The Art of Peter Max
| Author | : Charles A. Riley |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2002-10 |
| Genre | : Art |
| ISBN | : |
Gathers the artist's paintings, drawings, graphics, etchings, and posters to illustrate his life and career.
The Art Of Peter Max
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The Universe of Peter Max
| Author | : Peter Max |
| Publisher | : Harper Collins |
| Total Pages | : 352 |
| Release | : 2013-11-19 |
| Genre | : Art |
| ISBN | : 0062121405 |
An in-depth look at the personal and artistic life of renowned artist Peter Max...in his own words In this intimate visual memoir, artist Peter Max details his life journey as an artist, providing a stirring account of himself as a young boy and as a successful artist eager to return to the days of wonderment and inspiration found only in dreams and childhood. Max charts his ascension in the art world and pauses to reflect on the nature of creativity, the universe at large, his many loves, and his ability to see beauty in the everyday. Vibrantly illustrated with Max's signature work, including some never-before-seen pieces, this colorful memoir reveals the personal inspiration behind the work of one of the world's most popular artists. With 200 full-color photographs
The Peter Max Land of Yellow
| Author | : Peter Max |
| Publisher | : Franklin Watts |
| Total Pages | : 31 |
| Release | : 1970-01-01 |
| Genre | : Colors |
| ISBN | : 9780531019597 |
In order to save the Rainbow Land, the Purple King makes a dash across each rainbow band to get the fifty pounds of red demanded by the Shadow Prince.
The Mind's Eye
| Author | : Jeremy Frommer |
| Publisher | : powerHouse Books |
| Total Pages | : 228 |
| Release | : 2014-05-13 |
| Genre | : Art |
| ISBN | : 1576877302 |
Omni was a jewel among popular science magazines of its era (1978–1998). Science Digest, Science News, Scientific America, and Discover may have all been selling well to armchair scientists, but Omni masterfully blended cutting edge science news and science fiction, flashy graphic design, a touch of sex, and the images of a generation of artists completely free and unburdened by the disciplines of the masters. Created by the legendary Bob Guccione, better known for founding Penthouse than perhaps any of the other facets of his inspired career in business, art, and literature, Guccione handpicked the artists and illustrators that contributed to the Omni legacy—they in turn created works ignited by passion and intellect, two of Guccione's principal ideals. The Mind's Eye: The Art of Omni is the very first publication to celebrate in stunning detail the exceptional science fiction imagery of this era in an oversized format. The Mind's Eye contains 185 images from contributing Omni artists including John Berkey, Chris Moore, H.R. Giger, Rafal Olbinski, Rallé, Tsuneo Sanda, Hajime Sorayama, Robert McCall, and Colin Hay among many more, along with quotes from artists, contributors, writers, and critics. Omni lived in a time well before the digital revolution. The images you see on these pages have taken years to track down and brought the editors in touch with many esteemed artists, amazing photographers and dusty storage lockers. Their quest is far from over; you'll notice an almost decade-long gap in the material, the contents of which were either lost or destroyed. Efforts to search throughout the universe for any images will continue and will be shared with the world at the all-things-Omni website, omnireboot.com. Stay tuned... Collected in book form for the first time ever, the striking art from this extraordinary magazine will delight fans who remember seeing the work years ago and newcomers interested in the unique aesthetic of this genre's biggest artists. "Omni was a magazine about the future. From 1978 to 1998 Omni blew minds by regularly featuring extensive Q&As with some of the top scientists of the 20th century—E.O. Wilson, Francis Crick, Jonas Salk—tales of the paranormal, and some of the most important science fiction to ever see magazine publication: William Gibson's genre-defining stories 'Burning Chrome' and 'Johnny Mnemonic,' Orson Scott Card's 'Unaccompanied Sonata,' novellas by Harlan Ellison and George R. R. Martin, 'Thanksgiving,' a postapocalyptic tale by Joyce Carol Oates—even William S. Burroughs graced its pages." —Vice magazine, Motherboard "Omni is not a science magazine. It is a magazine about the future...Omni was sui generis. Although there were plenty of science magazines over the years...Omni was the first magazine to slant all its pieces toward the future. It was fun to read and gorgeous to look at." —Ben Bova, six-time Hugo award winner
Confessions of a Middle-Aged Hippie
| Author | : Beverley Golden |
| Publisher | : |
| Total Pages | : 222 |
| Release | : 2013-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781628650228 |
A Groovy Peek into "Confessions of a Middle-Aged Hippie" Should the wild escapades of your twenties and beyond silently recede into decades past? Or would you have the guts to bare it all, with the enthusiasm of a peace-loving, truth-seeking middle-aged hippie? Beverley Golden presents a love-offering of profound lessons from heart-wrenching, humorous encounters in standing up to Gods of conventional medicine while staring death in the eye, raising a child TV star, and pursuing a career in the entertainment industry at all costs always choosing a life colored by love, laughter and hope as the only possible outcome. Blazing trails though the 60s and 70s, right up to today, this candid, conversational memoir affirms the power of intuition and teaches us to never underestimate the role of questioning everything on the path of a true hippie seeker. Be forewarned this book may not be for you: If you ve never faced insurmountable health challenges determined to find another way If you never dated (or married) someone despite obvious omens courtesy of your family, God and/or Mother Nature If you ve never wanted to be on Oprah or dreamed of writing a book in eight days If you once had the chance to divulge your dreams to a rock star about your past-life connection, but failed to take it If you aren t intrigued by horoscopes, Hair or Daryl Hall and John Oates If you think everything you did in Vegas should definitely stay in Vegas Beverley s unconventional memoir will inspire you to live life on your own terms. This book proves it: you are not alone in the universe and we re all hippies at heart.
Art 101
| Author | : Eric Grzymkowski |
| Publisher | : Simon and Schuster |
| Total Pages | : 395 |
| Release | : 2013-12-02 |
| Genre | : Art |
| ISBN | : 1440571554 |
Explore the beautiful and complex world of art! Too often, textbooks obscure the beauty and wonder of fine art with tedious discourse that even Leonardo da Vinci would oppose. Art 101 cuts out the boring details and lengthy explanations, and instead, gives you a lesson in artistic expression that keeps you engaged as you discover the world's greatest artists and their masterpieces. From color theory and Claude Monet to Jackson Pollock and Cubism, this primer is packed with hundreds of entertaining tidbits and works of art that you won't be able to get anywhere else. So whether you're looking to master classic painting techniques, or just want to learn more about popular styles of art, Art 101 has all the answers--even the ones you didn't know you were looking for.
Art of the Third Reich
| Author | : Peter Adam |
| Publisher | : ABRAMS |
| Total Pages | : 342 |
| Release | : 1992 |
| Genre | : Art |
| ISBN | : |
Nearly 50 years after the collapse of Hitler's Third Reich, the officially sanctioned art of his National Socialist regime remains largely unknown. Many were destroyed or stored away in inaccessible locations. Now a documentary film producer offers a thoroughly researched, engrossing examination of the art of National Socialist Germany. 324 illustrations, 33 in full color.
Artistry of the Mentally Ill
| Author | : H. Prinzhorn |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 312 |
| Release | : 2013-11-11 |
| Genre | : Medical |
| ISBN | : 3662009161 |
No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.
The Art of Perspective
| Author | : Christopher Castellani |
| Publisher | : Graywolf Press |
| Total Pages | : 155 |
| Release | : 2016-01-05 |
| Genre | : Literary Criticism |
| ISBN | : 1555979157 |
A writer may have a story to tell, a sense of plot, and strong characters, but for all of these to come together some key questions must be answered. What form should the narrator take? An omniscient, invisible force, or one--or more--of the characters? But in what voice, and from what vantage point? How to decide? Avoiding prescriptive instructions or arbitrary rules, Christopher Castellani brilliantly examines the various ways writers have solved the crucial point-of-view problem. By unpacking the narrative strategies at play in the work of writers as different as E. M. Forster, Grace Paley, and Tayeb Salih, among many others, he illustrates how the author's careful manipulation of distance between narrator and character drives the story. An insightful work by an award-winning novelist and the artistic director of GrubStreet, The Art of Perspective is a fascinating discussion on a subject of perpetual interest to any writer.
Surrealism and the Art of Crime
| Author | : Jonathan Paul Eburne |
| Publisher | : Cornell University Press |
| Total Pages | : 348 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9780801446740 |
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political. In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values. Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
