translation Grant Winner from the Black Mountain Institute: Senselessness, acclaimed Salvadoran author Horacio Castallanos Moya's astounding debut in English, explores horror with hilarity and electrifying panache. A boozing, sex-obsessed writer finds himself employed by the Catholic Church (an institution he loathes) to proofread a 1,100 page report on the army's massacre and torture of thousands of indigenous villagers a decade earlier, including the testimonies of the survivors. The writer's job is to tidy it up: he rants, "that was what my work was all about, cleaning up and giving a manicure to the Catholic hands that were piously getting ready to squeeze the balls of the military tiger." Mesmerized by the strange Vallejo-like poetry of the Indians' phrases ("the houses they were sad because no people were inside them"), the increasingly agitated and frightened writer is endangered twice over: by the spell the strangely beautiful heart-rending voices exert over his tenuous sanity, and by real danger—after all, the murderers are the very generals who still run this unnamed Latin American country.