The Art Of Arthur Streeton
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Author | : Tim Bonyhady |
Publisher | : National Gallery London |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Impressionism |
ISBN | : 9781857096125 |
Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Author | : Christopher Wray |
Publisher | : |
Total Pages | : 227 |
Release | : 1993 |
Genre | : Painters |
ISBN | : 9780701631369 |
Biography which covers Streeton's best known creative years in Australia as well as his years spent in England, his time as official war artist in WWI, and his later years in Australia. Includes a list of his major exhibitions, a chronology of his life, an extensive section on notes and sources, a select bibliography, and an index. Other books by the author are TLaw for Australians' and TTimor 1942: Australian commandos at war with the Japanese'.
Author | : William Morris Hunt |
Publisher | : |
Total Pages | : 150 |
Release | : 1890 |
Genre | : |
ISBN | : |
Author | : Patrick McCaughey |
Publisher | : Miegunyah Press |
Total Pages | : 376 |
Release | : 2014 |
Genre | : Art, Australian |
ISBN | : 9780522861204 |
'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.
Author | : Arthur Streeton |
Publisher | : |
Total Pages | : 148 |
Release | : 2015-08-08 |
Genre | : Art |
ISBN | : 9781296503963 |
Author | : Terence Lane |
Publisher | : |
Total Pages | : 354 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Australia's distinctive landscape and sunny climate gave Australian Impressionism an intensity and radiance remarkable even in the international setting as the genre swept through the world's art communities during the second half of the 19th century. This book focuses on the first 15 years of the movement and follows five artists step-by-step. The story told in the Spring 2007 exhibition and in this catalog focuses on Charles Conder, Fred McCubbin, Tom Roberts, Arthur Streeton, and Jane Sutherland. The material includes several thematic subjects, such as portraiture by Roberts and Streeton, and European symbolism. The art sometimes is anecdotal and contains a narrative. Australian plein air painters were interested in the way light evoked a particular emotion or mood and how to capture a fleeting moment within a short amount of time. These young artists saw themselves as leaders against the forces of conservatism and parochialism and stayed current with what was happening on the world stage. In response to a scathing review of their first exhibition, they wrote to the critic that they were 'working towards the development... of a great school of painting in Australia.' Among many lasting contributions of these painters, Jane Sutherland advanced the professional standing of women artists of her time.
Author | : Thomas McBurney |
Publisher | : |
Total Pages | : 394 |
Release | : 1999 |
Genre | : Art |
ISBN | : |
Author | : Simon Gregg |
Publisher | : Australian Scholarly Publishing |
Total Pages | : 1037 |
Release | : 2019-11-08 |
Genre | : Art |
ISBN | : 1925801691 |
Spirits in the Bush surveys the art of Gippsland, from the colonial to the contemporary. This expansive, original and illuminating compendium leads readers on a journey through artistic and provincial history, interweaving the lives of residents and visitors. Collectively, it presents a vivid account of the influence of place on the cultural imagination. A fascinating cast of characters includes some of Australia’s best-known and most-loved artists, including Eugène von Guérard, Jessie Traill, Arthur Streeton, Clarice Beckett, Sidney Nolan, Arthur Boyd, Fred Williams, and Jeffrey Smart. Readers will discover also a host of new names destined for recognition. Spirits in the Bush reveals how artists have grappled with a region that is in equal measures beautiful and brutal, and which has provided the stage for many of the key battles in Australian art history. Bound by geographical camaraderie, and with the spectre of Gippsland’s past as an unwavering presence, the stories of their art unfold in a unique dialogue. This publication was made possible through the generous support of the Gordon Darling Foundation.
Author | : Denise Mimmocchi |
Publisher | : University of Washington Press |
Total Pages | : 168 |
Release | : 2012 |
Genre | : Art |
ISBN | : |
Catalogue to accompany exhibition investigating two main streams of Symbolist art in Australia: works by artists who trained or lived overseas and drew directly from European Symbolist genres; and works by artists in Australia who referenced Symbolism to define a local experience.
Author | : Kerry Gardner |
Publisher | : Miegunyah Press |
Total Pages | : 240 |
Release | : 2021-06 |
Genre | : Art |
ISBN | : 9780522877366 |
Before the winds of World War I blew Europe apart, a rowdy and radical group of Australian artists would gather in the salons of Paris and London to embrace new ways of painting and seeing the world. By 1914 twelve of them had shown their works at the Venice International Exhibition, now known as the Venice Biennale. Bundled in with the British, Tom Roberts, Arthur Streeton and Thea Proctor were represented alongside legendary artists Corot, Rodin, Klimt and Renoir. Four decades later Australia sent its first official delegation of artists: Sidney Nolan, Russell Drysdale and William Dobell; the works of Rover Thomas, Howard Arkley, Patricia Piccinini and Shaun Gladwell continued the story of bold Australian art in Venice. With the support of the Australian art community, the Venice Biennale today remains an aspiration and career highlight for contemporary artists and Australia's love affair with the exhibition thrives. Discover the untold stories of the world's most important art event through one hundred years of Australian modern art.