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| Author | : Eric Lax |
| Publisher | : Knopf |
| Total Pages | : 369 |
| Release | : 2017 |
| Genre | : Biography & Autobiography |
| ISBN | : 0385352492 |
Introduction -- The script -- The money -- The cast, the cinematographer -- Locations, production design, and costumes -- The shoot -- Editing -- The music -- The color correction and the mix -- The end
| Author | : Richard Beck Peacock |
| Publisher | : |
| Total Pages | : 622 |
| Release | : 2010 |
| Genre | : Cinematography |
| ISBN | : 9780558743277 |
| Author | : Buck Houghton |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1991 |
| Genre | : Performing Arts |
| ISBN | : |
Guide lines on choosing stories and rendering stories into screenplays are valuable, as are his insights into the whole of maviemaking process-preproduction, production, and postproduction. the nuts-and bolts issues that must be understood.
| Author | : Paolo Usai |
| Publisher | : George Eastman House |
| Total Pages | : 344 |
| Release | : 2019-10-22 |
| Genre | : Art |
| ISBN | : 9780935398311 |
The history of cinema is full of love stories, but none has been as essential as the love between projectionists and their machines. The Art of Film Projection-A Beginner's Guide is a comprehensive outline of the materials, equipment, and knowledge needed to present the magic of cinema to an enthralled audience. Part manual and part manifesto, this book compiles more than fifty years of expertise from the staff of the world-renowned George Eastman Museum and the students of the L. Jeffrey Selznick School of Film Preservation into the most authoritative and accessible guide to film projection ever produced. No film comes to life until it is shown on the big screen, but with the proliferation of digital movie theaters, the expertise of film projection has become rare. Written for both the casual enthusiast and the professional projectionist in training, this book demystifies the process of film projection and offers an in-depth understanding of the aesthetic, technical, and historical features of motion pictures. Join in the fight to save the authentic experience of seeing motion pictures on film.
| Author | : James D. Rauch |
| Publisher | : Trafford Publishing |
| Total Pages | : 231 |
| Release | : 2010-03 |
| Genre | : Performing Arts |
| ISBN | : 1426927843 |
This book will teach you how to make a movie that won't break your bank account. Not only will it teach you how to make a movie for little or no money, but will teach you to potentially make a "box office hit" that won't require your first born, and two kidneys to do so. This book will take you through the whole process of filmmaking from Pre-Production, Production, and Post-Production. You'll learn all the key elements in which are forgotten that always cost more money in the long run then originally planned. If you are a first time filmmaker, seasoned professional, or just someone with a dream to make a movie one day, then this book will change your life.
| Author | : Richard Beck Peacock |
| Publisher | : |
| Total Pages | : 648 |
| Release | : 2001 |
| Genre | : Business & Economics |
| ISBN | : |
This comprehensive book explores the ways in which the frequently conflicting but constant elements ofart, technology, and business come together to shape “the movies.” A presentation of how the moviemaking process works gives readers an appreciation of the informed and skillful choices that artists and technicians make in creating their art. Chapter topics look at the screenwriter, the director, the art of technique, the cinematographer, casting the performers, sound design, and marketing and distribution. For movie fans and critiques alike, who want a picture that explains the dynamic nature of filmmaking.
| Author | : Jeremiah Comey |
| Publisher | : Taylor & Francis |
| Total Pages | : 302 |
| Release | : 2012-10-02 |
| Genre | : Performing Arts |
| ISBN | : 1136047212 |
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.
| Author | : Jason Cranford Teague |
| Publisher | : John Wiley & Sons |
| Total Pages | : 440 |
| Release | : 2006-12-26 |
| Genre | : Computers |
| ISBN | : 0470113200 |
The Ultimate Resource for the World's Best Digital Video Editor This full-color, hands-on guide introduces you to the powerful new features of Final Cut Pro 4, while leading you through all aspects of editing digital video. First you'll learn how to set up your workstation and master fundamental concepts. Then you'll learn pro-tested techniques for every stage of the process--everything from shooting tips to logging your footage, from adding transitions and special effects to delivering your masterpiece in multiple formats. Along the way, professional video editors emphasize the tricks and shortcuts they use to get polished results. Striking illustrations and screen shots throughout, plus sample video project files on the DVD make it simple for you to visualize and grasp the concepts. Whether you're an emerging filmmaker or a seasoned vet, Final Cut Pro 4 and the Art of Filmmaking empowers you to complete the tasks that film editors face daily, such as: Mastering the new features, including unlimited real-time effects, auto rendering, motion blur, and time remapping Customizing the interface and keyboard shortcuts to best fit your work flow Editing clips in the Timeline quickly Creating complex overlays and transitions with contextual menus Expertly adding effects, applying filters, and working with text Creating titles with video generators and advanced Boris FX title generators Working with the audio tools to make your film sound as good as it looks Preparing your finished product for the Web, CDs, and DVDs Editing for 24fps Featured on the DVD: All the clips you need to follow the lessons in the book, including a complete, fully edited short video documentary, and source material, so you can quickly get started working with real footage. Plus a bonus chapter on editing for 24fps. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
| Author | : Ian Christie |
| Publisher | : Wallflower Press |
| Total Pages | : 194 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
John Box had one of the most continuously productive design careers in British cinema, winning a record for Academy Awards and four BAFTAs. After learning his craft in the 1950s, he shot to fame with Lawrence of Arabia (1962). Directors from David Lean and Carol Reed to Norman Jewison and Michael Mann have valued his experience, as he brought `a vocabulary of life' to bear on the new challenges posed by each film. Whether creating Chaina in Wales for The Inn of the Sixth Happiness (1958), revolutionary Russia in Spain for Dr. Zhivago (1965), or Dickensian London for Oliver! (1968), imagining the mythic past in First Knight (1995) or the future in Rollerball (1975). Box shaped screen worlds across five decades, helping to establish the traditions of British production design which continue today. His greatest wish was that his career should encourage others by example. Based on interviews with John Box and the co-operation of some of his key collaborators, this lavishly colour-illustrated book focuses on solutions to design problems and provides a unique insight into the production designer's role in the collaborative business of filmmaking. --Book Jacket.
| Author | : Rudolf Arnheim |
| Publisher | : Univ of California Press |
| Total Pages | : 244 |
| Release | : 1957 |
| Genre | : Art |
| ISBN | : 9780520248373 |
“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts
