The Art Of Hindu Dance
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Author | : Roxanne Kamayani Gupta |
Publisher | : Simon and Schuster |
Total Pages | : 625 |
Release | : 2000-03-01 |
Genre | : Body, Mind & Spirit |
ISBN | : 1594775273 |
The yoga and classical dance traditions of India have been inextricably entwined for millennia. The exacting hand gestures, postures and movements of Indian classical dance can only be achieved through yogic concentration. Conversely, the esthetics, symmetry, and dynamism of dance enhance the practice of yoga. These two traditions, so complementary and essential to one another, are united and explicated for the first time in A Yoga of Indian Classical Dance. Twenty-five years ago Roxanne Kamayani Gupta embarked on a journey of dance and yoga, yearning to unlock their mysteries and discover their common origins. As a twenty-year-old student from America she was miraculously and mysteriously absorbed into Indian culture, became a Hindu, and began an odyssey so unusual and unique that the reader will be enchanted by its telling. Choosing the path of the dancer, Roxanne Gupta accomplished what no Western woman had done before: being accepted and trained by Indian masters and then performing in the Indian classical traditions--from the palaces of maharajas to the arts festivals of Europe and America--while at the same time achieving a doctorate in the anthropology of religion and being initiated into a number of yogic traditions. Having mastered the classical form of Kuchipudi dance and studied with teachers of the hatha and kriya yoga traditions, she brings together these two great streams of consciousness and practice. In this tantric approach to yoga and dance, expressed through the body and through a yoga of emotions, we see the traditions embodied in a manner that embraces the totality of the human experience. The result is the dance of the yogini, the sacred feminine initiatress who dances with one foot in nature and the other in the realm of the gods. With extensive photographs of innovative yoga routines, Roxanne Kamayani Gupta distills her experience into techniques for yogic study certain to assist students of all levels to achieve a dynamic, beautiful, and graceful practice.
Author | : Jim Masselos |
Publisher | : Art Media Resources |
Total Pages | : 320 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
"What strikes everyone on their first encounter with India and its art is the pervasiveness of music and dance everywhere at all times - India itself is a total experience in which music and dance are embedded as a dominant element within the overwhelming racial, linguistic and cultural variety. Central to religious worship, to love, to the expression of every spiritual and emotional nuance possible, music and dance permeate Indian life."--GoogleBooks.
Author | : Kapila Vatsyayan |
Publisher | : |
Total Pages | : 508 |
Release | : 1977 |
Genre | : Dance |
ISBN | : |
Author | : Manjulika Bhadhury |
Publisher | : |
Total Pages | : 360 |
Release | : 1945 |
Genre | : Dance |
ISBN | : |
Author | : Sabrina D. MisirHiralall |
Publisher | : Springer Nature |
Total Pages | : 136 |
Release | : 2021-04-07 |
Genre | : Religion |
ISBN | : 3030706192 |
This book sheds light on the purpose of Hindu dance as devotional. Dr. Sabrina D. MisirHiralall explains the history of Hindu dance and how colonization caused the dance form to move from sacred to a Westernized system that emphasizes culture. Postcolonialism is a main theme throughout this text, as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives.
Author | : Ragini Devi |
Publisher | : Motilal Banarsidass Publ. |
Total Pages | : 262 |
Release | : 1990 |
Genre | : Performing Arts |
ISBN | : 9788120806740 |
This book aims at creating a deeper understanding and appreciation of the Indian dance and its cultural environment in India. The book is addressed to the general reader, dancer, and connoisseur, interested in the arts and traditions of India, where regional forms of dance rituals, dance-drama, folk dance, and classical dance forms have existed for centuries as an essential part of sacred rites and festivals, and as a classical art patronised and practised by the royalty.
Author | : Kapila Vatsyayan |
Publisher | : DK Printworld (P) Ltd |
Total Pages | : 490 |
Release | : 2022-10-19 |
Genre | : Art |
ISBN | : 8124611823 |
This volume is the result of many years of pain staking research in a field, which had been neglected by art historians, and thus presenting an idealistic view of the whole tradition of Indian art and aesthetics. This definitive work on the inherent interrelationship of the Indian arts is a path-breaking endeavour, treading into a domain which no one had explored. For that to happen, the author has delved deep into enormous mass of literature on the subject and has also surveyed the portrayal of dance figures in ancient temples. With Dr Kapila Vatsyayan’s profound knowledge of various dance forms as a performing artist of her own standing and having studied the sculptures and artefacts minutely, the book emerges so scholarly emanating the wisdom and know-how of a persona, endowed with the unique combination of a researcher, an art historian and an aesthetician par excellence. The book vividly presents, analyses and critiques the varied facets of Indian aesthetics, especially the theory and technique of classical Indian dance, while doing a penetrating study of interrelationship that dancing has with literature, sculpture and music. In doing so, it surveys and analyses the contribution of great Sanskrit authors, theoreticians, playwrights of ancient and classical India such as Bharata, Bhāsa, Kālidāsa, Śūdraka, Bhavabhūti, Abhinavagupta, Jayadeva and many more along with numerous Bhāṣā scholars of arts, aesthetics and literature, covering each and every nook and corner of the Indian subcontinent. This highly scholarly work should invoke keen enthusiasm among Sanskritists, art historians, dancers and students of varied art forms alike, and should pave the way for ongoing researches on all the topics covered within its scope.
Author | : K. Katrak |
Publisher | : Springer |
Total Pages | : 284 |
Release | : 2011-07-26 |
Genre | : Performing Arts |
ISBN | : 0230321801 |
Through discussion of a dazzling array of artists in India and the diaspora, this book delineates a new language of dance on the global stage. Myriad movement vocabularies intersect the dancers' creative landscape, while cutting-edge creative choreography parodies gender and cultural stereotypes, and represents social issues.
Author | : Donovan Roebert |
Publisher | : CRC Press |
Total Pages | : 470 |
Release | : 2022-07-21 |
Genre | : Performing Arts |
ISBN | : 1000609669 |
This unique work is an annotated collection and collation of Western writing on Indian dance from the period of Marco Polo’s travels to India to the formulation of the anti-devadasi bill in 1930, and a little beyond. The book reproduces more than 250 extracts from important texts, which provide examples of how dance in India was perceived as an art, as well its position in the broader cultural, religious, social, and ethical environment. Though some excerpts from these texts are cited in other writings on Indian dance history, there is no other available work that reproduces such a large number of historical writings on Indian dance and places them in a fluid historical context.
Author | : Amit Sarwal |
Publisher | : Routledge |
Total Pages | : 120 |
Release | : 2022-05-15 |
Genre | : Performing Arts |
ISBN | : 1000625508 |
The Celestial Dancers: Manipuri Dance on Australian Stage charts the momentous journey of the popularization of Manipur’s Hindu dances in Australia. Tradition has it that the people of Manipur, a northeastern state of India, are descended from the celestial gandharvas, dance and music blessed among them as a God’s gift. The intricately symbolic Hindu dances of Manipur in their original religious forms were virtually unseen and unknown outside India until an Australian impresario, Louise Lightfoot, brought them to the stage in the 1950s. Her experimental changes through a pioneering collaboration with dancers Rajkumar Priyagopal Singh and Ibetombi Devi modernized Manipuri dance for presentation on a global stage. This partnership moved Manipur’s Hindu dances from the sphere of ritualistic temple practice to a formalized stage art abroad. Amit Sarwal chronicles how this movement, as in the case of other prominent Indian classical dances and dancers, enabled both Manipuri dance and dancers to gain recognition worldwide. This book is ideal for anyone with an interest in Hindu temple dance, Manipur dance, cross-cultural collaborations and the globalizing of Indian Classical Dance. The Celestial Dancers is a comprehensive study of how an exceptional Hindu dance form developed on the global stage.