The Art Of Medieval Urbanism
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| Author | : Mickey Abel |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 260 |
| Release | : 2017-03-07 |
| Genre | : Art |
| ISBN | : 1443878650 |
Broadly defined, urban planning today is a process one might describe as half design and half social engineering. It considers not only the aesthetic and visual product, but also the economic, political, and social implications, as well as the environmental impact. This collection of essays explores the question of whether this sort of multifaceted planning took place in the Middle Ages, and how it manifested itself outside of the monastic realm. Bringing together the monastic historian and archaeologist, with scholars of art and architecture, this volume expands our comprehension of how those in roles of authority saw the planning process and implemented their plans to structure a particular outcome. The examination of architectural complexes, literary sources, commercial legers, and political records highlights the multiple avenues for viewing the growing awareness of the social potential of an urban environment.
| Author | : Robert Allan Maxwell |
| Publisher | : Penn State University Press |
| Total Pages | : 408 |
| Release | : 2007 |
| Genre | : Architecture |
| ISBN | : |
The Art of Medieval Urbanism examines the role of monumental sculpture and architecture in the medieval cityscape, offering a pathbreaking interpretation of the relationships among art, architecture, and the history of urbanism. In the first study of its kind, Robert Maxwell shifts attention away from the great Gothic cities of the later Middle Ages to focus on the urban context of art making in the earlier Romanesque era. Maxwell concentrates on Parthenay, a flourishing town in eleventh- and twelfth-century Aquitaine. Exploring Parthenay's exceptionally well-preserved structures, the author charts two centuries of urban development in southwestern France. Drawing on the methods of historical anthropology, Maxwell brings the monumental arts into dialogue with courtly romance literature, the iconography of seals and coins, history writing, and contemporary mythologies of place to show how the urban experience inflected the invention of history, aristocratic self-fashioning, and urban identity. Maxwell's interdisciplinary approach shows that medieval urbanism should be understood as a fabric of constructed identities of history, self, and place grounded in the monumental arts. The Art of Medieval Urbanism offers a fresh model for urban studies and proposes a new approach to the study of medieval art by restoring an urban dimension to our view of Romanesque production.
| Author | : Keith D. Lilley |
| Publisher | : Reaktion Books |
| Total Pages | : 258 |
| Release | : 2009-09-01 |
| Genre | : History |
| ISBN | : 1861897545 |
In City and Cosmos, Keith D. Lilley argues that the medieval mind considered the city truly a microcosm: much more than a collection of houses, a city also represented a scaled-down version of the very order and organization of the cosmos. Drawing upon a wide variety of sources, including original accounts, visual art, science, literature, and architectural history, City and Cosmos offers an innovative interpretation of how medieval Christians infused their urban surroundings with meaning. Lilley combines both visual and textual evidence to demonstrate how the city carried Christian cosmological meaning and symbolism, sharing common spatial forms and functional ordering. City and Cosmos will not only appeal to a diverse range of scholars studying medieval history, archaeology, philosophy, and theology; but it will also find a broad audience in architecture, urban planning, and art history. With more of the world’s population inhabiting cities than ever before, this original perspective on urban order and culture will prove increasingly valuable to anyone wishing to better understand the role of the city in society.
| Author | : David Friedman |
| Publisher | : MIT Press (MA) |
| Total Pages | : 392 |
| Release | : 1988 |
| Genre | : Architecture |
| ISBN | : |
Florentine New Towns is an original and comprehensive study of an important episode in late Medieval urbanism.
| Author | : Nir Haim Buras |
| Publisher | : Harvard University Press |
| Total Pages | : 497 |
| Release | : 2020-01-28 |
| Genre | : Architecture |
| ISBN | : 0674919246 |
"An accomplished architect and urbanist goes back to the roots of what makes cities attractive and livable, demonstrating how we can restore function and beauty to our urban spaces for the long term. Nearly everything we treasure in the worldÕs most beautiful cities was built over a century ago. Cities like Prague, Paris, and Lisbon draw millions of visitors from around the world because of their exquisite architecture, walkable neighborhoods, and human scale. Yet a great deal of the knowledge and practice behind successful city planning has been abandoned over the last hundred yearsÑnot because of traffic, population growth, or other practical hurdles, but because of ill-considered theories emerging from Modernism and reactions to it. The errors of urban design over the last century are too great not to question. The solutions being offered todayÑsustainability, walkability, smart and green technologiesÑhint at what has been lost and what may be regained, but they remain piecemeal and superficial. In The Art of Classic Planning, architect and planner Nir Haim Buras documents and extends the time-tested and holistic practices that held sway before the reign of Modernism. With hundreds of full-color illustrations and photographs that will captivate architects, planners, administrators, and developers, The Art of Classic Planning restores and revitalizes the foundations of urban planning. Inspired by venerable cities like Kyoto, Vienna, and Venice, and by the great successes of LÕEnfantÕs Washington, HaussmannÕs Paris, and BurnhamÕs Chicago, Buras combines theory and a host of examples to arrive at clear guidelines for best practices in classic planning for todayÕs world. The Art of Classic Planning celebrates the enduring principles of urban design and invites us to return to building beautiful cities."
| Author | : David Pinder |
| Publisher | : Routledge |
| Total Pages | : 365 |
| Release | : 2013-11-12 |
| Genre | : Social Science |
| ISBN | : 1317972856 |
Visions of the City is a dramatic history of utopian urbanism in the twentieth century. It explores radical demands for new spaces and ways of living, and considers their effects on planning, architecture and struggles to shape urban landscapes. The author critically examines influential utopian approaches to urbanism in western Europe associated with such figures as Ebenezer Howard and Le Corbusier, uncovering the political interests, desires and anxieties that lay behind their ideal cities. He also investigates avant-garde perspectives from the time that challenged these conceptions of cities, especially from within surrealism. At the heart of this richly illustrated book is an encounter with the explosive ideas of the situationists. Tracing the subversive practices of this avant-garde group and its associates from their explorations of Paris during the 1950s to their alternative visions based on nomadic life and play, David Pinder convincingly explains the significance of their revolutionary attempts to transform urban spaces and everyday life. He addresses in particular Constant's New Babylon, finding within his proposals a still powerful provocation to imagine cities otherwise. The book not only recovers vital moments from past hopes and dreams of modern urbanism. It also contests current claims about the 'end of utopia', arguing that reconsidering earlier projects can play a critical role in developing utopian perspectives today. Through the study of utopian visions, it aims to rekindle elements of utopianism itself. A superb critical exploration of the underside of utopian thought over the last hundred years and its continuing relevance in the here and now for thinking about possible urban worlds. The treatment of the Situationists and their milieu is a revelation. David Harvey, Distinguished Professor of Anthropology, City University of New York Graduate School
| Author | : Marvin Trachtenberg |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 2008-06-23 |
| Genre | : Architecture |
| ISBN | : |
Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.
| Author | : Marvin Trachtenberg |
| Publisher | : |
| Total Pages | : 358 |
| Release | : 1997 |
| Genre | : Architecture |
| ISBN | : 9780521555029 |
Dominion of the Eye: Urbanism, Art and Power in Early Modern Florence radically revises our ideas about the origins of rationally planned public space in the European city. Through a spatial and historical analysis of the major squares of Florence, all built in the Trecento, together with primary civic monuments, Marvin Trachtenberg shows that, contrary to current belief, Florentine planners engaged in a theoretically sophisticated mode of practice. In these squares, geometrically structured perspectival views of the principal monuments were established long before Alberti and other Renaissance theorists may have promoted such planning. Trachtenberg demonstrates that this urbanistic scenography, deeply informed by medieval optical science, was closely allied with perspectival developments in architecture, painting, and sculpture, forming a unified visual culture that was highly attentive to the eye of the spectator. An analysis of the critical role of the piazza in the Florentine sociopolitical field reveals how the art of the piazza was part of state practice as a work of art. Including more than 50 new drawings and 200 illustrations, Dominion of the Eye challenges many of the cardinal truisms in the art history of the Renaissance, offering a new model for understanding the art of Italy in the early modern era.
| Author | : Norman Pounds |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 335 |
| Release | : 2005-04-30 |
| Genre | : History |
| ISBN | : |
An introduction to the life of towns and cities in the medieval period, this book shows how medieval towns grew to become important centers of trade and liberty. Beginning with a look at the Roman Empire's urban legacy, the author delves into urban planning or lack thereof; the urban way of life; the church in the city; city government; urban crafts and urban trade, health, wealth, and welfare; and the city in history. Annotated primary documents like Domesday Book, sketches of street life, and descriptions of fairs and markets bring the period to life, and extended biographical sketches of towns, regions, and city-dwellers provide readers with valuable detail. In addition, 26 maps and illustrations, an annotated bibliography, glossary, and index round out the work. After a long decline in urban life following the fall of the Roman Empire, towns became centers of trade and of liberty during the medieval period. Here, the author describes how, as Europe stabilized after centuries of strife, commerce and the commercial class grew, and urban areas became an important source of revenue into royal coffers. Towns enjoyed various levels of autonomy, and always provided goods and services unavailable in rural areas. Hazards abounded in towns, though. Disease, fire, crime and other hazards raised mortality rates in urban environs. Designed as an introduction to life of towns and cities in the medieval period, eminent historian Norman Pounds brings to life the many pleasures, rewards, and dangers city-dwellers sought and avoided. Beginning with a look at the Roman Empire's urban legacy, Pounds delves into Urban Planning or lack thereof; The Urban Way of Life; The Church in the City; City Government; Urban Crafts and Urban Trade, Health, Wealth, and Welfare; and The City in History. Annotated primary documents like Domesday Book, sketches of street life, and descriptions of fairs and markets bring the period to life, and extended biographical sketches of towns, regions, and city-dwellers provide readers with valuable detail. In addition, 26 maps and illustrations, an annotated bibliography, glossary, and index round out the work.
| Author | : John Soderberg |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 263 |
| Release | : 2022-01-04 |
| Genre | : Social Science |
| ISBN | : 1793630402 |
Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise, John Soderberg argues that animals are the key to understanding Clonmacnoise’s development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.
